Frank McCarthy Movies

Justin Lazard plays a crack-cocaine dealer who is caught in a police dragnet. The cops cut a deal with Lazard: they'll let him off the hook if he agrees to be trained as a professional assassin. Not unexpectedly, Lazard finds the police no more trustworthy than his former drug cronies. The last time we saw this story, it was called La Femme Nikita and the leading man was a leading lady. Dead Center is rated R, for several very good reasons. ~ Hal Erickson, All Movie Guide

In this vaguely allegorical science fiction-crime film, a Los Angeles cop tries to solve the murder of his best friend with the help of his new partner -- a member of a star-faring alien race. In the near-future world of Alien Nation, the "Newcomers" are a race of formerly enslaved humanoids seeking refuge and integration into Earth society. These unusual immigrants face anger and resentment from some humans, including Matthew Sykes (James Caan), a cop whose partner, Tug (Roger Aaron Brown), was killed in a shoot-out with several Newcomers. In order to get some insight into Newcomer society and track down the "slags" who killed Tug, Sykes volunteers to take on a new partner,Sam "George" Francisco (Mandy Patinkin), the first alien ever promoted to the rank of detective. As Sykes tries to overcome his bigotry against George and his kind, who eat raw beaver and get drunk on spoiled milk, the friendly, helpful George soon learns the identity of Tug's killer: William Harcort (Terrence Stamp), a pillar of Newcomer society who is secretly manufacturing the same powerful narcotic that was used to enslave his race. It's up to Sykes and George to stop Harcort before he turns his fellow Newcomers into drooling addicts and pulls the skeletons out of his race's closet for all of humankind to see. Omen 3 director Graham Baker made his screenwriting debut with Alien Nation, as did co-writer Rockne S. O'Bannon. Kenneth Johnson, creator of the miniseries V, would adapt Alien Nation into a weekly television show in 1989 and several made-for-TV movies in the mid-'90s. ~ Brian J. Dillard, All Movie Guide

This campy gorefest is basically a series of outrageous death scenes set in a chi-chi health club which is haunted by the murderous spectre of its owner's late wife (who was burned to death). First taking control of the club's computer-controlled circuitry, the bloodthirsty ghost then decides to possess her gay brother, who begins parading around in sis's clothes and continuing her devilish deeds. For those with a natural antipathy toward the toned-and-tanned set, this tremendously bloody film might offer a guilty chuckle or two for the strong-stomached viewer, who can watch a series of yuppie hardbodies hacked (by blender), torn (by weight machine), burnt (by tanning booth), boiled (by shower), and shredded (by flying glass)... even mauled to death by demonically-possessed carp! ~ Cavett Binion, All Movie Guide

This gripping made-for-TV courtroom drama centers on a pair of hard-working lawyers who become obsessed with proving that the tactical division of the Boston Police Force made a fatal mistake when they shot the wrong man following a robbery. The plot is based on a true story. ~ Sandra Brennan, All Movie Guide

In the conclusion of The A-Team's three-part Season Five opener, Hannibal (George Peppard), B.A. (Mr. T) and Face (Dirk Benedict) are found guilty of murder and sentenced to death by firing squad. In their efforts to prevent the execution, Murdock (Dwight Schultz) and Frankie (Eddie Velez) steal a plane owned by the Team's principal accuser, the mysterious General Hunt Stockwell (Robert Vaughn). But the rescue plan fails--and the three condemned men are shot! End of story? Not quite...and certainly not with General Stockwell involved. ~ Hal Erickson, All Movie Guide

A clandestine marriage between 2 police officers is kept from the department. ~ All Movie Guide

In his last acting assignment before his death, Orson Welles narrates this highly unusual episode of Moonlighting. While gathering evidence for their latest case, David (Bruce Willis) and Maddie (Cybill learn of the famous Flamingo Cove Murder, a 1946 case that has never been solved. It doesn't take long for the two detectives to dream up their own separate solutions to the murder--dreams filmed in glorious black and white in the manner of a classic film noir (David's scenario looks like something out of the Rita Hayworth flick Gilda, while Maddie's resembles a Tennessee Williams-style romantic melodrama!) Cybill Shepherd sings "Blue Moon" and "I Told Ya I Love Ya, Now Get Out!" ~ Hal Erickson, All Movie Guide

This routine film catalogues what happens to a teen's life when he is wrenched from an easy existence in affluent, East Coast suburbia and dropped into the lean, mean streets of a downscale L.A. suburb. James Spader is Morgan Hiller, displaced with his parents and brother when his father loses some of the wealth to which they were accustomed and the family moves to California. Morgan soon attracts Frankie (Kim Richards), the girlfriend of Nick (Paul Mones), a high school tough who does not appreciate Frankie's change of heart. The antagonism between Morgan and Frankie mounts as they both approach a high-noon showdown. Aside from some musical numbers which seem to have wandered in from another film about teen singers and dancers, the story is compelling and the film is notable for one of the early performances of Robert Downey in a subsidiary role. ~ Eleanor Mannikka, All Movie Guide

