Brian McConnachie Movies

A powerful behind-the-scenes man in politics and show business finds himself skidding into a very public scandal in this taut drama. Eli Wurman (Al Pacino) was raised in the deep South, attended Harvard Law School, and has devoted his spare time to progressive political causes since working alongside Dr. Martin Luther King Jr. in the 1960s. However, Wurman now makes his living as a press agent and PR man, and while he's near the top of his profession, years of overwork, constant smoking and drinking, and ceaseless tension are taking their toll, leaving him on the verge of collapse, with only the prescriptions of his friend Dr. Napier (Robert Klein) keeping him on his feet. One of Wurman's biggest clients is Cary Launer (Ryan O'Neal), a fading film star with political aspirations who, after attending a disastrous Broadway opening, asks Wurman to do him a big favor -- bail Launer's girlfriend, Jilli (Téa Leoni), out of jail and keep an eye on her. Wurman manages to get Jilli out of the stir, but she insists upon being escorted to an exclusive sex and opium den for a night of heavy drinking and drugging, and then reveals to Wurman that she owns a device which she's used to record footage of the most public figures who attend the club, including Elliott Sharansky, a billionaire Jewish civic leader (Richard Schiff). That night, a half out-of-it Eli accompanies Jilli back to her hotel room when an intruder barges in and forces an overdose on her, killing her instantly. The next morning, Wurman has only fuzzy memories of what transpired. He decides to focus on his attempts to set up a political fundraiser, but has a hard time getting the right A-list celebs to appear, just as many of New York's power brokers aren't especially interesting in working with Wurman or Launer. In the midst of this chaos, Victoria (Kim Basinger), who was married to Wurman's late brother, arrives in New York and urges him to leave the city and his career behind while he still can. People I Know was screened in competition at the 2003 Sundance Film Festival. ~ Mark Deming, Rovi

The second film to be made from Woody Allen's successful stage comedy (following a 1969 feature starring Jackie Gleason), Don't Drink the Water is a made-for-television adaptation directed by and starring Allen himself. The fish-out-of-water premise remains the same: Allen plays Walter Hollander, a caterer from New Jersey who takes his family on vacation to a fictional Eastern European country. The trip turns sour when, thanks to a series of misunderstandings involving some inopportune snapshots, they are accused of espionage. The family goes on the run, taking refuge in the American Embassy. There, with the help of a wily young diplomat, they try to figure out a way to return to America without sparking an international incident. Though this version is set 25 years later than the original film, the changes are mostly cosmetic: the visual style is hand-held and more frantic, and the script replaces numerous references to the Cold War with a few glancing nods to present-day politics. Another notable change, the addition of an opening montage parodying newsreels, was reportedly the result of network pressure after Allen's initial cut proved too short for the planned time slot. ~ Judd Blaise, Rovi

Two socialites find their view of the world changed when a young man takes advantage of their preconceptions in this thoughtful comedy-drama. Flan and Ouisa Kittredge (Donald Sutherland and Stockard Channing) are a married couple who have built highly successful careers as art dealers catering to Manhattan's upper crust. The Kittredges are entertaining friends one evening when a young black man named Paul (Will Smith) appears at their door. Paul says that he's a close friend of their children, with whom he attended boarding school, and he's just been mugged and needs to get off the street for a moment. Flan and Ouisa invite him in, and they are immediately taken by Paul's intelligence and charm; he offers to prepare dinner, regales them with stories about his father, Sidney Poitier, and ends up spending the night at their apartment. However, the next morning Flan and Ouisa discover that they've been had; Paul is actually a con artist from the streets who has been pulling the wool over the eyes of many of their friends -- and his actions are beginning to have serious consequences. John Guare adapted the script from his own successful stage play; the supporting cast includes Ian McKellen, Mary Beth Hurt, Bruce Davison, and Heather Graham. ~ Mark Deming, Rovi

