Denver Mattson Movies

Comedian John Candy, who died during the making of this poorly received comic western, plays James Harlow, a 19th century wagon master who is heading back east with a wagon train full of oddball characters who have had their fill of Western life. They include ex-doctor Phil Taylor (Richard Lewis), kind-hearted prostitute Belle (Ellen Greene), and a bookseller, Julian (John C. McGinley). Harlow is a drunken, washed-up leader who frequently gets lost. The travelers eventually discover that he was a member of the famous Donner party, which resorted to cannibalism when stranded in the mountains. Railroad magnates try to turn back the party, figuring it's bad publicity for people out East to learn that the West is not really a paradise. The tycoons hire gunfighters and villains to stop the expedition, but local Indians protect the wagons, because they are glad to see disgruntled white settlers leaving their lands. This "backwards" western was based on a story by Jerry Abrahamson. ~ Michael Betzold, All Movie Guide

Stephen King wrote his first original screenplay for this horror gore fest that features cameos by directors Clive Barker, Joe Dante, Tobe Hooper, John Landis, and King himself (playing a cemetery attendant). The story concerns a twilight people named "sleepwalkers" --creatures similar to vampires and werewolves whose faces turn animalistic whenever they are frightened or angry and who require the lifeforce of a virgin to survive. A single-parent sleepwalker family, consisting of Mary Brady (Alice Krige) and her son Charles (Brian Krause), have taken up residence in a small Indiana town. Charles has expressed a romantic interest in the attractive Tanya Robertson (Madchen Amick), a girl in his high school literature class. Mary wants Charles to lure Tanya home so that she can suck out her life force, but it appears that Charles has fallen in love with her --that is, until their first date, at a picnic at the cemetery. There Charles changes from a shy romantic suitor into a brutal and violent force, slapping Tanya around and attempting to rape her. But Tanya wards off his advances by plunging a corkscrew into his torso. Charles staggers back home to mother, where she nurses him back to health. Then Charles and his mother seek vengeance upon the Robertson family. ~ Paul Brenner, All Movie Guide

Based on James Ellroy's novel Blood on the Moon, Cop is a grim, brutally violent, darkly humorous modern-day film noir. Lloyd Hopkins (James Woods), is an obsessive, amoral LAPD police detective investigating a murder he believes to have been the work of a serial killer. Hopkins is cynical and obsessed with the way society fills women's heads with fairy-tale promises of romance. "Innocence kills," he sneers. "I see it every day." His investigation leads him to the bookstore of a writer of feminist poetry (Lesley Ann Warren) who has for some time been receiving gifts of poems and flowers from an unknown admirer. Hopkins, looking through her diaries, realizes that the dates of the gifts correspond to the dates of the murders, and he begins a hunt for the killer which leads to a violent and exciting conclusion. Cop is completely absorbing because of Woods' chillingly effective performance. Few actors can make an amoral, clever, sardonic, and vicious character as appealing as Hopkins. As Hopkins, Woods combines complex contradictions with ease, showing the various sides of his character's personality. Cop, while singularly unpleasant is always insightful and fascinating. ~ Linda Rasmussen, All Movie Guide

Burt Lancaster and Kirk Douglas team up one last time in Tough Guys. Harry Doyle (Lancaster) and Archie Lang (Douglas) are two old-time train robbers, who held up a train in 1956 and have been incarcerated for thirty years. After serving their time, they are released from jail and have to adjust to a new life of freedom, now as old men. Harry and Archie realize that they still have the pizzazz when, picking up their prison checks at a bank, they foil a robbery attempt. Archie, who spent his prison time pumping himself up, easily picks up a 20-year-old aerobics instructor named Skye (Darlanne Fluegel). Harry, on the other hand, has to waste away his days in a nursing home. They both have festering resentments --Archie for having to endure a humiliating job as a busboy; Harry for having to endure patronizing attitudes toward senior citizens. The two old pals finally go back to what they know best. After successfully robbing an armored car, they decide to rob the same train that they robbed thirty years ago. ~ Paul Brenner, All Movie Guide

John Carpenter's The Thing is both a remake of Howard Hawks' 1951 film of the same name and a re-adaptation of the John W. Campbell Jr. story "Who Goes There?" on which it was based. Carpenter's film is more faithful to Campbell's story than Hawks' version and also substantially more reliant on special effects, provided in abundance by a team of over 40 technicians, including veteran creature-effects artists Rob Bottin and Stan Winston. The film opens enigmatically with a Siberian Husky running through the Antarctic tundra, chased by two men in a helicopter firing at it from above. Even after the dog finds shelter at an American research outpost, the men in the helicopter (Norwegians from an outpost nearby) land and keep shooting. One of the Norwegians drops a grenade and blows himself and the helicopter to pieces; the other is shot dead in the snow by Garry (Donald Moffat), the American outpost captain. American helicopter pilot MacReady (Kurt Russell, fresh from Carpenter's Escape From New York) and camp doctor Copper (Richard Dysart) fly off to find the Norwegian base and discover some pretty strange goings-on. The base is in ruins, and the only occupants are a man frozen to a chair (having cut his own throat) and the burned remains of what could be one man or several men. In a side room, Copper and MacReady find a coffin-like block of ice from which something has been recently cut. That night at the American base, the Husky changes into the Thing, and the Americans learn first-hand that the creature has the ability to mutate into anything it kills. For the rest of the film the men fight a losing (and very gory) battle against it, never knowing if one of their own dwindling number is the Thing in disguise. Though resurrected as a cult favorite, The Thing failed at the box office during its initial run, possibly because of its release just two weeks after Steven Spielberg's warmly received E.T.The Extra-Terrestrial. Along with Ridley Scott's futuristic Alien, The Thing helped stimulate a new wave of sci-fi horror films in which action and special effects wizardry were often seen as ends in themselves. ~ Anthony Reed, All Movie Guide

Barbra Streisand and Ryan O'Neal attempt to recapture the screwball spark of What's Up, Doc? in the labored farce The Main Event. Streisand plays Hillary Kramer, a bankrupt perfume executive who discovers that one of her tax write-offs from more prosperous times was the ownership of prizefighter Kid Natural (Ryan O' Neal). Kid Natural is now a driving instructor who wants nothing to do with boxing, but Hillary is determined to resurrect the Kid's less-than-spectacular boxing career. She installs herself as the Kid's manager and tries to get him in shape to go the distance. Along the way, the two fall in love. ~ Paul Brenner, All Movie Guide

An Italian mechanic (Terence Hill) finds that he has inherited a billion-dollar company from his dead uncle, but he needs to be in San Francisco in 20 days to sign over the will. In the meantime, he is chased by kidnappers and the affected corporation's president (Jackie Gleason). ~ John Bush, All Movie Guide

Stanley Kramer directed this paranoid thriller involving a murderer who is inexplicably released from prison by a mysterious organization. Gene Hackman is Roy Tucker, serving time in San Quentin when he's busted out by a secret organization in return for having to assassinate an unnamed person. Roy travels from San Francisco to Spain trying to find out why he was released from prison and who he has to kill. His only lead is the organization is run by a collection of unknown people, collectively known as "They." ~ Paul Brenner, All Movie Guide