Jessie Matthews Movies

The concept behind the 1977 Hound of the Baskervilles involved having "underground" director Paul Morrissey bring an irreverent slant to the original Sherlock Holmes mystery. The film thus casts Peter Cook and Dudley Moore as Holmes and Watson, with such reliable British performers as Terry-Thomas, Joan Greenwood, Denholm Elliott, Hugh Griffith, Spike Milligan, and Roy Kinnear in cameos. Producer Michael White took on the project; it mirrored his previous experience of combining spoofery and fidelity to source material with Monty Python's Jabberwocky. Examples of the film's zaniness include the casting of a lovable Irish wolfhound as the "deadly" Baskerville mastiff and having Holmes and Watson speak in thick provincial accents. For its American release, Hound of the Baskervilles was whittled down to 78 minutes, with several of its scenes out of sequence. ~ Hal Erickson, All Movie Guide

This ten-minute propaganda film was commissioned by the British Ministry of Information during World War II. The idealistic scene of a soldier returning from war to marry his sweetheart was intended to be a morale-booster for the women whose boyfriends left them behind. ~ Michael Hastings, All Movie Guide

The 80-star cast of Forever and a Day would certainly not have been feasible had not most of the actors and production people turned over their salaries to British war relief -- a point driven home during the lengthy opening credits by an unseen narrator. The true star of the film is a stately old manor house in London, built in 1804 by a British admiral (C. Aubrey Smith) and blitzed in 1940 by one Adolf Hitler. Through the portals of this house pass a vast array of Britons, from high-born to low. The earliest scenes involve gay blade Lt. William Trimble (Ray Milland), wronged country-girl Susan (Anna Neagle), and wicked landowner Ambrose Pomfret (Claude Rains). We move on to a comic interlude involving dotty Mr. Simpson (Reginald Owen), eternally drunken butler Bellamy (Charles Laughton), and cockney plumbers Mr. Dabb (Cedric Hardwicke) and Wilkins (Buster Keaton). Maidservant Jenny (Ida Lupino) takes over the plot during the Boer War era, while the World War I sequence finds the house converted into a way-station for soldiers (including Robert Cummings) and anxious families (including Roland Young and Gladys Cooper). Finally we arrive in 1940, with American Gates Pomfret (Kent Smith) and lady-of-the-house Lesley Trimble (Ruth Warrick) surveying the bombed-out manor, and exulting over the fact that the portrait of the home's founder, Adm. Eustace Trimble (Smith), has remained intact -- symbolic proof of England's durability in its darkest hours. The huge cast includes Dame May Whitty, Edward Everett Horton, Wendy Barrie, Merle Oberon, Nigel Bruce, Richard Haydn, Donald Crisp, and a host of others -- some appearing in sizeable roles, others (like Arthur Treacher and Patric Knowles) willingly accepting one-scene bits, simply to participate in the undertaking. Seven directors and 21 writers were also swept up in the project. Forever and a Day was supposed to have been withdrawn from circulation after the war and its prints destroyed so that no one could profit from what was supposed to have been an act of industry charity. Happily for future generations, prints have survived and are now safely preserved. ~ Hal Erickson, All Movie Guide

The irrepressible Jessie Matthews heads the cast of the buoyant musical Sailing Along. Matthews plays Kay Martin, a popular British music-hall performer. At the height of her stardom, Kay gives it all up for the love of handsome Steve Barnes (Barry McKay). But before she makes this momentous decision, the audience is treated to three lively tunes: "My River", "Your Heart Skips a Beat" and "Trusting My Luck". Sailing Along was directed by Sonnie Hale, who from 1931 to 1944 was the husband of star Matthews; the film was also the last of the Hale-Matthews collaborations under the Gaumont-British banner. ~ Hal Erickson, All Movie Guide

