Nobu McCarthy Movies

Veteran director Masato Harada spins this Bagdad Café-style drama about a group of quirky strangers stuck in the desert. The film opens with a yakuza named Jiro (Kazuya Kimura) staggering into a remote tumble-down café with an ugly shoulder wound. The place is run by tough-as-nails Japanese-American woman Sari (Nobu McCarthy), who toils as the establishment's only waitress and cook. After convalescing, Jiro reveals some surprising skills -- his culinary prowess would put Alice Waters to shame. Soon the café's handful of patrons are being wowed by some wildly creative, beautifully laid out food. Meanwhile, Mafioso kingpin Al (James Gammon) tires of his usual Italian fare and somehow stumbles onto Sari's place. He's instantly in love -- both with the food and the proprietress. ~ Jonathan Crow, All Movie Guide

Veteran Hawaii-born actor Mako is never less than brilliant in director Michael Toshiyuki Uno's The Wash. The film is a study of love lost and love renewed in California's Asian community. Since his retirement, a husband (Mako) becomes increasingly sullen and withdrawn. Only when his wife (Nobu McCarthy) announces that she wants a separation does the husband begin to reexamine his life. While the story in The Wash is a familiar one, its ethnic overtones set the film apart from others of its ilk. ~ Hal Erickson, All Movie Guide

This sequel to the 1984 surprise hit The Karate Kid reunites Ralph Macchio as high-schooler Danny and Noriyuki "Pat" Morita as Danny's martial-arts mentor Miyagi. Picking up where the first film left off, The Karate Kid Part II finds Danny and Miyagi making an emergency trip to Okinawa, where Miyagi's father is dying. Here they revisit Miyagi's childhood sweetheart Nobu McCarthy who, Miyagi believes, had been wheedled into an arranged marriage with loose-cannon karate expert Sato (Danny Kamekona). Little does Miyagi realize that the woman is still single; Sato is still around as well, however, and intent on resuming the fight with his old nemesis. Morita agrees; meanwhile, Danny is challenged by Kamekona's pugnacious nephew Yuji Okumoto. ~ Hal Erickson, All Movie Guide

Farewell to Manzanar recounts a dark chapter in American history from the point of view of those most closely affected by it. This made-for-TV movie concentrates on the Wakatsukis, a Japanese-American family living in Santa Monica, California in the early 1940s. After the attack on Pearl Harbor, the family's father (Yuki Shimoda) is accused of selling fuel to Japanese submarines and is thrown in jail. His wife and children are shipped off to the internment camp of Manzanar in California, along with thousands of other American citizens of Japanese descent. Based on the autobiographical book co-written by Jeanne Wakatusi (played in the film by Dori Takeshita as a child and Nobu McCarthy as an adult) and her husband James D. Houston, Farewell to Manzanar explores not only the humiliations suffered by the Wakatusis behind barbed wire, but also their fears as to how they'll be treated by the white populace upon their release. Understandably one-sided, the film works best when celebrating the indomitability of the human spirit. Farewell to Manzanar was originally telecast March 11, 1976. ~ Hal Erickson, All Movie Guide

Taken for granted by her Italian family, New Yorker Natalie Wood seeks solace in the arms of irresponsible jazz musician Steve McQueen. She becomes pregnant, but doesn't expect McQueen to marry her; all she wants is enough money to pay for an illegal abortion (this is ten years before Roe v. Wade). Not surprisingly, McQueen is refused a loan by his girl friend Edie Adams; meanwhile, Wood is being pressured by her family to marry gormless Tom Bosley. As the abortion appointment approaches, McQueen begins to feel guilty, but still won't propose. Bosley finds out that Wood is pregnant, and is willing to make an honest woman of her. Wood finally makes up her mind what she's going to do and whom she's going to choose when she walks into the seedy abortion clinic. Though very dated, Love With the Proper Stranger is still dramatically viable, thanks to the on-screen rapport between Natalie Wood and Steve McQueen, and to the large and talented New York-based supporting cast. ~ Hal Erickson, All Movie Guide

Cowboy Line Bartlett (Jack Lord) comes to San Francisco and meets Kim Sung (Nobu McCarthy), a Chinese slave girl coveted by the manager of a whorehouse. To save her from this fate, Bartlett buys the girl himself and takes her home to serve as a housekeeper. His mother, Ma Bartlett (Josephine Hutchinson), is not happy that a Chinese girl is living in her home, and even less happy when Kim Sung and her son fall in love. Their affair also arouses the jealousy of Cheng Lu (James Shigeta), a Chinese immigrant living in town. The proud Cheng learns to become a western-style warrior by taking sharpshooting lessons from the mysterious Deacon (Mel Torme). ~ Michael Betzold, All Movie Guide

The drama in this fact-based tale about the killing of a young Japanese man is undermined by trite characters and a transparent storyline. There is no doubt that American GI Sgt. Douglas (Richard Long) killed the youth with his own gun. The dispute lies in whether the gun discharged accidentally, as he claims, and in whether he should be tried by Japanese civil law instead of an American military court. Sgt. Douglas is portrayed as a good guy, in love with a Japanese woman and appreciative of Japanese life and culture. His dilemma is made all the worse by some ill-advised plans he concocts to determine how he should be tried. ~ Eleanor Mannikka, All Movie Guide

Disapproving of his son Grove's romance with Japanese girl Mitsuo (Nobu McCarthy), wealthy Hudson Nichols (Ralph Dumke) hires a private detective to frame Mitsuo for the theft of his wife's valuable pearls. He tells the mortified girl that he won't press charges if she will give up Grove (Steve Terrell). Surprisingly, it is not Nichols who turns up murdered, but instead Mitsuo's uncle (Rollin Mariyama), who orginally strung the pearls and whose death has been arranged to look like hara-kiri. Whatever the case, Mitsuo is arrested and Perry (Raymond Burr) agrees to handle her defense. Future Star Trek costar George Takei appears in a supporting role. ~ Hal Erickson, All Movie Guide

Jerry Lewis, plays a third-rate USO magician named Gilbert Woolley, working the Far East circuit with his pet rabbit Harry. Nearly fired for accidentally humiliating haughty movie star Marie McDonald, Gilbert's career is salvaged by kindly Japanese aristocrat Sessue Hayakawa; it seems that Gilbert is the only person who is able to make Sessue's lonely, orphaned nephew Robert Hirano laugh. An international incident nearly develops when hero-worshipping Hirano tries to follow Gilbert back to the US, whereupon the poor prestidigitator is accused of being a kidnaper. Like most of the Jerry Lewis/Frank Tashlin collaborations, The Geisha Boy is highlighted by several eye-popping sight-gag sequences. The best bits include a ballpark scene featuring several members of the 1958 Los Angeles Dodgers (notably Gil Hodges) and a sledgehammer-subtle "throwaway" concerning Sessue Hayakawa's previous appearance in Bridge on the River Kwai. Less successful are the maudlin scenes between Jerry Lewis and little Robert Hirano, with both performers ladling on pathos with a trowel. Oh, yes: Geisha Boy served as the film debut of Suzanne Pleshette. ~ Hal Erickson, All Movie Guide