Ray McAnally Movies

Based on the speculative political novel by Chris Mullin, this British miniseries starred Ray McAnally as Harry Perkins, a third-generation Communist, lifelong steelworker, and a powerful labor leader. Thanks to strong support from the industrial countries, Harry was elected Prime Minister of England, whereupon he set to work putting his left-wing ideals in action. Harry's efforts were compromised by a vast right-wing conspiracy, fomented by a number of important Conservative money men and set in motion by Britain's' MI5 and America's CIA. The winner of four BAFTA awards, including Best Drama Series and Best Actor (Ray McAnally), A Very British Coup aired in three parts over Britain's Channel 4 from June 19 to July 3, 1988. ~ Hal Erickson, Rovi

Produced for British television, this multipart adaptation of Dickens' Great Expectations stars Anthony Hopkins as the mysterious convict Magwich, who secretly finances the education and entree into society of young Pip. With 6 hours at its disposal, this version is able to cover the length and breadth of the Dickens original, without resorting to the heavy cutting and telescoping inherent in previous film versions. The most piquant bit of casting in the 1989 Great Expectations is that of Jean Simmons. In the 1946 film version, Ms. Simmons played the fickle Estrella as a child. Here, she essays the meatier role of the reclusive, half-balmy Miss Havisham, she of the rotting wedding cake. ~ Hal Erickson, Rovi

TheTV movie Jack the Ripper endeavors to shed new light on one of the most notorious unsolved cases in history. The Ripper, of course, was the London serial killer who, in 1888, killed and disemboweled five prostitutes. Michael Caine stars not as the Ripper but as a Scotland-Yard inspector who is assigned to the case. The trail of evidence leads Caine to some astonishing suspects--including at least one member of the Royal Family. As the public clamors for an arrest in the case of the unsolved evisceration murders of five East End prostitutes, Abberline narrows down his list of suspects: the four most likely to have committed the murders, according to the inspector, are American-actor Richard Mansfield (Armand Assante), Queen Victoria's personal psychic (Ken Bones), a certain Dr. Acland (Richard Morant) and socialist-gadfly Lusk (Michael Gothard). The British government is also pressuring Abberline to produce the killer. Unfortunately, if Abberline were to publicly release all the clues at his disposal, the revelation would probably rock the Empire to its foundations. ~ Hal Erickson, Rovi

The owner of an Irish castle decides to attract visitors by falsely claiming that the building is haunted, only to have a pair of real ancestral spirits start causing trouble in this uneven attempt at fantasy-comedy. The story centers on Jack and Sharon (played by Steve Guttenberg and Beverly D'Angelo), naive American tourists who are initially unimpressed by the owner's attempts at fraud but become more interested in the real ghosts, Mary and Martin (played by Daryl Hannah and Liam Neeson). This is especially true for Jack, who falls in love with the beautiful Mary, despite several centuries' difference in their ages. After the film's initial unsuccessful release, people involved with the production blamed studio interference for damaging director Neil Jordan's original vision, although Jordan is better known as a director of quirky, dark dramas (Mona Lisa, The Crying Game, Interview With a Vampire, The Company of Wolves). For whatever reason, the end result was an awkward, forced comedy that more often than not falls flat, squandering a strong collection of talent. ~ Judd Blaise, Rovi

Based on one of the most scandalous murders in British history, White Mischief transpires in Kenya at a time just before the beginning of World War II. Jock Broughton (Joss Ackland) is a wealthy rancher who becomes taken with a young gold-digger named Diana (Greta Scacchi). Even though he is fully aware of her reasons for doing so, the pair wed. Broughton falls on hard times and loses his fortune. The hedonistic Earl of Erroll (Charles Dance) realizes this change of fortune may make Diana more open to engaging in an affair. One evening, Erroll is found murdered. Broughton is tried for the crime. Michael Radford would not direct again for seven years, but returned with the international hit Il Postino in 1994. ~ Perry Seibert, Rovi

Adapted from Mario Puzo's novel, The Sicilian is an attempt to chronicle the life and times of Mafia leader, patriot and real-life Robin Hood Salvatore Giuliano, the infamous bandit who, together with his rag-tag band of guerillas, attempted to liberate 1940s Sicily from Italian rule and make it an American state. Giuliano (Christopher Lambert) robs from the rich conservative landowners to give to the poor, serf-like peasants, who in turn hail him as their savior. As his popularity grows, so does his ego, and he eventually thinks he is above the power of his backer, Mafia Don Masino Croce (Joss Ackland). The Don, in turn, sets out to kill the upstart by convincing his cousin and closest advisor Gaspare (John Turturro) to assassinate him. Nearly thirty minutes of screen time were haphazardly hacked off director Michael Cimino's original cut by the studio. ~ Jeremy Beday, Rovi

