Barbara Baxley Movies

Sea of Love is a sexy, atmospheric thriller, very much in the style of Alfred Hitchcock, with involving characters, steamy love scenes, and surprising plot twists. Frank Keller (Al Pacino), is a lonely, tired, disillusioned, police detective, who has a problem with alcohol. Frank is investigating a serial killer, whom he believes finds victims by using personal ads in magazines, killing them while playing the old record "Sea of Love." In a scene both amusing and touching, Frank and his partner, Sherman (John Goodman) --aided by Frank's father (William Hickey in a lovely cameo) place a personal ad, hoping to lure the killer. Helen Cruger (Ellen Barkin), a tough, sexy single mother answers the ad and begins an affair with Frank, despite the fact that she is one of the prime suspects in the case. The suspense builds as Frank, though deeply drawn to Helen, becomes more and more suspicious of her. In a splendidly crafted script from Richard Price, the plot is compelling, with plenty of action, terrific authentic dialogue and superb characterization. Ellen Barkin gives a marvelous performance as an independent, sensual and intriguing femme fatale; John Goodman is excellent as Sherman, giving a likable, shrewd, and subtly comic performance; and Pacino, in perhaps his best performance since Dog Day Afternoon, plays Frank as a man on the edge, reckless and self-destructive, lost and alone. Frank falls in love with Helen, in spite of himself, because of his loneliness and need. Pacino's skill in showing the vulnerability and neediness of Frank explains the somewhat implausible actions of his character in continuing their affair despite the mounting evidence against Helen. Harold Becker directs with great flair, bringing the story believability, without lapsing into false sentimentality. ~ Linda Rasmussen, All Movie Guide

Actress Joanne Woodward made her (surprisingly unheralded) directorial debut with Come Along With Me. Estelle Parsons stars as a freewheeling woman who decides to start over completely when her husband dies. Before leaving town, she sells everything she owns and burns all her bridges behind her. Parsons sets up residence in a faraway burg under a new name, where she pursues her first love--the occult. The 60-minute Come Along With Me was based on an unpublished short story by Shirley Jackson; it debuted February 16, 1982, on PBS' American Playhouse. ~ Hal Erickson, All Movie Guide

Norma Rae finds Sally Field cast in the title role, a minimum-wage worker in a cotton mill. The factory has taken too much of a toll on the health of Norma Rae's family for her to ignore her Dickensian working conditions. After hearing a speech by New York union organizer Reuben (Ron Leibman), Norma Rae decides to join the effort to unionize her shop. This causes dissension at home when Norma Rae's husband, Sonny (Beau Bridges), assumes that her activism is a result of a romance between herself and Reuben. Despite the pressure brought to bear by management, Norma Rae successfully orchestrates a shutdown of the mill, resulting in victory for the union and capitulation to its demands. Based on a true story, Norma Rae is the film for which Sally Field won her first Oscar; an additional Oscar went to David Shire and Norman Gimbel for the film's theme song, "It Goes Like It Goes." ~ Hal Erickson, All Movie Guide

In this pilot film for a never-sold weekly series, Paul Hecht stars as Joe Tyler, a former Army intelligence officer turned private investigator. For a tidy fee of 5,000 dollars, Tyler agrees to impersonate a businessman who has been slated for assassination. Unearthing a vast conspiracy to defraud a land-development firm, the hero may well get blown to bits before he can make his findings public. Clearly, the planned series was to have Paul Hecht pose as a different person each week, with similar explosive results. The Impostor was broadcast by NBC on March 18, 1975. ~ Hal Erickson, All Movie Guide

New York detective Moe Brummell (George Segal) is assigned to track down a serial killer who has been preying on lonely middle-aged ladies. Each of the bodies is discovered with a lipstick kiss drawn on the forehead. We know (but Brummell doesn't) that the murderer is Christopher Gill (Rod Steiger), a round-the-bend actor whose hatred for his mother has driven him to his killing spree. Gill is fond of adopting a different personality and costume with each killing (a priest, a homosexual, a plumber etc.), making him doubly difficult to trace. When Brummell comments to the media that he's up against a criminal genius, he finds himself the reluctant recipient of Gill's anonymous phone calls, wherein the killer plants cryptic clues leading to his next crime. It may not be readily apparent from the previous sentence, but No Way to Treat a Lady is a comedy-albeit a jet-black one. Moe Brummell is hampered with an archetypal Jewish mamma (Eileen Heckart), who in her own way is as deadly as the elusive Christopher Gill. Lee Remick plays Brummell's girl friend, who, as the only person who might be able to identify Gill, is placed in harm's way at the film's climax. A curious by-product of No Way to Treat a Lady is the fact that Rod Steiger was cast in the lead in the 1976 biopic W.C. Fields and Me on the basis of the third-rate Fields imitation he offers to George Segal during one of his taunting phone calls. ~ Hal Erickson, All Movie Guide

