Kermit Maynard Movies

Those familiar only with Johnny Horton's song hit North to Alaska might not be aware that the song came equipped with a movie. John Wayne and Stewart Granger star as a couple of lucky miners in Alaska Territory during the '98 gold rush. Since the Duke is the only man he can trust, Granger sends his pal to Seattle to fetch his fiance. Fabian appears in the cast (playing Granger's brother) primarily to attract teenage filmgoers; he gets to sing, of course, but he's better than usual. The film's centerpiece, an outsized brawl in the muddy streets of Nome, was repeated with several variations in Wayne's subsequent McLintock (1963). North to Alaska was based on a considerably more genteel stage play, Laszlo Fodor's Birthday Gift. ~ Hal Erickson, All Movie Guide

A fast-paced western with a romantic twist, this was one of the last films pairing director Budd Boetticher and popular cowboy hero Randolph Scott before Scott's retirement. John Hayes (Scott) left the Civil War behind him when he took on the job of managing the Overland Stage Lines out of a small Colorado town. Clay Putnam has not forgotten that the Confederacy lost and he plans on robbing Hayes' Overland Stage of one of its gold shipments from California to the North. He wants the gold to stay in the South to revive the Confederate cause. Meanwhile, his wife Norma (Virginia Mayo) complicates matters since she was Hayes' old flame, and Putnam's cronies want the gold for themselves. ~ Eleanor Mannikka, All Movie Guide

One of the least-known of the American-International "B" westerns of the 1950s, Flesh and the Spur offers the spectacle of the inimitable John Agar in a dual role. When his twin brother Mathew is killed, Luke Random goes gunnin' for his brother's murderer. Along the way, he teams up with gunslinger Stacey (Touch Connors, aka Mike Connors), who is also seeking out an old enemy. Five points to anyone who guesses before the fadeout who Mathew Random's killer turns out to be. Written by A-I regular Charles B. Griffith, Flesh and the Spur was originally released on a double bill with Naked Paradise. ~ Hal Erickson, All Movie Guide

Gene Autry's summer release for 1953 was the 56-minute Pack Train. In this one, Autry is assigned to safely transport supplies to a band of settlers. The villains, headed by Ross McLain (Kenne Duncan), intend to bushwhack Autry, grab the supplies, and sell them at high prices to a local mining camp. It must needs be that Autry and the bad guy duke it out in the final reel; the climactic fight, which takes place on a speeding train, is the best scene in the film. McLain's partner in crime is played by Sheila Ryan, the real-life wife of Gene Autry's perennial sidekick Pat Buttram (who also appears in the film). The heroine in Pack Train is Autry-contractee Gail Davis, who later in 1953 began filming on her own TV series, Annie Oakley. ~ Hal Erickson, All Movie Guide

Not so much produced as stitched together, The Black Lash was ostensibly a sequel, with plenty of stock footage, to Frontier Revenge (1948). Duce Rago (Ray Bennett), whom Marshal (Al "Lash" LaRue) had shipped off to prison in the earlier adventure, is back but his stagecoach and train robberies leave a bit to be desired due to the stupidity of the hired help. Lawyer Bill Leonard (Byron Keith) suggests that they get some "heavy artillery," meaning good ol' Lash, who apparently was so disgusted with Rago only receiving a slap on the wrist for his previous crimes that he abandoned law enforcement for good. Naturally, our black-clad hero is working undercover with Cattlemen's Association agent Lem Woodruff (Kermit Maynard) and this time he manages to send Duce up the river for more than six months. Bennett, Sarah Padden, and Jim Bannon all repeated their roles from the earlier film; actually, the latter was apparently unavailable and a double was rather noticeably employed in all the new footage. Leading lady Peggy Stewart was also back, but her character had changed from an undercover agent in Frontier Revenge to a villainess in the return engagement. (Both Stewart and Ray Bennett visibly age from one scene to another.) Walter Greene's intrusive score is kept at a high pitch throughout even though not much is happening onscreen and the film's running time is stretched to an interminable length with seemingly endless chases on horseback, a sure sign of economy in scripting and execution. The fact that producers Ron Ormond and June Carr (Mrs. Ormond) stretched the Lash LaRue series well beyond the saturation point can only be explained by the popularity of LaRue's sidekick, Al St. John, whose Fuzzy Q. Jones character proved a perennial favorite with the small fry. ~ Hans J. Wollstein, All Movie Guide

A fast-paced entry in Republic Pictures' fine Allan "Rocky" Lane series, Fort Dodge Stampede details the search for $30,000 worth of loot from a bank robbery which is ostensibly hidden in Fort Dodge, a Nevada ghost town owned by Skeeter Davis (Chubby Johnson). The latter, who knows nothing of the stolen money, is soon deep in trouble with an array of Bad Guys headed by the inevitable (but nevertheless always welcome) Roy Barcroft. Enter "Rocky" Lane, a lawman on vacation, and the bullets soon start flying. Lane, who later supplied the voice of television's Mr. Ed, was an attractive cowboy star whose vehicles, although low-budget, were consistently well-written and paced. Chubby Johnson replaced Lane's usual sidekick Eddy Waller for most of the 1951-1952 season. ~ Hans J. Wollstein, All Movie Guide

