Don Maxwell Movies

In this TV drama-comedy, Julie Barber (Allison Smith) hires detective wannabe Bob Jones (Frank Whaley) to track down the legendary private eye Buddy Faro (Dennis Farina), who was once such a name that he was portrayed by an actor (George Hamilton) in a TV series. Now nearly forgotten, Faro has inherited a small fortune, but no one knows where he went. Traveling to the dusty streets of a little town in Mexico, Jones manages to find the booze-soaked Faro lying in the gutter. Rescued by Jones and Julie, Faro returns to Hollywood, where he made his mark 20 years earlier. Things have changed, but the stylish Faro is soon back in business in a big way, confronting criminals in his ultra-cool style, while the Joel McNeely soundtrack provides a jazzy accompaniment. Premiered September 25, 1998 on CBS. ~ Bhob Stewart, All Movie Guide

Quick is based on a series of adventure novels featuring a gorgeous hitwoman. When the title character, played by Teri Polo, is set up by her boss, she takes -- well -- quick action. Abducting the mob witness (Martin Donovan) whom she'd been hired to kill, Quick runs off to parts unknown. As the evil henchmen (Jeff Fahey, on the verge of better parts, and Robert Davi) close in, Quick decides to befriend her captive and entreat his aid. Tia Carrere also appears in this explosive actioner. ~ Hal Erickson, All Movie Guide

Depressed about the break up with Becky, Mark (Glenn Quinn) gets drunk and rowdy at the Lobo Lounge and punches the jukebox. Dan picks him up, promising not to tell Becky or Roseanne about it. However, Roseanne finds out through Jackie and makes Dan pay for keeping a secret from her. ~ Andrea LeVasseur, All Movie Guide

Roseanne gets upset when Dan lends money to his friend Arnie (Tom Arnold), who uses the money to get his girlfriend Nancy breast implants. The situation is worsened when Dan loses a contracting job and is need of money himself. Although he doesn't want to ask his family members for money, he is forced to get a loan from Jackie. ~ Andrea LeVasseur, All Movie Guide

A strange man who had come to Blue Moon hoping to hire a bodyguard abruptly drops dead in the office. Subsequently, David (Bruce Willis) and Maddie (Cybill Shepherd) find themselves "babysitting" their would-be client's corpse. The plot may be wrapped around a missing lottery ticket and a strange tattoo--and then again, maybe it isn't, who knows? The episode's title refers to a lengthy dream sequences in which Maggie finds herself in the Afterlife with some suspiciously familiar-looking ghosts and goblins. ~ Hal Erickson, All Movie Guide

Blake Edwards, mining the same territory as in his 10, Micki and Maude, The Man Who Loved Women, and That's Life, (not to mention Blind Date), once again deals with male mid-life menopausal angst. Zach (John Ritter) is a novelist suffering from writer's block, spiraling downward in a sea of women and booze. To illustrate the depths to which Zach's life has sunk, the film begins when his mistress catches him in bed with another woman. Then his wife walks in. As a result, his wife leaves him. Things keep getting worse --his agent is dying, his house burns down, and he gets picked up for drunk driving. But in spite of his despair, he can't help chasing women, engaging in a series of bedroom misadventures with a collection of women --including a female body builder; a woman who likes to set pianos on fire; and the girlfriend of a rock star who suggests that he wear one of her boyfriend's glow-in-the-dark condoms. Helping Zach regain control of his life is Barney the lawyer (Vincent Gardenia) and Dr. Westford (Michael Kidd), a helpful psychiatrist. ~ Paul Brenner, All Movie Guide

A virtual remake of its predecessor, Return of the Living Dead (1985), which itself was a tongue-in-cheek rip-off of director George Romero's Night of the Living Dead (1968), this follow-up adheres strictly to a gore and gags formula. Jesse Wilson (Michael Kenworthy), is a young boy being bullied by thugs from the neighborhood when all of them discover a sealed drum containing a zombie corpse. The release of a gas from the container reanimates the dead in a nearby graveyard, thus releasing an army of the undead, which mindlessly crave living human brains. As Jesse tries to contact the military to put a lid on the situation, the zombies are dispatched through a variety of gruesome methods. Two stars of the first film, James Karen and Thom Mathews, return in essentially the same parts, but with different names, as their characters were previously slaughtered. Followed by a third entry in the seires, Return of the Living Dead 3 (1993). ~ Karl Williams, All Movie Guide

In this Stephen Cannell-produced pilot for a potential TV detective series, Mac Davis plays an ex-highway patrolman and Joseph Cortese an ex-trucker, related by marriage. Their wives were twin sisters--were, because in addition to all the other "ex" qualifications in their lives, Davis and Cortese are ex-husbands. Still pals after their group divorce, the boys become private eyes. Their first case is to get the goods on a shady tycoon (Robert Culp), who happens to be their former father-in-law. Brothers-in-Law was the first Steven J. Cannell independent production which failed to sell as a series, but it wouldn't be the last. ~ Hal Erickson, All Movie Guide

Chronic gambler Jim Sullivan (Frank Marth) is in danger of losing the foster home that owns to gambling-ring kingpin Johnny Royce (Edward Winter). The A-Team agrees to help Sullivan, with Face (Dirk Benedict) posing as a notorious New Jersey hoodlum in order to infiltrate Royce's operation. Elsewhere, Hannibal (George Peppard) attempts to beat Royce at his own game with some "special" casino equipment--and even manages to bring the Army to the rescue by dangling a carrot (figuratively speaking, of course) in front of his perennial nemesis Col. Decker (Lance LeGault). ~ Hal Erickson, All Movie Guide

The crux of this limited, juvenile comedy is a complex game that begins at midnight and ends by morning. Of main interest is the fact that a young Michael J. Fox plays one of the students involved in the game. Leon (Alan Solomon) has spent a year creating the game and practically needs that long to convince his fellow students to play it. Eventually he wins out, and the various teams of classic stereotypes -- the nerd, the well-groomed hero, the obnoxious sorority sister, the easily duped freshman, and others -- all converge on Los Angeles at midnight. Their treks take them through the Griffith Observatory which because of those odd hours astronomers keep, could conceivably be open. Other locales are interestingly open too, apparently Los Angeles never sleeps. ~ Eleanor Mannikka, All Movie Guide

The central character in this episode is C.C. (Diego Gonzalez), a street-smart nine-year-old boy. The product of an impoverished family, C.C. steals to support his mother (Janet MacLachlan) and siblings. Undercover cop Tony Baretta (Robert Blake) hopes to convince C.C. to give up his life of crime, but the kid is a little too fast for the intrepid hero. ~ Hal Erickson, All Movie Guide