Ken Mayer Movies

Recounting how the West was won through the eyes of a white man raised as a Native American, Arthur Penn's 1970 adaptation of Thomas Berger's satirical novel was a comic yet stinging allegory about the bloody results of American imperialism. As a misguided 20th-century historian listens, 121-year-old Jack Crabb (Dustin Hoffman) narrates the story of being the only white survivor of Custer's Last Stand. White orphan Crabb was adopted by the Cheyenne, renamed "Little Big Man," and raised in the ways of the "Human Beings" by paternal mentor Old Lodge Skins (Chief Dan George), accepting non-conformity and living peacefully with nature. Violently thrust into the white world, Jack meets a righteous preacher (Thayer David) and his wife (Faye Dunaway), tries to be a gunfighter under the tutelage of Wild Bill Hickock (Jeff Corey), and gets married. Returned to the Cheyenne by chance, Jack prefers life as a Human Being. The carnage wreaked by the white man in the Washita massacre and the lethal fallout from the egomania of General George A. Custer (Richard Mulligan) at Little Big Horn, however, show Crabb the horrific implications of Old Lodge Skins' sage observation, "There is an endless supply of White Men, but there has always been a limited number of Human Beings." ~ Lucia Bozzola, Rovi

Phyllis Thaxter guest-stars as widowed newspaper publisher Ruth Manning, yet another old friend of Ben Cartwright. Ben comes to Ruth's assistance when her newspaper is targeted for extinction by ruthless town boss Judge Seth Tabor (Simon Oakland). Featured in the cast are William Jordan as Leek, Hamilton Camp as Dobbs, Philip Kennealy as Sheriff Knox, Ken Mayer as North, Connie Sawyer as Mrs. Lewis, James Jeter as Cotton, Arthur Peterson as Dr. Adams, and Ed McCready as Purdy. Written by John Hawkins and Frank Chase, "The Clarion" first aired on February 9, 1969. ~ Hal Erickson, Rovi

Producer/star Warren Beatty had to convince Warner Bros. to finance this film, which went on to become the studio's second-highest grosser. It also caused major controversy by redefining violence in cinema and casting its criminal protagonists as sympathetic anti-heroes. Based loosely on the true exploits of Clyde Barrow and Bonnie Parker during the 30s, the film begins as Clyde (Beatty) tries to steal the car of Bonnie Parker (Faye Dunaway)'s mother. Bonnie is excited by Clyde's outlaw demeanor, and he further stimulates her by robbing a store in her presence. Clyde steals a car, with Bonnie in tow, and their legendary crime spree begins. The two move from town to town, pulling off small heists, until they join up with Clyde's brother Buck (Gene Hackman), his shrill wife Blanche (Estelle Parsons), and a slow-witted gas station attendant named C.W. Moss (Michael J. Pollard). The new gang robs a bank and Clyde is soon painted in the press as a Depression-era Robin Hood when he allows one bank customer to hold onto his money. Soon the police are on the gang's trail and they are constantly on the run, even kidnapping a Texas Ranger (Denver Pyle) and setting him adrift on a raft, handcuffed, after he spits in Bonnie's face when she kisses him. That same ranger leads a later raid on the gang that leaves Buck dying, Blanche captured, and both Clyde and Bonnie injured. The ever-loyal C.W. takes them to his father's house. C.W.'s father disaproves his son's affiliation with gangsters and enters a plea bargain with the Texas Rangers. A trap is set that ends in one of the bloodiest death scenes in cinematic history. The film made stars out of Beatty and Dunaway, and it also featured the screen debut of Gene Wilder as a mortician briefly captured by the gang. Its portrayal of Bonnie and Clyde as rebels who empathized with the poor working folks of the 1930s struck a chord with the counterculture of the 1960s and helped generate a new, young audience for American movies that carried over into Hollywood's renewal of the 1970s. Its combination of sex and violence with dynamic stars, social relevance, a traditional Hollywood genre, and an appeal to hip young audiences set the pace for many American movies to come. ~ Don Kaye, Rovi

Andy hopes to beat his longtime rival Sheriff Blake (Ken Mayer) at the Mount Pilot Sheriff's Annual Barbershop Quartet Sing-Off. Unfortunately, on the eve of the contest, Mayberry's star tenor Howard gets laryngitis. A desperate Andy finds an unexpected replacement in the form of golden-throated Jeff Nelson (Hamilton Camp)-who happens to be a prisoner in the Mayberry jailhouse. First telecast on September 26, 1966, "The Barbershop Quartet" was written by Fred S. Fox. ~ Hal Erickson, Rovi

