Frankie McCafferty Movies

Brian Kirk's gothic thriller Middletown excoriates the actions and attitudes of the Irish Catholic clergy by honing in on one psychotically deranged fire-and-brimstone preacher. Matthew MacFadyen is Gabriel Hunter, a priest fresh from missions work in Africa. After 15 years of service in the field, Gabriel returns to his hometown in Ireland to occupy the now-vacant pulpit. Once there, he re-encounters three members of his working-class brood: his father, Bill Hunter (Gerard McSorley); his younger brother, the service station attendant Jim (Daniel Mays); and Jim's expectant wife Caroline (Eva Birthistle), who runs the local speakeasy. The family welcomes Gabriel home, but from the first moments of his arrival, he projects a violent, hair-trigger temper; relentless, psychopathic bursts of unchecked anger; and a sadistic obsession with inflicting pain and cruelty on everything and everyone around him -- from squelching live mice beneath his heels to strangling the neck of a chicken that he seizes during a cockfight. From the pulpit, Gabriel uses sermons to relentlessly damn the members of his congregation for their sins, including all activity at the local pub, which he perceives as a den of iniquity. When Gabriel hears Caroline's refusal to have her child baptized, the statement pushes him completely over the edge and triggers a string of increasingly violent acts that will bring the entire community to its knees -- and threaten the lives and safety of Bill, Jim, Caroline, and the newborn baby. Daragh Carville authored the script. ~ Nathan Southern, All Movie Guide

Stephen Bradley made his directorial debut with this Irish drama in which circus performer Sweety Barrett (Brendan Gleeson) loses his job swallowing objects and is hired by bootlegger Flick Hennessy (Tony Rohr) to do odd jobs in the port town of Dockery where the slow-witted Sweety meets Anne King (Lynda Steadman) and her six-year-old son Conor (Dylan Murphy). Anne's husband Leo (Andy Serkis) has been framed by deranged police chief Mannix Bone (Liam Cunningham), who often beats up various townsfolk whenever the psychopathic inspiration hits him. Bone has also forced Flick to cut him in on the whisky-running profits. Released from jail, Leo plots revenge, and violence erupts. Shown at the 1998 Toronto Film Festival and the 1998 San Sebastian Film Festival. ~ Bhob Stewart, All Movie Guide

This evocative, at times chilling, Irish drama offers a bruising glimpse into the psychological effects of a bad marriage in a country where divorce is still illegal, forcing both partners to endure their torment in silence. The story begins in the present and then flashes back to different points to explain the events leading up to the central conflict. Corporal Liam is first seen drunk, quietly angry and emotionally unstable. He starts a fight with his wife Tina. Earlier in the day he had been watching the sexy, maliciously flirtatious Michelle. Later he goes with some friends, including her brother Frank, to the pub to hoist a few. Tina is seen shopping and being forced into an electronics store by a girl friend. She meets and speaks to the cheerful Ronnie, Michelle's husband. Though Michelle is unkind to him, he tries hard to ignore her constant put-downs. Though Tina quietly conveys her interest in the steady seeming Ronnie. Liam takes his lust for Michelle to an entirely different, much darker level. ~ Sandra Brennan, All Movie Guide

The magic of folklore forms the basis of this Irish tale by writer-director John Sayles. Adapted from the book Secret of the Ron Mor Skerry, the 1940s story is told from the point-of-view of Fiona (Jeni Courtney), a young girl sent to live with her grandparents in an Irish fishing town. Her grandfather weaves grand stories about the family's evacuation from their home on the tiny island of Roan Inish and about his great-great grandfather, who once cheated death at the hands of the unforgiving sea. As she meets other villagers, Fiona hears even more personal stories about an uncle who married a beautiful, part-human/ part-seal and about how the sea stole her baby brother during the departure from Roan Inish. Later, Fiona believes that she has found Jamie romping in the grass on Roan Inish, and she must convince the family of her vision. While Roan Inish has the feel of a family film, it shares with other Sayles works a character who learns history through storytelling, such as Sam Deeds in Lone Star (1996) and Dr. Fuentes in Men with Guns (1997). Sayles builds cohesive stories from multiple voices, showing the importance of oral history and indicating that learning the past can alter the future. ~ Norm Schrager, All Movie Guide

In this epic Ron Howard film, Joseph Donelly (Tom Cruise) is an impoverished 19th-century Irish tenant farmer who has recently lost both his father and his home to the agents of his unscrupulous landlord. On a mission to avenge his family's injustice at the hands of the ruthless land baron Joseph meets the landlord's daughter and the two run off to America together where the girl expects to claim a piece of land for herself in the Oklahoma Land Rush. After she is robbed on the boat that carries them to America, they arrive with nary a penny and struggle just to keep their heads above water in the slums of Boston. After a series of serious set-backs they do eventually work their way out West, where Joseph must fight to realize his dream and claim a piece of the American Dream for himself -- and where they finally acknowledge their love for each other. Shot in wide-screen Panavision, the movie was filmed on-location in Ireland and Montana. ~ Iotis Erlewine, All Movie Guide