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Doris May Movies

A pretty if unremarkable brunette ingenue of the 1910s, Doris May began her screen career doubling Mary Pickford in The Little Princess (1917). She was barely 16, if one can believe the official birth date, and called herself Doris Lee at the time. But she was Doris May in six popular comedy-dramas that probably constituted her best screen opportunities. She married handsome actor (and future producer) Wallace MacDonald and they co-starred in three films tailored to resemble the MacLean-May collaboration of the 1910s. The last of these, Faithful Wives, was released in 1926 and by then her screen career had basically run its course. ~ Hans J. Wollstein, Rovi
1927  
 
Faithful Wives begins as condemned prisoner Tom Burke (Wallace MacDonald) contemplates his impending appointment with the executioner. It seems that Tom's problems stem back to his unfortunate marriage. When his wife (Myrda Dagmara) decided to play the field, Tom saw red, and the result was murder. The catch: He didn't do it! Only in the last crucial seconds is our hero saved from his doom. Filmed independently, Faithful Wives didn't get a distributor until 1927, by which time the film was at least seven years old. ~ Hal Erickson, Rovi

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Starring:
Wallace MacDonaldEdythe Chapman, (more)
 
1924  
 
Johnny Hines wrote the screenplay for this entertaining comedy in which he starred. Terry O'Toole (Hines) comes to America from Ireland to seek his fortune and becomes a trolley conductor. One day, while working, he saves the life of Bobby Connelly (Byron Sage), the son of the line's president (Fred Esmelton). He is rewarded and welcomed into the Connelly home, where he meets the daughter, Noretta (Doris May). They begin a romance, and Terry's father, Mike (Dan Mason, who was known for his "Toonerville Trolley" shorts), comes over from Ireland. There is a power struggle between the president and vice president of the trolley company, and a mere two shares of stock will determine who is the victor. The bad guys forge the shares, but old man O'Toole digs up two real shares, which he had bought many years before. Connelly keeps control of the company and gives his blessings to Noretta's relationship with Terry. ~ Janiss Garza, Rovi

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Starring:
Johnny HinesDoris May, (more)
 
1924  
 
Filmed on magnificent locations at Cedar City, Utah and Zion Canyon, this lavishly mounted Tom Mix Western was based on The Orphan by Clarence E. Mulford, the pulp writer who created Hopalong Cassidy. The story -- a man searches for the villains who murdered his parents -- was by no means new in 1925, but Mix's patented vim and vigor made it seem fresh as a daisy. During the search, Mix's Orphan gets a reputation as an outlaw himself but manages to stay one step ahead of the law. That is, until he is befriended by a kindly sheriff (DeWitt Jennings) and falls for the man's daughter (Doris May). ~ Hans J. Wollstein, Rovi

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Starring:
Tom MixGeorge Bancroft, (more)
 
1923  
 
This light comedy featured an "all-star cast" that really did contain some of the better also-rans of the silent era. Doris May stars as Bonnie Day, a rambunctious young lady who is rankled when she is expelled from college for serving tea in her room. She goes on to open up a tearoom in a fancy hotel, saving all the profits to pay the legal fees for her father (Ralph Lewis), who has been unjustly jailed. Mr. Day's rival has embroiled him in a crooked stock deal and made him appear to be the guilty party. Meanwhile, Bonnie is in the midst of a romantic dilemma; her Aunt Pearl (Rosemary Theby) wants her to wed Napoleon Dobbings (Stuart Holmes), but Bonnie much prefers helpful young lawyer Art Binger (Creighton Hale). After being thrown over, Dobbings tries to ruin Bonnie's business by informing the Purity League that she is putting liquor in her tea. The League members, who have names like Kitty Wiggle (Dale Fuller) and Mrs. Bump (Spike Rankin), are naturally horrified. But Bonnie outwits Dobbings by putting on a special show called "Tea - With a Kick." Bonnie's father is released, and Bonnie gets to marry her handsome attorney. ~ Janiss Garza, Rovi