William Elliot is the multitextured hero of the deluxe Republic western Savage Horde. Elliot plays a gunslinger named Ringo, who, though no paragon of virtue, is not a murderer. After killing a man in self-defense, Ringo takes it on the lam from the law. Hiding out in a remote frontier town, Ringo becomes involved in a range war between land baron Proctor (Grant Withers) and a group of honest ranchers. At the risk of his own capture, Ringo decides to stick around and join the ranchers in their battle against Proctor. Leading lady Adrian Booth plays Livvy Weston, who'd like to fall in love with Ringo but can't reconcile herself with his bad reputation. Featured in the cast are such western "regulars" as Noah Beery, Bob Steele, Roy Barcroft, Earle Hodgins and Hal Taliaferro (aka Wally Wales). ~ Hal Erickson, All Movie Guide

Lippert Studio's first 1951 release was the compact western 3 Desperate Men. The title characters are the Denton Brothers, played by Preston S. Foster, Jim Davis and Ross Latimer. Accused of crimes they didn't commit, the Dentons are obliged to become outlaws to survive. So long as they stay away from their home town, the brothers are able to pull off their crime spree unabated. But their fate is sealed the moment they head homeward to exact revenge against those who framed them. Critics of the period were satisfied with 3 Desperate Men, though it was felt that at least two of the three Dentons could have used some lessons in horsemanship. The film secured pretty good bookings for a Lippert production. ~ Hal Erickson, All Movie Guide

Johnny Mack Brown follows his tried-and-true western formula in Law of the Panhandle. This time, U.S. Marshal Brown backs up Sheriff Tom Stocker (Riley Hill) in an ongoing battle against a marauding outlaw gang. The thieves, led by snarling Henry Faulkner (Myron Healey), hope to scare all the local ranchers off the land that will soon be purchased by the railroad that's coming through the territory. The film's parade of cliches is stemmed by a truly innovative finale. Once more, Johnny Mack Brown leaves the film's romantic angle to the younger Riley Hill, whose vis-a-vis is played by Jane Adams. ~ Hal Erickson, All Movie Guide

Guy Madison and Rory Calhoun, both of whom went on to star in their own TV western series, head the cast of the Monogram sagebrusher Massacre River. Madison and Calhoun play Larry Knight and Phil Acton, fellow Army officers and rivals for the attentions of colonel's daughter Kitty Reid (Cathy Downs). Losing the romantic battle, Knight loses himself in the arms of no-good gambling-hall proprietress Laura Jordan (Carole Mathews). All amorous intrigues are forgotten when Knight and Acton fight shoulder to shoulder against marauding Indians. To ensure better bookings, Monogram released Massacre River through its "prestige" subsidiary Allied Artists. ~ Hal Erickson, All Movie Guide

Gene Autry enjoyed considerable success with his recording of Stan Jones' haunting "Riders in the Sky". He then parlayed this success into a film, which proved to be one of Autry's best postwar efforts. The basic plot concerns Autry's efforts to clear rancher Ralph Lawson (Steve Darrell) of a trumped-up murder charge. The trumper-upper, Rock McCleary, is played by Robert Livingston, a former cowboy star who turned to character roles late in his career. The heroine is played by Gloria Henry, ten years removed from her TV fame as Alice Mitchell in Dennis the Menace. The title song is imaginatively staged by director John English, with a ghostly Tom London riding hard and fast as a montage of moody images play across the screen. So effective was this vignette that Columbia included it in the coming-attractions trailer for Riders in the Sky. ~ Hal Erickson, All Movie Guide

Heavily trimmed prior to release, this entry in the Charles Starrett "Durango Kid" Western series for Columbia includes leading man Starrett dressed up as John Wayne's stunt double Yakima Canutt in order to match an entire sequence of stock footage lifted from the classic Stagecoach (1939). Starrett plays his usual double-role as Steve (surname Holden this time around) and the Durango Kid, working desperately to prove that gun-runner Cronin (Robert J. Wilke) killed Chief Eagle (Chief Shooting Star) in order to exploit an Indian war. To flush out Cronin and his cronies, Steve gets help from shoe repairman Smiley Burnette and the fort commandant's young son (Tommy Ivo). Yodeling specialist Elton Britt performs his own "Chime Bells" and William Shakespeare Hays' "Mollie Darlin" while Smiley Burnette takes care of Who Don't?" and "The Happy Cobbler), both self-composed. ~ Hans J. Wollstein, All Movie Guide