Stanley Maxted Movies
- 1958
In this French suspenser, a tourist gets entangled in an easy money scheme. The trouble begins when the tourist offers a hitchhiker a lift. He is quickly knocked-out and left by the road. When he regains consciousness, he finds that he is in a strange house and cannot remember who he is or how he got there. The woman who owns the house sees the amnesiac tourist's presence as a way for her to get the money her late husband was supposed to receive. To do this, she convinces the poor fellow that he is the heir to the fortune. Fortunately the tourist figures it all out. ~ Sandra Brennan, Rovi
This sci-fi horror cult classic is based in and around a U.S. long-range radar installation in the Canadian wilderness, where soldiers and civilians alike are being struck dead by an unseen force. At first, the base commander believes these murders may have been the work of spies operating out of the woods -- a theory supported by unexplained fluctuations in power output from the base's nuclear plant. Because of the proximity of this reactor, residents of the nearby town begin to suspect the deaths are due to a radiation leak. The real answer turns out to be far more insidious. Autopsies reveal that the victims' spinal fluids have been sucked dry through holes at the base of their skulls. The bizarre murders are eventually linked to the work of psychic researcher Professor Walgate (Kynaston Reeves), whose experiments materializing human thoughts have not only been causing the power fluctuations, but have resulted in the creation of invisible brain-monsters. When the creatures attack the plant operators, a massive surge of radiation is released, revealing the creatures in all their hideous glory -- depicted by marvelous stop-motion animation -- as leaping, tentacled brains with wriggling antennae. This leads to the film's notoriously gory final act, in which the brain-things surround our heroes in a mountain cabin, descending in droves as the dwindling band of survivors hack, chop, and blast away at the beasts. After a slightly sluggish start, this intelligent and well-crafted thriller kicks out all the jams for a horrific climax, distinguished by some of the goriest effects seen in any film from the 1950s. ~ Cavett Binion, Rovi
- Starring:
- Marshall Thompson, Kynaston Reeves, (more)
A Graham Greene novel was the basic source for the British psychological melodrama Across the Bridge. Rod Steiger plays Carl Schaffner, a prominent financier who has absconded with company funds. A genius at improvisation, he plans to elude the authorities by murdering Paul Scarff (Bill Nagy) and assuming the dead man's identity. Upon arriving in Mexico, however, Schaffner learns to his chagrin that Scarff was himself an even more notorious fugitive from justice. ~ Hal Erickson, Rovi
- Starring:
- Rod Steiger, David Knight, (more)
- 1957
Based on a novel by Hammond Innes, the British Campbell's Kingdom is set in the Canadian Rockies. Dirk Bogarde plays Bruce Campbell, a British aristocrat who has been given only six months to live. Inheriting a financially troubled Canadian valley, Campbell finds a new lease on life as he champions the cause of the local citizenry. He is particually effective in standing up to the eco-unfriendly excesses of contractor Owen Morgan (Stanley Baker), whose ethically-challenged dam project threatens to flood the valley. Methodically paced, Campbell's Kingdom rewards the viewer's patience with an abundance of action highlights, the best of which is reserved for last. ~ Hal Erickson, Rovi
- Starring:
- Dirk Bogarde, Stanley Baker, (more)
- 1957
The Weapon is a loose grouping of elements first seen in the 1951 British melodrama The Yellow Balloon. Jon Whitely plays a young London boy who finds a loaded gun in a blitzed-out building. He fires, accidentally shooting a playmate. Believing he's killed his friend, the boy runs away--leading to a relentlessly suspenseful climax. Though filmed in England, The Weapon was geared from the start for primarily American audiences; its producer was Hollywood's own Hal E. Chester, and its adult stars included Steve Cochran and Lizabeth Scott. The script was written by Fred Freiberger, best known to sci-fi followers as the producer of the original Star Trek's third and final season. ~ Hal Erickson, Rovi
- Starring:
- Steve Cochran, Lizabeth Scott, (more)
- 1956
It's Never Too Late stars Phyllis Calvert as a sedate and settled British wife and mother. Deciding that her family has taken her for granted far too long, the bored Ms. Calvert types up a movie script. Her work becomes a hit film and Phyllis suddenly finds herself a celebrity. Now she must choose between being a highly paid author and a middle-class housewife; since this film is conformist all down the line, her decision holds few surprises. It's Never Too Late was based on a play by Felicity Douglas. ~ Hal Erickson, Rovi