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Starring:
Ralph LewisDoris May, (more)
 
1923  
 
A remake of a 1916 Clara Kimball Young vehicle, Common Law stars Corinne Griffith as a woman more sinned against than necessary. Forced to support herself after the death of her wealthy mother, Griffith becomes an artist's model in Paris. While being kept by wealthy Conway Tearle (reprising his role from the 1916 film), she falls in love with tempestuous artist Elliot Dexter. A tragedy results, but don't worry, Griffith ends up with the man she truly loves all the same. Common Law was remade a second time in 1931, with Constance Bennett in the lead. ~ Hal Erickson, Rovi

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Starring:
Corinne GriffithConway Tearle, (more)
 
1923  
 
Based on a serialized story by Max Brand, this silent "Mountain Melodrama" starred a veteran of the genre, William Farnum, as Billy Buell, a stranger involving himself with a long-standing mountain feud. The Benchleys and the Camps have been feuding ever since Lew Camp (J. Morris Foster) learned that his daughter Nellie (Doris May) was stolen by Jacob Benchley (Arthur Morrison) to replace a dead Benchley baby. Buell, who has fallen in love with Nellie, returns her to her mother (Virginia True Boardman). That doesn't sit well with the Benchley clan, who arrive for a final shootout. Happily, Buell's announcement that he intends to marry the girl puts an end to the feud before any bloodshed. A former star for pioneering producer Thomas H. Ince, Doris May was the wife of actor/director/producer Wallace MacDonald. ~ Hans J. Wollstein, Rovi

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Starring:
William FarnumDoris May, (more)
 
1922  
 
The vastly underrated William A. Seiter was the director of the frothy Gay and Devilish. Doris May plays Fanchon Browne, a poor girl about to enter into a marriage of convenience with wealthy old Peter Armitage (Otis Harlan). When she falls in love with Armitage's handsome nephew Peter (Cullen Landis), Fanchon is in quite a quandary. She asks her vampish friend Lilah Deane (Jacqueline Logan) to "steal" Peter away from her, but Lilah makes a mistake and woos the susceptible Peter. Numerous other comic complications ensue before the film's multiple-marriage finale. ~ Hal Erickson, Rovi

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Starring:
Doris MayGeorge Periolat, (more)
 
1922  
 
Minor screen comedienne Doris May has the lead in this routine farce. Barbara Jackson (May) dresses up in the chauffeur's uniform to drive her father's car. She picks up a passenger who turns out to be a crook who is off to rob Bob Everett (Hallam Cooley), a rival of her father (Otis Harlan), and a collector of fine art. The robber believes she is a detective and forces her to participate in the theft, then leaves her to be discovered by Everett. Barbara manages to convince Everett that she is not a thief and they rush off to her father, who is buying one of Everett's paintings. They show up just as the agent has left. When they tell Mr. Jackson that the agent was really a crook, he reveals that he has trapped the man at the front gate. The crook and his associates are rounded up, and love blooms between Barbara and Everett. ~ Janiss Garza, Rovi

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Starring:
Doris May
 
1921  
 
After his appearance in The Kid, little Jackie Coogan was obviously destined for stardom. For his first starring role, he was given this story written by George W. Peck, which had been made into a stage play by George M. Cohan. While the film didn't live up to the stage version (Moving Picture World said comparing the two "is to compare a two-dollar straw hat to an expensive Panama"), Coogan does have excellent support. Sam Wood directed the picture and the titles were written by Irvin S. Cobb. Young Henry Peck (Coogan) is a troublemaker -- the film begins with him opening the lion's cage at a circus and giving the whole town a scare. Although his father (James Corrigan) refuses to let him attend the circus as punishment, Henry manages to manipulate him into allowing him to go anyway. But his antics don't stop -- he puts ants in his father's "pleurisy pad" and causes a commotion at church. He gets his sister's boyfriend (Wheeler Oakman) into trouble. The boyfriend, however, executes a daring rescue at the end and, as a result, becomes Henry's pal for life. ~ Janiss Garza, Rovi

