Jack May Movies

A serial killer is keeping Chief Inspector Rowan (Gilbert Wynne) busy late at night, much to the frustration of his young wife, Jenny (Linda Marlowe). After being picked at random in a police lineup, self-styled lothario Pete Laver (Donald Sumpter) is arrogant and disdainful to Rowan, and he even makes crude remarks about Jenny when she stops by her husband's office. Pete is released for lack of evidence, and that evening, Jenny is slashed to death by the killer while showering. Choked with rage, Rowan shadows Pete relentlessly, hounding him night and day until he can catch him in a mistake. The maniac strikes again, murdering a prostitute, and Pete is stuck without an alibi, so it appears that the crime has been solved. Judge Lomax (Jack May), long known to be tough on crime and social decay, presides over the case, but in the preceding weeks, his wife and colleagues have noticed a change in his behavior. His temper is short, his demeanor is cold, and he sometimes appears disoriented. Soon it becomes apparent that the judge has been the culprit all along, donning a black leather suit and an ill-fitting wig to commit his crimes. Stoked on pornography and willing to resort to transvestism to elude capture, the judge falls completely under the spell of his dementia and is confronted by the police on the waterfront, pleading for help and waving a pistol. Also available under the titles He Kills Night After Night After Night, Night After Night, and Night Slasher. ~ Fred Beldin, All Movie Guide

In the conclusion of the six-part story "The Space Pirates," Argonite pirate chieftain Craven (Dudley Foster) draws up plans to destroy the Space Corps -- and the entire planet Ta -- with a super bomb. It is up to the Doctor (Patrick Troughton), his friends Zoe (Wendy Padbury) and Jamie (Frazer Hines), eccentric miner Milo Clancey (Gordon Gostelow), and reformed pirate-girl Madeleine (Lisa Danniely) to prevent this catastrophe. Written by Robert Holmes, "The Space Pirates, Part 6" originally aired on April 12, 1969. This episode apparently no longer exists. ~ Hal Erickson, All Movie Guide

In the fourth episode of the six-part story "The Space Pirates," the Doctor (Patrick Troughton) and his companions have become enmeshed in a series of intrigues involving the Instellar Mining Corps, a band of renegade Argonite pirates, and eccentric mining expert Milo Clancey (Gordon Gostelow). Captured by the pirates, the Doctor, Jamie (Frazer Hines), and Zoe (Wendy Padbury) are aided in their escape by the enigmatic Clancey. Unfortunately, the foursome runs right into a trap set by pirate chieftain Craven (Dudley Foster). Written by Robert Holmes, "The Space Pirates, Part 4" originally aired on March 29, 1969. This episode apparently no longer exists. ~ Hal Erickson, All Movie Guide

In the second episode of the six-part story "The Space Pirates," the renegade Argonites have captured the TARDIS and abandoned the Doctor (Patrick Troughton), Jamie (Frazier Hines), and Zoe (Wendy Padbury) in Deep Space. Though without a ship to his name, the Doctor concocts a scheme to save himself and his marooned companions. Meanwhile, a second plot line develops, involving a long-standing conflict between the Interstellar Mining Corps and eccentric engineer Milo Clancey (Gordon Gostelow). Written by Robert Holmes, "The Space Pirates, Part 2" originally aired on March 15, 1969. ~ Hal Erickson, All Movie Guide