Legendary British musical-comedy favorite Jessie Matthews chalks up another winner with Head Over Heels in Love. The ever-charming Matthews plays Jeanne, a Parisian entertainer who manages to get herself in hot water with the French version of Actors' Equity and is forced to take a series of jobs under a series of assumed names. Meanwhile, a romantic triangle involving American film star Norma (Helen Whitney Bourne) and gangsters Pierre (Robert Flemyng) and Marcel (Louis Borrell) spells big trouble for all concerned -- including the plucky Jeanne. Highlighted by six sprightly song numbers, Head Over Heels in Love is our girl Jessie's vehicle all the way, and never mind the "main" plot. The film was directed by Sonnie Hale, who just so happened to be the star's husband. ~ Hal Erickson, All Movie Guide

British musical star Jessie Matthews tops the bill in this song-studded comedy. Elizabeth (Matthews) is a delivery girl for a seamstress who is dispatched to drop off some costumes at a theater where a noted female impersonator is about to open a new show. The star is suddenly stricken with laryngitis, and Elizabeth is drafted to take over in his place, posing as a man who dresses like a woman. Elizabeth is a hit, and with Victor (Sonnie Hale) as her manager, she sets forth on a concert tour of Europe; she continues to perform as a man and draws packed houses and enthusiastic reviews. However, a mysterious Princess (Anna Lee) and her significant other get the strange feeling there's something odd about this new singing star, and they're determined to find out what it is. First a Girl was adapted from the German film Viktor und Viktoria, which would be remade into the American musical comedy Victor/Victoria. ~ Mark Deming, All Movie Guide

In this comedy, a young woman rebels against her betrothal and runs away to Paris. While on the train she meets and falls for a handsome man. It is a tumultuous courtship, but in the end, romantic bliss ensues. ~ Sandra Brennan, All Movie Guide

Definitely no relation to the horror-film series of the same name, the British Friday the 13th is a variation of the "Bridge on the San Luis Rey" theme, set in motion by a London bus accident. Two passengers are killed and two injured in the crash, but the screenplay (co-written by Hitchcock-contributor Sidney Gilliat) keeps the audience in suspense as to the identities of the victims. In a series of flashbacks, the viewer is introduced to the passengers and the various trials and tribulations they were dealing with before the accident. The characters include a chorus girl en route to a date with a man she doesn't love; a henpecked husband whose wife was cheating on him; a blackmailer who'd been bleeding an unfortunate young man dry; a wise-guy crook who was about to be caught by a nasty detective; and so on. Extraordinarily well cast for a mid-1930s British film, Friday the 13th affords excellent acting opportunities for the likes of Jessie Mathews, Ursula Jeans, Frank Lawton, Ralph Richardson, Max Miller, O.B. Clarence and Emlyn Williams, among many many others. While American critics were impressed by the film, British reviewers were less kind, commenting that the constant switch from one character to another only results in confusion (PS: It doesn't). ~ Hal Erickson, All Movie Guide

Based on a novel by J. B. Priestley, this British musical-comedy follows an unlikely trio as they try to revive the fortunes of a floundering touring theatrical troupe. Inigo Jolifant (John Gielgud) is a schoolteacher with a talent for songwriting, and Jess Oakroyd (Edmund Gwenn) is a man with theatrical ambitions who has just lot his job. Together, they persuade Miss Trant (Mary Glynne), an older single woman looking for adventure, to back them as they try to bring "The Dinky Do's" back into the spotlight. Susie Dean (Jessie Matthews) is a chorus girl who dreams of stardom, and when she's made the new leader of the show, it looks as if her dreams may finally become a reality. The Good Companions is buoyed by the superb singing and dancing talents of Matthews, who was considered one of the screen's greatest musical stars in England and Europe, though she inexplicably never achieved the same fame in the United States; Gielgud also got a rare opportunity to display his vocal abilities in this film. Keep your eyes peeled for Jack Hawkins and horror film great George Zucco, who both appear in supporting roles. ~ Mark Deming, All Movie Guide

In this musical, an impoverished aristocrat's daughter tries for a singing career. She also falls in love with a radio star who is, unfortunately, in love with another. ~ Sandra Brennan, All Movie Guide