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Starring:
Jackie CooganWheeler Oakman, (more)
 
1921  
 
A major -- and rare -- failure from legendary producer Thomas H. Ince, The Bronze Bell starred British-born stage idol Courtenay Foote as a Long Island socialite doubling as an Far Eastern revolutionary. As the title indicated, the story hinged upon a huge bell, the possession of which could shake the British Empire to its foundation. Far too expensive for its own good, the production was further marred by the death of minor player John L. Franck, killed in a special effects explosion.on the set. The Bronze Bell was based on a novel by Louis Joseph Vance, the creator of The Lone Wolf. ~ Hans J. Wollstein, Rovi

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1921  
 
Although Erich von Stroheim's Foolish Wives had been released only a few short months earlier, the title to this drama actually came from the Donn Byrne novel on which it was based. Doris May plays Georgia Wayne, a young woman from the South who is stagestruck and convinces her husband Lafayette (Charles Meredith) to move to New York. She gets wrapped up in the heady theatrical life, and when her husband discovers she has been unfaithful, he throws her out. Mildred Manning plays Sheila Hopkins, who marries poet Anthony Sheridan (Wallace MacDonald) because he will allow her to pursue her literary career. The marriage drives Sheridan to drink and he dies in the arms of his mother (Margaret McWade). The only non-foolish matron is actress Annis Grand (Kathleen Kirkham), who marries Dr. Ian Fraser (Hobart Bosworth) and convinces him to leave the city and move to the country. This wasn't one of Maurice Tourneur's better pictures, but it is worthwhile to note that it was co-directed by his protégé, Clarence Badger), who would have a long and illustrious career at MGM. ~ Janiss Garza, Rovi

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Starring:
Hobart BosworthDoris May, (more)
 
1921  
 
Douglas MacLean and Doris May made a number of popular light comedies in the late 1910s and early '20s. In the spirit of their first hit 23 1/2 Hours Leave, MacLean once again plays an army sergeant, only this picture shows his adventures after he has returned home from France. James Stewart Lee (MacLean) tries to become a book salesman. He fails miserably, but he does meet pretty Alicia (May). Lee decides to visit his wealthy aunt only to discover that she has died and left him her fortune with one catch: he has to keep her servants for six months. This is not an easy task since she has willed them 5,000 dollars each and they are anxious to leave so they can collect. At a library where Lee is trying to find an answer to his problem, he meets an older man known only as Dad (Frank Currier). The two strike up a friendship and Dad goes to Lee's home. He proceeds to straighten out the servant problem. Alicia, meanwhile, tells Lee she is upset because her father is missing. Lee doesn't realize the missing Dad is staying right in his home. Dad, however, finds out that his daughter is looking for him and orchestrates a series of adventures for the couple that guarantees that their romance will culminate in marriage. ~ Janiss Garza, Rovi

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Starring:
Douglas MacLeanDoris May, (more)
 
1920  
 
Douglas MacLean, one of the best of the straight comedians of the 1920s ("straight" in those days referred to actors who eschewed slapstick and wild costumes), stars in 1920's The Jailbird. With only six months left to serve, likable crook Shakespeare Clancy (MacLean) decides to take an early vacation from jail. Luck of luck, Clancy inherits both a small-town newspaper and an oil well. Using the former legacy to stir up suckers-er, investors-in the latter, Clancy gets mixed up in an oil swindle orchestrated by a group of bad crooks. All's well that ends well (notice how we avoided the obvious pun?) in this breezy Thomas H. Ince production. The Jailbird was unofficially remade by Ole Olsen and Chic Johnson as Country Gentlemen(1937). ~ Hal Erickson, Rovi

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