Jack May Movies

In this British comedy, an amiable demolitions expert finds himself entangled with a band of criminals masquerading as doctors. In this guise, the thieves attempt to build a tunnel between the hospital and the bank next door. The expert successfully blows open the vault, and the criminals escape with their loot, leaving the hapless safecracker to take the rap. Five years pass before he is released from prison. The man has learned his lesson and tries to reform by taking a job in a small resort. More trouble ensues when he sees the most prominent citizen in town cheating his neighbors by selling bogus shares in the future of the town. To stop him the ex-safecracker enlists the aid of his old gang who begin masquerading as American soldiers offering to build a missile base in the town. Naturally the avaricious businessman desires a piece of the pie and so buys back all of the land he had sold. Using his special talent, the hero blows up the villain's land. Fortunately, the real American army gets involved by offering to rebuild the destroyed town on the land, causing the townsfolk to cheer the former con-man on as the police haul him back to prison. ~ Sandra Brennan, All Movie Guide

This not-so-subtle variation on Val Lewton's classic Cat People (1942) is enlivened by the presence of exotic Barbara Shelley -- who would later grace many Hammer Studios productions (most notably Terence Fisher's Dracula -- Prince of Darkness) with her feline beauty. Shelley plays Leonora, a woman who believes she has inherited a curse which will transform her spirit into the body of a ferocious, man-eating leopard. Though her disbelieving psychiatrist (Robert Ayres) tries to persuade her that this belief is merely a by-product of her rage toward her unfaithful husband, the vengeful "phantom" cat she releases from her subconscious triggers the curse and spells doom not only for those who betrayed her, but perhaps for Leonora's own soul as well. Despite a superb performance by the smoldering Shelley and noir-ish direction from Alfred Shaughnessy (though nothing to compete with that of Jacques Tourneur), it's hard to overlook the obvious parallels to Lewton's film, which outclasses it in nearly every respect and makes the entire effort seem unnecessary. Produced by British Lion, this film was later distributed in the United States by the ubiquitous American International Pictures, sometimes under the title Cat Woman. ~ Cavett Binion, All Movie Guide

Innocents in Paris is a series of anecdotes bundled together by geography. First we see the efforts by British diplomat Alastair Sim to loosen up Soviet-agent Peter Illing long enough to forge an economic plan between Russia and England. Then we watch as dotty artist Margaret Rutherford purchases a copy of the Mona Lisa. Next we see British officer Jimmy Edwards go off on a toot in a Parisian bistro. The next vignette involves impressionable Claire Bloom, who is swept off her feet by a local rake (the human variety, not the garden implement). And so it goes for 102 minutes in the British version of Innocents in Paris, and 93 minutes in the American print. ~ Hal Erickson, All Movie Guide

The Oracle stars Robert Beatty as a weary British reporter sent on assignment to Ireland. While in a remote village, Beatty hears a man's voice emanating from a deep well. The voice turns out to be a modern-day oracle, gifted with the ability to foresee the future. Needless to say, the once-sleepy village becomes a hub of activity for fortune seekers, speculators and all-around gawkers. A lesser comedy of the Ealing school (though not from the Ealing studios), The Oracle was released to the US as The Horse's Mouth (not to be confused with the 1959 Alec Guinness vehicle of the same name). ~ Hal Erickson, All Movie Guide

Based on Noël Coward's play "Still Life," Brief Encounter is a romantic, bittersweet drama about two married people who meet by chance in a London railway station and carry on an intense love affair. Sentimental yet down-to-earth and set in pre-World War II England, the film follows British housewife Laura Jesson (Celia Johnson), who is on her way home, but catches a cinder in her eye. By chance, she meets Dr. Alec Harvey (Trevor Howard), who removes it for her. The two talk for a few minutes and strike immediate sparks, but they end up catching different trains. However, both return to the station once a week to meet and, as the film progresses, they grow closer, sharing stories, hopes, and fears about their lives, marriages, and children. One day, when Alec's train is late, both become frantic that they will miss each other. When they finally find each other, they realize that they are in love. But what should be a joyous realization is fraught with tragedy, since both care greatly for their families. Howard and Johnson give flawless performances as two practical, married people who find themselves in a situation in which they know they can never be happy. ~ Don Kaye, All Movie Guide