Physically, the gangling, long-necked Jeff Goldblum is all wrong for the role of fabled TV comedian Ernie Kovacs (1919-1962) but you tend to forget this as Goldblum expertly reenacts some of Kovacs' most famous comic bits. No Kovacs bio would be complete without such scenes as the mustachioed, cigar-chomping Ernie delivering a radio broadcast while lying on a railroad track with a train rapidly approaching, or Kovacs "celebrating" the cancellation of his TV series by smashing up the set in full view of the home audience. As the title indicates, much of the film takes place between the laughs, as Kovacs desperately struggles to reclaim his children, who have been kidnapped by his emotionally disturbed ex-wife (Madolyn Smith) in the midst of an acrimonious custody battle. Melody Anderson plays Kovacs' second wife, singer Edie Adams, while the real Edie appears in a cameo as Mae West. Cloris Leachman tears a passion to tatters in the role of Ernie's outrageous Hungarian mother. Our favorite bit: Jeff Goldblum and Melody Anderson recreating Ernie's lisping, perpetually soused poet Percy Dovetonsils. Ernie Kovacs: Between the Laughter was first telecast May 14, 1984. ~ Hal Erickson, All Movie Guide

Steve Martin and Carl Reiner concoct one of Martin's best comic vehicles with Martin playing the world's top brain surgeon, Dr. Michael Hfuhruhurr -- he ought to know, he said so himself. Hfuhruhurr pioneered the radical new cranial screw-top technique, but he grieves over the untimely death of his wife Rebecca, carrying around a small plastic likeness of her to get through the long and lonely evenings. Thinking of her while driving home, Hfuhruhurr takes his eyes off the road and runs down the beautiful but deadly Dolores Benedict (Kathleen Turner). Hfuhruhurr performs surgery which saves her life, but as she recovers, Hfuhruhurr doesn't realize Dolores is a gold-digging vixen who has driven her latest husband (George Furth) to death by apoplexy. She is now looking for a new victim and Hfuhruhurr fits the bill. They marry, but Dolores denies her husband sexual favors, which frustrates Hfuhruhurr to distraction. He takes Dolores on a belated honeymoon to Austria, where he meets fellow brain surgeon Dr. Necessiter (David Warner), who keeps a wide assortment of brains in his laboratory. Dolores takes the opportunity to have an extramarital affair, and when Hfuhruhurr finds out he dumps her. But in Necessiter's laboratory, Hfuhruhurr becomes attracted to Brain #21, Ann Uumellmahaye (voice of Sissy Spacek), with whom he communicates telepathically. At last, here is one case where a man loves a woman for her mind rather than her body (which doesn't exist)! But Ann's brain is deteriorating rapidly; Hfuhruhurr needs to find a body and transplant the brain quickly in order to save Ann. ~ Paul Brenner, All Movie Guide

This made-for-TV comedy postulates that, someday, members of carpools will be selected by computer. The four so anointed herein are Harvey Korman, Peter Scolari, T.K. Carter and Stephanie Faracy. Their lives go along in their usual luckless fashion until the quarter of mismatched "poolers" find themselves in possession of a million dollars that has fallen from an armored car. But ex-cop Ernest Borgnine has his eyes on the loot as well, and the chase is on. Basically a bargain-basement It's a Mad Mad Mad Mad World, Carpool first aired October 5, 1983. ~ Hal Erickson, All Movie Guide

When Diane (Shelley Long) decides to takes notes for a book she plans to write, she certainly does not lack for story material. For starters, a young man named Kevin (Boyd Bodwell) bursts into Cheers, determined to have one final fling before entering a monastery -- only to entertain the notion of chucking his vows when he falls for Diane. In addition, a septuagenarian WWI doughboy (Ian Wolfe) shows up at Cheers for his annual reunion with his army buddies -- a celebration that is, to say the least, woefully under-attended. ~ Hal Erickson, All Movie Guide

Sitcom stalwart Valerie Harper trades jokes for the judiciary in Farrell: For the People. Valerie stars as New York attorney Elizabeth Farrell ("All she wants to be is a DA", declared the TV Guide ad copy, "but her toughest case is being a woman!"), whose case load runs the gamut from rapists to killers. This TV movie borrows a page from current events by fictionalizing the notorious Norman Mailer/Jack Henry Abbott contretemps. Farrell takes on an ex-convict who has become a best-selling author thanks to the intervention of the Manhattan intellectual elite--and whose latest creative achievement is murder. Farrell: for the People was the pilot for a projected TV series, but the central character was too bland and confining for Valerie Harper's talents. ~ Hal Erickson, All Movie Guide