At an emergency hospital, a man calling himself Harry Robertson uses his medical skills to save the life of Maggie Tippet (Barbara Baxley)--then disappears. It turns out that "Harry Robertson" is actually fugitive Richard Kimble, and that Maggie Tippet is the girl friend of Bill Johnson, the "one-armed man" who committed the murder for which Kimble was sent to Death Row. Tipped off by Johnson as to Kimble's whereabouts, Lt. Gerard (David Janssen) makes a beeline to the hospital, certain that Kimble will pay a return visit--thereby neatly falling into a police trap. ~ Hal Erickson, All Movie Guide

In one of his first roles, Warren Beatty plays a callous, self-involved young man who is idolized by his younger brother Brandon DeWilde. When Beatty and DeWilde's parents Karl Malden and Angela Lansbury take in Eva Marie Saint as a boarder, Beatty makes violent love to the poor (but not entirely unwilling) girl. Saint becomes pregnant, a contingency which brings out the absolute worst in Beatty. When he deserts her, she kills herself. Only at this point does DeWilde (who has worshipped Saint from afar) realize that Beatty has feet of clay. Attempting to kill his older brother, DeWilde relents when he decides that Beatty is more pathetic than evil. Playwright William Inge adapted the screenplay for All Fall Down from a novel by James Leo Herlihy. So dependent is this film on its stark black and white photography that the currently available colorized version is tantamount to sacrilege. ~ Hal Erickson, All Movie Guide

Hubert Wintor (George Grizzard) can't persuade his widowed mother, Sofie (Patricia Collinge), to lend him any money. However, Hubert is more successful talking Sofie into attending a séance staged by a suspicious-looking medium named Irma (Barbara Baxley). In the course of the séance, a voice from beyond suggests that it is high time that Sofie "cross over" to the other world so that she can be reunited with her husband. Sofie agrees that she'd be better off dead: problem is, she has no intention of leaving this world for the next without a traveling companion.... ~ Hal Erickson, All Movie Guide

After receiving a brooch from lovelorn student Tomachek (Robert Ellenstein), Lois Morrision (Barbara Baxley), who teaches in a classroom comprised of adult immigrants, suddenly begins writing on the blackboard in a language she has never used--and doesn't even recognize. But Tomachek does understand the language, and recognizes the chalk writings as a message from a girl he knew a long time ago. What Lois doesn't realize--until it is almost too late--is that the message is a dark and foreboding one. ~ Hal Erickson, All Movie Guide

Myra Jensen (Barbara Baxley) loves her pets more than she does people -- and that includes her long-suffering husband, Hermie (a pre-Dragnet and pre-M*A*S*H Harry Morgan). Ultimately, Hermie plots to exact vengeance against Myra by purchasing a pet that she doesn't already have: a poisonous coral snake. What Hermie hasn't counted on is Myra's thorough knowledge of all animals -- not to mention his utter lack of that same knowledge. ~ Hal Erickson, All Movie Guide

Peter Van Hook (Alan Ladd), alias The Dutchman, is nearing the end of a stretch in Yuma Territorial Prison for a gold robbery that he didn't commit. Released early with the unwitting -- and unwilling -- help of fellow inmate John McBain (Ernest Borgnine), he sets about getting even with the men and the mining company whose original owner got him into trouble, in a plan of double- and triple-crosses for which he needs the reluctant help of McBain. The latter wants nothing more than to go back to the life of a rancher -- and then he discovers something equally important in life, when he steps in to help a victimized Mexican woman (Katy Jurado). Suddenly, McBain is very interested in the Dutchman's scheme, and with the help of explosives expert Vincente (Nehemiah Persoff), they pull off what looks like an absolutely perfect robbery of a gold mine -- even the evidence that a crime was committed ends up being covered up. But Cyirl Lounsberry (Kent Smith), the financier who's supposed to fence the gold, has other ideas, and a crooked lawman (Adam Williams) to back him up. ~ Bruce Eder, All Movie Guide

Charlie Brailing (Norman Lloyd) dreams of leaving his wife, Lydia (Marian Seldes), and flying off to Rio. Of course, if he were to do this, it would cause nothing but shame and humiliation for all concerned. Thus, Charlie concocts a "foolproof" scheme to make his getaway without detection: he builds a robot lookalike, intending to leave his mechanical double with his wife while he skips town. Trouble is, the robot has a few plans of its own. One of the few "supernatural" Hitchcock episodes, "Design for Loving" was written by no less than Ray Bradbury. ~ Hal Erickson, All Movie Guide