Set in Hawaii and featuring a mixture of thrills, comedy and tropical splendor, two young women on vacation find themselves entangled with a scheme to rob a pair of bankrobbers of their loot. ~ Sandra Brennan, Rovi

Elderly tailor Julius Perrin (Ludwig Donath) establishes a home for the orphans in his community. A few days before Christmas, the townsfolk try to force Perrin out of town, accusing one of the orphans of killing the son of Martin Stoddard (Ken Mayer), the community's leading citizen. It is only a matter of time before Jason McCord (Chuck Connors) involves himself in Perrin's plight, ultimately bringing the locals to their senses in a most unusual fashion. ~ Hal Erickson, Rovi

In the conclusion of My Favorite Martian's two-part Season Three opener, Martin (Ray Walston) and Tim (Bill Bixby) are still stuck in the West of 1849, still endeavoring to return to the 20th century via their "CCTBS" time machine. Joining a wagon train headed for California, they are victimized by a pair of riverboat thieves who think our heroes know the location of a valuable gold strike. Things get worse when Martin, Tim and the lookalike ancestors of Mrs. Brown (Pamela Britton) and Detective Brennan (Alan Hewitt) are captured by Indians. ~ Hal Erickson, Rovi

A group of wildcatting oil drillers battle an Oklahoma oil baron for the rights of a potentially high yield field. The roughnecks fight on the job and in the saloons while hoping for the big gusher that will make them all rich. A catastrophic accident threatens to wipe out the hard work of the speculators. Their progress is monitored by the local oil magnate who waits for the right time to step in and take credit for the potentially big discovery. ~ Dan Pavlides, Rovi

Perennial loser Claude Miller (John Fiedler) becomes a winner overnight when he strikes a rich silver lode. Determined to get even with the people who had previously subjected him to ridicule, Claude buys out his tormentors' mortgages. Alas, once a loser, always a loser: Claude's plans for revenge are undermined by his new partner, a crooked deputy. The supporting cast includes Florence Sundstrom as Daisy, J. Pat O'Malley as Clancy, Jay Lanin as Slauson, Ken Mayer as Tarbosh, and Ken Drake as Claude. First shown on May 12, 1963, "Rich Man, Poor Man" was scripted by Richard P. McDonagh and Barbara and Milton Merlin, from a story by Arnold Belgard and Robert Fresco. ~ Hal Erickson, Rovi

The Cartwrights take a hand in matters when bandits reportedly steal the $100,000 dowry intended for the wedding of Michele Dubois (Luciana Paluzzi), the daughter of self-proclaimed land baron Alexander Dubois (Steven Geray). While the Cartwright sons stand guard over the injured DuBois during his recuperation at the Ponderosa, Ben begins to wonder why the same outlaws repeatedly manage to track down DuBois and his money. Meanwhile, bride-to-be Michele deftly wraps Joe, Hoss, and Adam around her little finger. Lee Bergere costars as Ricardo Fernandez. First shown on April 29, 1962, "The Dowry" was written by Robert Vincent Wright. ~ Hal Erickson, Rovi

In this western, a discharged cavalry soldier rides a stage to his brother's cattle ranch. En route he meets a dance hall girl. Later he saves her from an outlaw's unsavory advances during a heist. When he gets to his brother's ranch he soon learns that his brother makes his real living by rustling cattle. The disappointed ex-soldier leaves him and goes to a trading post where he marries the dance hall girl. Later, one of the bad brother's men convinces him that his good brother snitched on them to the sheriff leading the rustler to seek revenge. Fortunately he learns that it was all a set-up by the outlaw; instead of killing the good brother, the rustler decides to join him on his fur-trapping excursions. This angers the gang member who rallies the rest of his band together to kill the brothers. The brothers end up killing the outlaws in a shoot-out. Unfortunately the rustlin' brother is also killed. The good brother and his wife end up naming their first born daughter after him. ~ Sandra Brennan, Rovi

This is a competently put-together "B"-grade film starring Craig Hill as a doctor who in the process of trying to save a man badly beaten by two gangsters, identifies the culprits to the police. When their victim dies and the charge becomes murder, the doctor hightails it to the far woods where he finds a job as a clerk in a sporting-goods store. His plan is to lay low until the hoodlums forget about him. But complications arise from two different sectors. First, the doctor falls in love with a local woman and second, the murderers find out where he is hiding. ~ Eleanor Mannikka, Rovi