One of Woody Allen's most seemingly biographical films, Husbands and Wives opens with upper-middle class Manhattan couple Sally (Judy Davis) and Jack (Sydney Pollack) announcing to their best friends, the Roths, that they are splitting up. Gabe Roth (Allen) and his wife Judy (Mia Farrow) are taken aback by their casual revelation. Jack begins dating his dim, but sexy, aerobics instructor and Sally starts up a tentative romance with Michael (Liam Neeson). Gabe and Judy begin analyzing their marriage, discovering that they might not be meant to stay together. English professor Gabe begins a serious flirtation with a student of his named Rain (Juliette Lewis) and Judy begins to have feelings for Michael. Eventually, Sally and Jack reconcile, but have not improved their relationship. Gabe and Judy end up going their separate ways. Husbands and Wives was seemingly influenced by Ingmar Bergman's Scenes From a Marriage. ~ Perry Seibert, Rovi

Originally titled Judith Krantz' Till We Meet Again, this two-part soaper covers forty-three years in the lives of three women. In 1913, French chanteuse Lucy Gutteridge embarks upon a successful showbiz career. She marries a champaigne heir and bears two daughters, played by Courtney Cox and Mia Sara. The story follows the trials and tribulations of mother and daughters through three wars and an infinite number of romances. A dash of adventure is provided by Courtney's activities as a stunt pilot, while there's glamour aplenty as Mia becomes a world-renowned movie star. The best scenes take place during World War 2, with the horrors of the battlefield running second place to the ladies' boudoir escapades. Barry Bostwick, who seems to have been in every Judith Krantz movie ever made (at least, that's what TV Guide told us back in 1989), costars as Courtney's erstwhile lover. Partly filmed in England, Till We Meet Again was first telecast November 19 and 21, 1989. ~ Hal Erickson, Rovi

Expanding from 30 to 90 minutes per week in the process of "graduating" from Canada's Global Television Network to America's NBC, the popular sketch comedy series SCTV also boasts an expanded title -- SCTV: Network 90 -- as it launches its first NBC season. The "new" series' format is primarily the same as the "old" one, with each episode chronicling a typical broadcast day on SCTV's flagship station, Channel 109 in Melonville. Returning from the earlier series are John Candy, Joe Flaherty, Eugene Levy, Catherine O'Hara, Andrea Martin, Dave Thomas, and Rick Moranis; beginning with the 25th episode of season one, Martin Short joins the cast, adding his own unique comedy characterizations to the cast of "regulars" already established by his colleagues.
Among the recurring segments introduced during the shakedown season of SCTV: Network 90 are "Farm Film Report," with bucolic emcees Billy Sol (John Candy) and Jim Bob (Joe Flaherty) exhorting various ersatz celebrities to "blow up reeeal good"; "The Happy Wanderers," featuring Leutonian polka kings Stan and Yosh Schmenge (John Candy, Eugene Levy); "One on the Town," a fatuous investigative reporting series hosted by news anchor Earl Camembert (Levy); "Street Beef," the cheesy man-on-the-street interview show to which SCTV personality Johnny LaRue (Candy) is exiled after the failure of his first starring movie "Polynesiantown"; and "The Gerry Todd Show," a lampoonish music video disc jockey program that predated the debut of MTV by four months! Many of the sketches seen during SCTV: Network 90's first season are reruns, culled from three seasons' worth of the original SCTV (some of these, however, had not previously been seen on U.S. television). Of the new sketches, several are standouts, including "CCCP1," in which the SCTV satellite is hijacked by the Soviet Union; "Zontar," an extended parody of Invasion of the Body Snatchers; "The People's Golden Choice Awards," arguably the single most crooked awards show in TV history; and the hilariously self-explanatory "PBS Battle of the Network Stars." On orders from NBC, SCTV: Network 90 was obliged to accommodate musical guest stars, but for the most part these performers were smoothly integrated into the comic action. This season's crop of guests includes Levon Helm, Dr. John, Natalie Cole, Al Jarreau, The Tubes, Tony Bennett, Talking Heads, Roy Orbison, and even classical violinist Eugene Fodor and Johnny Puleo and His Harmonica Gang. Mention should also be made of non-musical guest Bill Murray, who -- to no one's surprise -- melded beautifully with the series' general zaniness. (DVD alert: Most of the aforementioned guest star turns have been removed from the half-hour syndicated versions of the individual SCTV Network episodes.) ~ Hal Erickson, Rovi