Featuring a majestic score by Ennio Morricone and lush Oscar-winning cinematography by Chris Menges, Roland Joffé's The Mission examines the events surrounding the Treaty of Madrid in 1750, when Spain ceded part of South America to Portugal, and turns this episode into an allegory for the mid-'80s struggles of Latin America. Two European forces are on hand to win the South American natives over to imperialist ways. The plunderers want to extract riches and slaves from the New World. The missionaries, on the other hand, want to convert the Indians to Christianity and win over their souls. Mendoza (Robert De Niro) is an exploiter dabbling in the slave trade. But after he kills his brother Felipe (Aidan Quinn) in a fit of rage, he seeks redemption and calls upon the missionaries to assist him. After repeatedly climbing a cliff with a heavy weight as penance, Mendoza finds redemption and becomes a devout missionary at a settlement run by Gabriel (Jeremy Irons). The missionaries want to promote a new society in which the natives will live together in peace with the Spanish and the Portuguese. But this concept frightens the royal governors, who would rather enslave the natives than encourage peaceful coexistence between the Europeans and the Indians. They order the mission to be burned to the ground. But this event causes a rift between Gabriel, who wants to pray and pursue peaceful resistance, and Mendoza, who wants to take up arms and fight the Europeans. ~ Paul Brenner, Rovi

In the opening scenes of this politically-oriented drama, a killer enters the home of a policeman and in a shocking sequence murders him in cold blood -- an act that becomes the key to the rest of this film about the conflict between politics and life. Young Catholic, Cal (John Lynch) works in a slaughterhouse during the day and has participated in terrorist activities, but he wants out after he has been forced to drive a getaway car in the murder of the policeman. Meanwhile, he is slowly enchanted by Marcella, an older woman (Helen Mirren) who has just started working at the local library. Smitten but shy, Cal manages to ease himself into a job on her land, and when his father's home is burned to the ground by Protestants, Cal moves into a cottage on the woman's estate. Eventually, the two start a quiet liaison -- but Cal's inner turmoil disturbs the happiness he feels when he is with Marcella. Can he continue to hide his terrorist past from Marcella, who knows nothing about what he has done? While this question and others raised by the film are reasonable, director Pat O'Connor's treatment of the story may be too muted, and John Lynch's Cal too innocuous and frail (especially in contrast to Helen Mirren's Marcella) to win over all viewers. ~ Eleanor Mannikka, Rovi

The ugly conflict between Irish and British forces in Northern Ireland provides the backdrop for this drama set in the early 1970s. Michael Flaherty (Craig Wasson) is an American of Irish descent who, after returning home from a tour of duty in Vietnam, is deciding what to do with his life. Since his childhood, Michael's grandfather Seamus (Sterling Hayden) has told him of his glorious younger days in Ireland, when he fought against the British with the Irish Republican Army. Michael decides to go to Belfast to help the battle for home rule, but he soon finds out that he's not welcomed by many of the locals. He's considered more important as a symbol than as a soldier or an activist -- so much so that the IRA plans to have him killed in a way that can be blamed on British forces in order to help elicit financial support from wealthy Americans. The Outsider was primarily filmed in Dublin, while several of the American sequences were shot in Detroit. ~ Mark Deming, Rovi

Made for British television, The Death of Adolf Hitler covers ground previously explored in such films as The Last Ten Days and The Bunker. Frank Finlay stars as Hitler, a trembling shell of a man who tries to put on a brave front as his Third Reich topples all around him. Sequestered in his private Bunker in April of 1945, Hitler, his mistress Eva Braun, and his most trusted associates continue to lie to themselves that their defeat at the hands of the Allies is only temporary. Though the story is a familiar one, the film avoids the standard cliches, even expanding upon the known facts with recently unearthed historical tidbits concerning Hitler's last days on earth. The Death of Adolf Hitler is underplayed throughout, rendering the sick spectacle of Der Fuhrer's fall disturbingly realistic. ~ Hal Erickson, Rovi

This science fiction/fantasy is loosely based on a story by John Wyndham (best known for The Day of the Triffids). Scientist Collin (Tom Bell) stumbles across a parallel world in which President Kennedy is not shot, Vietnam hasn't happened, and Ottilie (Joan Collins), the woman he loves, dies unexpectedly of a heart condition. While he is happy enough with the rest of his new world, he can't stand by and let his true love die in his original world, and he determines to return to his own place and time to save her. ~ Clarke Fountain, Rovi

In this Cold War espionage-thriller, adapted from the novel of John Le Carre, two veteran British intelligence operatives, Leclerc (Ralph Richardson) and Haldane (Paul Rogers), recruit a young Polish defector (Christopher Jones) to check on some missiles in East Germany. Avery (Anthony Hopkins) is the British agent assigned to help him to cross the East German border. Once behind the Iron Curtain, the recruit meets a sympathetic German girl (Pia Degermark) who tries to help him to evade the East German secret police and to complete his assignment. ~ Yuri German, Rovi