Mary McCarty Movies

In this comic mystery, a department store clerk dreams of becoming a famous writer of children's books. He is also having an affair with a lovely patron of the store. The trouble begins when the lovers find that her husband, a pair of neighbors and a bogus detective have been murdered. The lovers decide to solve the case themselves. Mayhem ensues and the story's climax occurs at the Macy's Thanksgiving Day Parade. ~ Sandra Brennan, All Movie Guide

This second film adaptation of the Victor Herbert operetta Babes in Toyland was producer Walt Disney's Christmas offering for 1961. The 1903 Herbert original had very little in the way of a plot, so screenwriters Joe Rinaldi, Lowell S. Hawley, and Ward Kimball lifted elements from the 1934 filmization of Toyland, which starred Laurel and Hardy. Annette Funicello plays Mary Contrary, about to wed Tom Piper (Tommy Sands) in the heart of Mother Goose Village. The villainous Barnaby (Ray Bolger), who covets Mary for himself, orders his bumbling henchmen Gonzorgo (Henry Calvin) and Roderigo (Gene Sheldon) to do away with Tom. Hoping to turn a profit, Gonzorgo and Roderigo sell Tom to a band of gypsies, enabling Tom to make a surprise return-in old-lady drag to rescue Mary from Barnaby's clutches. Later, Mary's younger siblings (including Disney regular Moochie Corcoran) wander into the Forest of No Return, compelling Tom and Mary to go after them. Everyone winds up in Toyland, where they try to help the Toymaker (Ed Wynn) and his invention-happy assistant Grumio (Tommy Kirk) meet their quota for Santa Claus despite the continued meddlings of Barnaby. Keep an eye peeled for 11-year-old Ann Jillian, making her screen debut as Bo Peep. ~ Hal Erickson, All Movie Guide

Like so many other films that were once considered "lewd" and "scandalous", The French Line seems as harmless as Pollyanna when seen today. Essentially a remake of The Richest Girl in the World, the film stars Jane Russell as Mary Carson, an incredibly wealthy Texas oil heiress. Lucky in investments but unlucky in love, poor Mary can never keep a fiance: either they're fortune-hunters or they don't want to marry anyone so rich and powerful. Thus, while on an ocean voyage to France, Mary poses as the model of dress designer Annie Farrell (Mary McCarthy), hoping to attract a man who is interested in her for herself, and not her millions. That man turns out to be dashing stage star Pierre (Gilbert Roland), but there's many comic complications and misunderstandings before the happy ending. What shocked the censors in 1954 was Jane Russell's sizzling musical number "Lookin' for Trouble", in which she performed an uninhibited bump-and-grind while wearing nothing more than a seven-ounce glorified bikini. While Ms. Russell herself was offended by her skimpy costume, she saw nothing wrong with the dance itself, pointing out that she intended it as a parody of a "burleycue" number. The professional blue-noses disagreed, however: the film was condemned by the Catholic Legion of Decency and denied a Production Code Seal. Eventually, producer Howard Hughes got the Seal--along with a million dollars' worth of free publicity, which is what he intended all along. Filmed in 3D, The French Line is the film that was ballyhooed with the classically tasteless ad campaign "J.R. in 3D--It'll knock both your eyes out!" ~ Hal Erickson, All Movie Guide

In this musical, a humble cigarette girl dreams of auditioning for the handsome bandleader at the nightclub. Her many attempts keep failing until her uncle appears. To help her, he impersonates a colonel and uses his "influence" to get her singing with the band. Eventually their ruse is revealed, but by then the bandleader has fallen in love with her. Songs include: "Tell It to a Star" (Shirley Botwin), "Love Me or Leave Me" (Gus Kahn, Walter Donaldson), "You're So Good to Me" (Sammy Cahn, Jule Styne), "A Batucada Corazon" (Ary Barroso). ~ Sandra Brennan, All Movie Guide

The Sullivans attempts to find the positives in one of the most tragic chapters of World War II. Edward Ryan, John Campbell, James B. Cardwell, John Alvin and George Offerman Jr. play the Sullivan brothers, sons of an Iowa railroad worker (Thomas Mitchell) and his wife (Selena Royle). The film traces the boys from childhood, maintaining a relatively lighthearted tone until the Sullivans sign up en masse for the navy at the outbreak of the war. Refusing to be separated, the boys are all assigned to the cruiser Juneau--and all are killed when the vessel goes down at Guadalcanal. This appalling incident (which made something of a celebrity of the brothers' grieving father when he went on a nationwide patriotic lecture tour) resulted in the Navy's decision to never again allowed all the enlisted members of one family to serve on the same ship. Even from the vantage point of fifty years, the scene in which the family receives the wire from the war department is impossible to watch with a dry eye. ~ Hal Erickson, All Movie Guide

Republic's ongoing professional association with the celebrated "Ice-Capades" skating show yielded a number of flashy but forgettable musicals, including 1942's Ice-Capades Revue. Though a plot is hardly necessary, the story concerns New England farm gal Ann (Ellen Drew), whose already-mounting debts are escalated when she inherits a near-bankrupt ice show. Her efforts to revivify this operation are regularly thwarted by a conniving promoter named Duke Baldwin (Harold Huber), who has already tied up all the best arenas for his own skating spectacular. But Baldwin's second-in-command Jeff (Richard Denning) falls in love with Ann and vows to see to it that her show will be staged, come heck or high water. Jerry Colonna goes through his customary zaniness as an eccentric would-be backer who turns out to be a phony, while Barbara Jo Allen again trots out her dizzy "Vera Vague" characterization. Foremost among the skating acts in Ice-Capades Revue is Vera Hruba Ralston, who'd later be elevated to leading-lady status at Republic by her ardent admirer (and future husband), studio president Herbert J. Yates. ~ Hal Erickson, All Movie Guide

Previously filmed in 1917 and 1932, Kate Douglas Wiggins' bucolic novel Rebecca of Sunnybrook Farm is herein refashioned--and completely, totally, utterly rewritten--as a vehicle for 10-year-old Shirley Temple. Unable to land a radio contract for himself and his niece Rebecca Winstead (Temple), fly-by-night vaudevillian Henry Kipper (William Demarest) leaves the girl in the care of her aunt, Miranda Wilkins (Helen Westley), who runs a little farm with the help of hired hands Homer (Slim Summerville) and Aloysius (Bill Robinson). Miranda has an intense dislike for "show folks", but her next-door neighbor Anthony Kent (Randolph Scott), a talent scout for a major radio network, sees great possibilities in the talented Rebecca and secretly arranges an audition. In short order, Rebecca becomes the biggest sensation on the airwaves, whereupon the mercenary Kipper returns out of nowhere and demands that Miranda return the girl to his care. By now, Rebecca and Miranda have grown to love one another dearly, and the girl doesn't want to leave the farm, but she does what she is told--only to foil the conniving Kipper with a convenient last-minute "illness" (a scene that provides a showcase role for Franklin Pangborn) as a nervous standby organist). Future Titanic costar Gloria Stuart appears as Gwen Warren, obligatory love interest for Anthony Kent. Musical highlights include a medley of hit tunes from Shirley Temple's previous films (including, inevitably, "On the Good Ship Lollipop"), and a climactic tap duet spotlighting Temple and the inimitable Bill Robinson, danced to the tune of Raymond Scott's "Toy Trumpet". ~ Hal Erickson, All Movie Guide