Roddy Maude-Roxby Movies

Something of a sleeper in its 1990 release, White Hunter, Black Heart is one of Clint Eastwood's most engaging films. It is based on Peter Vietel's novel about the location shoot of John Huston's immortal The African Queen. But the focus is never on Bogie and Hepburn. Egomaniacal director John Wilson (Eastwood) is far more interested in killing an elephant than in making a movie. His old friend and scriptwriter Pete Verrill (Jeff Fahey) and his producer, Paul Landers (George Dzundza), are on hand to try and talk him down from this pursuit. Eastwood's verbose, outlandish performance will be particularly remarkable to fans who tend to think of him as the soft-spoken tough guy. ~ John Voorhees, All Movie Guide

Greystoke: The Legend of Tarzan, Lord of the Apes is a reverent retelling of the Edgar Rice Burroughs original, with a 1980s-sensibilities slant. Shipwrecked on the coast of Africa, Lord Jack Clayton (Paul Geoffrey) and his pregnant wife Lady Alice (Cheryl Campbell) attempt to survive in the hostile environment, but both die shortly after the birth of their son John. Abandoned in the wilderness, the orphaned John is adopted by a family of rather highly evolved apes, and raised as one of their own. Years later, John-now known as Tarzan, and now played by Christopher Lambert-comes across a party of white hunters. Rescuing one of the intruders, Belgian Captain Phillipe D'Arnot (Ian Holm) from a horrible death , Tarzan is taught to speak English by the grateful D'Arnot. Coming across the remains and possessions of Tarzan's parents, D'Arnot discovers that the Lord of the Jungle is actually the Earl of Greystoke. Brought back to England, Tarzan is introduced to society, where his crude, apelike manners offend everyone--except the likeable (and painfully senile) 6th Lord of Greystoke (Ralph Richardson, in his final film role) and Greystoke's American ward, Jane Porter (Andie McDowell, whose Southern-fried voice is dubbed by Glenn Close). Disturbed at the notion of Tarzan's inheriting Greystoke manner, his more greedy relatives begin plotting against him. But it is Tarzan himself who decides that he cannot adapt himself to England-especially after a painful reunion with his ape foster father, imprisoned in a science-lab cage. ~ Hal Erickson, All Movie Guide

An American looking for excitement overseas finds more than she can handle in this cautionary drama. Melina (Louise Sorel), a young American woman, disappears while traveling in Great Britain, and her father Ben (Eddie Albert) sends her fiancée Carson (Clifford David) to the U.K. in hopes of discovering what's become of her. Carson learns that Melina has fallen in with a group of thrill-seeking beatniks known as "The Pack." She's decided to call off the engagement, and she uses the gang's loutish leader, Moise (Oliver Reed), to run interference and keep Carson at arm's length. Carson stays on Melina's trail, but as her new life with the Pack becomes more and more sordid, tragedy seems inevitable. The Party's Over was shot in 1963, but disputes with British censors prevented the film from opening in London until 1965, in a cut version that reportedly displeased director Guy Hamilton, who at the time lobbied to have his name removed from the credits. ~ Mark Deming, All Movie Guide