Among the first of the late 60s anti-war films that reflected growing concern over the Vietnam War, How I Won the War takes a cold, dark look at the Good War, World War II. In adapting Patrick Ryan's 1963 novel, screenwriter Charles Wood and director Richard Lester offered a narrative fractured by characters making side comments to the camera, stylized cinematography, inserts of newsreel war footage, and plenty of absurdist humor and slapstick. Ernest Goodbody (Michael Crawford) is a bumbling British officer who manages to get most of his small company of musketeers killed while on a mission in North Africa to set up a cricket pitch behind enemy lines for officers of the advancing British army. The rest of the company dies in an ensuing campaign in Europe near the war's end, but all of the men continue to march along, appearing as monochromatic ghosts. (Original prints of the film intercut real battle footage tinted to match the color of the soon-to-be ghost soldier. Some prints of the film, including one shown on Turner Classic Movies, present the newsreel shots in black and white, undercutting the stylized touch.) The story is framed as a flashback, with Goodbody relating his version of events to a German officer (Karl Michael Vogler), while the real version of events, demonstrating Goodbody's ineptitude, plays out on screen. Among the supporting players are John Lennon, who had worked with Lester on A Hard Day's Night and Help; Roy Kinnear, a Lester regular, as a fat soldier who is certain his wife is cheating on him; Jack MacGowran as the troop's designated fool, and Michael Hordern as a general almost as oblivious to his suffering men as Goodbody. ~ Tom Wiener, All Movie Guide

In this British crime drama a small-town detective gets tired of Scotland Yard's constant meddling and takes a leave-of-absence from his regular duties to start his own detective agency. It is there that he solves the puzzling jewelry store heist that caused the death of the owner's wife who worked there. ~ Sandra Brennan, All Movie Guide

In this suspenseful espionage film a British agent and a man from NATO attempt to bust a communist spy ring. Following the discovery of a roll of top secret microfilm following a plane crash, the two finds themselves embroiled in a complex web of treachery and double agents. Fortunately, they survive all and bring the rogue spies to justice. ~ Sandra Brennan, All Movie Guide

In this British comedy, an amiable demolitions expert finds himself entangled with a band of criminals masquerading as doctors. In this guise, the thieves attempt to build a tunnel between the hospital and the bank next door. The expert successfully blows open the vault, and the criminals escape with their loot, leaving the hapless safecracker to take the rap. Five years pass before he is released from prison. The man has learned his lesson and tries to reform by taking a job in a small resort. More trouble ensues when he sees the most prominent citizen in town cheating his neighbors by selling bogus shares in the future of the town. To stop him the ex-safecracker enlists the aid of his old gang who begin masquerading as American soldiers offering to build a missile base in the town. Naturally the avaricious businessman desires a piece of the pie and so buys back all of the land he had sold. Using his special talent, the hero blows up the villain's land. Fortunately, the real American army gets involved by offering to rebuild the destroyed town on the land, causing the townsfolk to cheer the former con-man on as the police haul him back to prison. ~ Sandra Brennan, All Movie Guide

This not-so-subtle variation on Val Lewton's classic Cat People (1942) is enlivened by the presence of exotic Barbara Shelley -- who would later grace many Hammer Studios productions (most notably Terence Fisher's Dracula -- Prince of Darkness) with her feline beauty. Shelley plays Leonora, a woman who believes she has inherited a curse which will transform her spirit into the body of a ferocious, man-eating leopard. Though her disbelieving psychiatrist (Robert Ayres) tries to persuade her that this belief is merely a by-product of her rage toward her unfaithful husband, the vengeful "phantom" cat she releases from her subconscious triggers the curse and spells doom not only for those who betrayed her, but perhaps for Leonora's own soul as well. Despite a superb performance by the smoldering Shelley and noir-ish direction from Alfred Shaughnessy (though nothing to compete with that of Jacques Tourneur), it's hard to overlook the obvious parallels to Lewton's film, which outclasses it in nearly every respect and makes the entire effort seem unnecessary. Produced by British Lion, this film was later distributed in the United States by the ubiquitous American International Pictures, sometimes under the title Cat Woman. ~ Cavett Binion, All Movie Guide

Innocents in Paris is a series of anecdotes bundled together by geography. First we see the efforts by British diplomat Alastair Sim to loosen up Soviet-agent Peter Illing long enough to forge an economic plan between Russia and England. Then we watch as dotty artist Margaret Rutherford purchases a copy of the Mona Lisa. Next we see British officer Jimmy Edwards go off on a toot in a Parisian bistro. The next vignette involves impressionable Claire Bloom, who is swept off her feet by a local rake (the human variety, not the garden implement). And so it goes for 102 minutes in the British version of Innocents in Paris, and 93 minutes in the American print. ~ Hal Erickson, All Movie Guide