- 1955
Julie Harris repeats her stage portrayal of the irrepressible Sally Bowles in John Van Druten's I Am a Camera. Set in pre-Hitler Berlin, the film details the curious, chaste relationship between Sally, an entertainer at a bawdy nightclub, and fledgling writer Christopher Isherwood (Lawrence Harvey). Shelley Winters co-stars as Natalia Landauer, whose impending marriage to a wealthy young Jewish man is imperiled by the anti-Semitism which envelops Berlin as the Nazis gain political power. If all this sounds familiar to you, it is because I Am a Camera is the non-musical precursor to the Broadway musical hit Cabaret. Both properties were based on Christopher Isherwood's Berlin Stories. Those familiar with the film version of Cabaret will notice that certain plot elements have been watered down in Camera. Examples: Isherwood's homosexuality is left unmentioned, save for Lawrence Harvey's opaque opening comment that he is "a confirmed bachelor;" and Sally Bowles' third-act abortion is changed into a false-alarm pregnancy. Also, Julie Harris' dynamic but rather overbaked interpretation of Sally is not nearly as memorable as Liza Minelli's Oscar-winning interpretation of the character in Cabaret. Still, I Am a Camera is well directed and deftly adapted for the screen (by John Collier); and even taking into consideration Ms. Harris' hamminess, she remains one of the most fascinating stage personalities of the mid-20th century. ~ Hal Erickson, Rovi
- Starring:
- Julie Harris, Laurence Harvey, (more)
- 1954
David Niven returns to his native England to star in the frothy comedy The Love Lottery. Niven plays a Hollywood movie star who is the "prize" in a lottery dreamed up by his press agent. The lucky lady who "wins" Niven will be able to spend a week in his company. Sensing the silliness of the whole enterprise, Niven promises publicly to marry the winner--and that's where starry-eyed fan Peggy Cummins enters the proceedings. Herbert Lom is the film's fly in the ointment, dogging Niven's trail to Italy to make certain that he keeps his promise. There's an amusing celebrity cameo in The Love Lottery, but to reveal the identity of the film's "special guest star" might spoil the viewer's fun. ~ Hal Erickson, Rovi
- Starring:
- David Niven, Peggy Cummins, (more)
- 1953
In this romance a princess goes incognito on a Swedish vacation when she meets a handsome commoner with whom she falls in love. It creates class conflict until he reveals that he too is of royal blood. ~ Sandra Brennan, Rovi
- 1953
Project M7 is the American title for the British The Net. Based on a novel by John Pudney, the film is set in an aviation research station. At the moment, the researchers are working on a revolutionary new aircraft, and competition to be first with the results is fierce. There's little love lost amongst the scientists, but no one expect the personal animosities to result in murder. The killing in question was committed by an enemy spy...but which one of the scientists is the guilty party? ~ Hal Erickson, Rovi
- Starring:
- Phyllis Calvert, James Donald, (more)
- 1953
Clark Gable's next-to-last MGM film was the Cold War melodrama Never Let Me Go. Filmed in England, the story finds American journalist Philip Sutherland (Gable) desperately trying to retrieve his Russian-ballerina bride Marva Lamarkins (Gene Tierney) from behind the Iron Curtain. Stymied by bureaucracy on both sides, Sutherland attempts to plead his case directly to Soviet bigwig Molotov, in London for a peace conference. When this too fails, Sutherland aligns himself with an Englishman (Richard Haydn) in a similar predicament. Together, the two men formulate a daring escape plan, which could spell instant doom for both their wives and themselves. The Englishman's bride is played by Belita, who unlike Gene Tierney did her own dancing in the ballet scenes. ~ Hal Erickson, Rovi
- Starring:
- Clark Gable, Gene Tierney, (more)
- 1953
This British comedy centers around the game of Cricket. It is set as the British team and their legendary cricket player Sam Palmer, prepare for a big match with the Australians. It will be his swan song in the game. His son Reggie, a fledgling poet, must make a difficult decision. On one hand, he really wants to attend his father's final game, but on the other, he has also been invited to the home of world famous poet Alexander Whitehead. It is Whitehead who solves the dilemma as he is a Cricket fanatic. Together he and the boy speed off to the match. Actual Cricket players appear in the film. ~ Sandra Brennan, Rovi
- Starring:
- Jack Warner, Robert Morley, (more)
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