Nicole Maurey Movies

This melodramatic tale of a sexual assault on a married woman has a few implausible moments but is believably acted by Anne Heywood as Tracey, the victim, Richard Todd as her husband Lawrence, and Jack Hedley as the man from Scotland Yard sent to track down the violent attacker. Tracey is pregnant and happily married to Lawrence, an architect. She has few cares in the world until the day a maniac breaks into the house, rapes her, and ultimately causes her to miscarry. Tracey falls to pieces and is so affected by the encounter she finds men repulsive, including her husband. Her attitude does not soften with time, and sooner rather than later, her husband takes up with his secretary. But in the meantime, the Scotland Yard detective has still not been able to track down the psychotic rapist, and there is no guarantee that Tracey is safe. ~ Eleanor Mannikka, All Movie Guide

In this British bedroom farce, Bill Ferguson (Richard Todd), a Scottish travel agent, has a major row with his fiancée Stella (June Thorburn) shortly before leaving for a jaunt through Europe. Considering himself free to do as he pleases, Bill gives keys to his Edinburgh apartment to a number of beautiful women, inviting them to drop by if they happen to be in the neighborhood. When he comes home, Bill and Stella patch things up, which leaves him with a lot of explaining to do when a bevy of curvaceous females from across the continent begin appearing at their doorstep, including Ingrid (Elke Sommer) and Lucille (Nicole Maurey). Richard Todd served as producer as well as star; Frederic Raphael contributed to the screenplay. ~ Mark Deming, All Movie Guide

A real-life incident became the basis for this highly fictionalized drama about a January 1911 confrontation between political anarchists and London police in that city's Whitechapel district that resulted in an infamous, blazing gun battle. Sara (Nicole Berger) is an orphaned Russian girl who works as a singer in a nightclub. There she meets Peter (Peter Wyngarde), anarchist leader of expatriate Latvians agitating for the independence of their home country following the failed revolt of 1905. At first, Sara is sympathetic to Peter and his cause, but she soon discovers that the rebels are using whatever means necessary, including robbery and murder, to raise money for their crusade, and that Peter himself has an overly pragmatic, callous attitude toward the taking of innocent life. The group's nefarious activities have attracted the attention of London police, and an inspector, Mannering (Donald Sinden) goes undercover with the anarchists in order to help bring them to justice. Mannering feels sympathy for Sara and befriends her, coming to understand her lonely attraction to Peter. The gang's violent onslaught continues unabated and results in a raid that pits gang members against hundreds of armed police. ~ Karl Williams, All Movie Guide

In this uneven but well-acted mystery story with a few gaps in the plot here and there, Alec Guiness plays a double role. He is John Barratt, a British teacher on vacation in France who is conned into taking on another identity. The identity he assumes is that of his double, Count Jacques de Gue, who has none of John's upright, moral character. Once ensconced as the Count, John discovers that the Count's mother (Bette Davis) is addicted to morphine, his wife (Irene Worth) believes he is out to kill her, and the Count's brother-in-law (Peter Bull) is embezzling funds away from the family business. And those are just a few of his problems, alleviated somewhat by his mistress (Nicole Murray). Once John realizes how decadent and immoral the Count really is he feels duty-bound to challenge him to a duel. ~ Eleanor Mannikka, All Movie Guide

Set in the Kansas territory during the middle of the 19th century, this is a visually evocative but conventional western. The story deals with Darcy (Jeff Chandler), a ruthless man, one of the raiders known as "Jayhawkers" who wants more than what life is willing to offer. Starting out as anti-slavery activists, the Jayhawkers' origins are barely mentioned in the story, as Darcy uses them to support his growing power. Opposing his unscrupulous bid for control of the region is Cam (Fess Parker, of Davy Crockett fame on American TV) an ex-convict. Cam knows that Darcy is responsible for the death of his wife while he was in prison and he plans to bring him down. ~ Eleanor Mannikka, All Movie Guide

The Weapon is a loose grouping of elements first seen in the 1951 British melodrama The Yellow Balloon. Jon Whitely plays a young London boy who finds a loaded gun in a blitzed-out building. He fires, accidentally shooting a playmate. Believing he's killed his friend, the boy runs away--leading to a relentlessly suspenseful climax. Though filmed in England, The Weapon was geared from the start for primarily American audiences; its producer was Hollywood's own Hal E. Chester, and its adult stars included Steve Cochran and Lizabeth Scott. The script was written by Fred Freiberger, best known to sci-fi followers as the producer of the original Star Trek's third and final season. ~ Hal Erickson, All Movie Guide

Bold and the Brave traces the destinies of three American soldiers stationed in Italy during World War II. Wendell Corey is top-billed as an idealistic soul who doesn't believe in killing. Don Taylor portrays a religious bigot, who can't see anything in terms other than Good and Evil. The most intriguing (and entertaining) member of the trio is Mickey Rooney, an inveterate gambler who runs a floating crap game up and down the Italian front. Since Rooney frequently declares that he's building up enough money to open a fancy New York restaurant, it's a foregone conclusion that he's not going to get out of the war alive. The title song for Bold and the Brave was cowritten by Mickey Rooney and Ross Bagdasarian, the latter best known as the creator of Alvin and the Chipmunks. ~ Hal Erickson, All Movie Guide

In this crime drama, a detective refuses to believe that his client's wealthy, crippled wife died in a boating accident. As he looks deeper, the gumshoe proves that his employer and his mistress were behind it all along. ~ Sandra Brennan, All Movie Guide

Lantern-jawed French comedian Fernandel plays a dual role in Most Wanted Man. He stars as an ordinary Joe (or ordinary Pierre, perhaps) who is the exact double of a notorious gangster. In the tradition of Edward G. Robinson's The Whole Town's Talking, Fernandel must take the place of the criminal, and vice versa. The toughest hurdle in the charade is fooling the gangster's mistress "Mademoiselle", played by Zsa Zsa Gabor (who unlike Fernandel has trouble playing one role). Eventually Zsa Zsa takes a liking to the "nice" Fernandel and helps him collar the rest of the crooks. Most Wanted Man was first released in the U.S. as Most Wanted Man in the World; it was initially screened in France in 1953 as L'Ennemi Public No. 1. ~ Hal Erickson, All Movie Guide

Sacha Guitry's Si Versailles M'Etait Conte (If Versailles Were Told to Me) is best known by its American title Royal Affairs in Versailles. In addtion to writing and directed the film, Guitry reserves for himself the plum role of Louis XIV. Concentrating on the palace of Versailles over a period of 300 years, the storyline concentrates on the various amorous and political intrigues of three French kings. The plot manages to wend its way through the French revolution, coming to a halt in "the present". The star-studded supporting cast includes Jean Marais as Louis XV, Claudette Colbert as Mme. Montespan, Micheline Presle as Mme. Pompadour, and, best of all, Orson Welles as a gouty Ben Franklin. Most currently available prints of Si Versailles M'Etait Conte are severely edited, and fail to do justice to the rich Eastmancolor hues of the original version. ~ Hal Erickson, All Movie Guide