A.E. Matthews Movies

Based on a British TV comedy, this is the tale of a London couple who inherit a pub in the country, only to find that their troubles are just beginning. Someone doesn't seem to want to make their business a success, but their invention should stop all that nonsense. ~ Tana Hobart, All Movie Guide

The grass is always greener.... In this British comedy, two drunken comrades find out the truth of that saying when they decide to trade places for a while. One of the boozers is a public relations man who knows nothing about sailing, while the other is a captain for the Royal Navy. Riotous comic mayhem ensues as the hapless "captain" tries to run his ship and follow orders. When the bumbling fellow's inadvertence sinks one of the fleet's own ships, he ends up locked in a rubber room until the two manage to extort someone into helping them resume their rightful identities. The film was originally titled The Ship was Loaded, and bears no relation to the popular "Carry On" series. ~ Sandra Brennan, All Movie Guide

In this location-filmed domestic seriocomedy, Rosanno Brazzi and Glynis Johns play an accountant and his new wife, honeymooning in Monte Carlo. With the casino in full view and ready for action, the couple would be remiss if they didn't give the gaming tables a try. Besides, Brazzi is certain that he's worked out a "system." Sure enough, the couple's marriage suffers mightily as the lure of the casino becomes stronger than their devotion to each other. Based on a story by Graham Greene, Loser Takes All was remade in 1990 as Strike It Rich, with Robert Lindsay and Mollie Ringwald. ~ Hal Erickson, All Movie Guide

Razzle-dazzle showman Michael Todd hocked everything he had to make this spectacular presentation of Jules Verne's 1872 novel Around the World in 80 Days, the second film to be lensed in the wide-screen Todd-AO production. Nearly as fascinating as the finished product are the many in-production anecdotes concerning Todd's efforts to pull the wool over the eyes of local authorities in order to cadge the film's round-the-world location shots--not to mention the wheeling and dealing to convince over forty top celebrities to appear in cameo roles. David Niven heads the huge cast as ultra-precise, supremely punctual Phileas Fogg, who places a 20,000-pound wager with several fellow members of London Reform Club, insisting that he can go around the world in eighty days (this, remember, is 1872). Together with his resourceful valet Passepartout (Cantinflas), Fogg sets out on his world-girdling journey from Paris via balloon. Meanwhile, suspicion grows that Fogg has stolen his 20,000 pounds from Bank of England. Diligent Inspector Fix (Robert Newton) is sent out by the bank's president (Robert Morley) to bring Fogg to justice. Hopscotching around the globe, Fogg pauses in Spain, where Passepartout engages in a comic bullfight (a specialty of Cantinflas). In India, Fogg and Passepartout rescue young widow Princess Aouda (Shirley MacLaine, in her third film) from being forced into committing suicide so that she may join her late husband. The threesome visit Hong Kong, Japan, San Francisco, and the Wild West. Only hours short of winning his wager, Fogg is arrested by the diligent Inspector Fixx. Though exonerated of the bank robbery charges, he has lost everything--except the love of the winsome Aouda. But salvation is at hand when Passepartout discovers that, by crossing the International Date Line, there's still time to reach the Reform Club. Will they make it? See for yourself. Among the film's 46 guest stars, the most memorable include Marlene Dietrich, Charles Boyer, Jose Greco, Frank Sinatra, Peter Lorre, Red Skelton, Buster Keaton, John Mills, and Beatrice Lillie. All were paid in barter--Ronald Colman did his brief bit for a new car. Newscaster Edward R. Murrow provides opening narration, and there's a tantalizing clip from Georges Méliès' A Trip to the Moon (1902). Offering a little something for everyone, Around the World in 80 Days is nothing less than an extravaganza, and it won 5 Oscars, including Best Picture and Best Cinematography. ~ Hal Erickson, All Movie Guide

Released in the US as Man With a Million, The Million Pound Note is a satisfying adaptation of a satirical short story by Mark Twain. Gregory Peck plays Henry Adams, an impecunious American living by his wits in London. Henry becomes the object of a wager between millionaire brothers Oliver and Roderick Montpelier (Ronald Squire and Wilfred Hyde-White), who want to find out if a man with a million pound note in his bank account could live comfortably for one month on the strength of that note--without ever spending a penny of it. When Henry is given the note and lets it be known that he has it, every courtesy imaginable is extended to him by hoteliers, restauranteurs, etc. Trouble brews when Henry uses the note's reputation to speculate on the stock market. When his creditors demand that he produce the note as an act of faith, Henry is unable to do so, whereupon pandemonium reigns--and the audience's laughter cascades. ~ Hal Erickson, All Movie Guide

Had the women-behind-bars drama The Weak and the Wicked been made in Hollywood, the cast would probably have included the likes of Ida Lupino, Marie Windsor, Peggie Castle and Hope Emerson. Instead, the film was lensed in Britain, with Glynis Johns and Diana Dors heading the cast. Framed on a charge of fraud, "good girl" Glynis is tossed into prison. Her cellmates include hard-boiled Ms. Dors, murder suspect Jane Hylton, blackmailer-poisoner Dame Sybil Thorndyke and shoplifter Olive Sloane. Each of their stories is detailed in a series of flashbacks. Downplay the potential sensational elments of the storyline, The Weak and the Wicked takes great pains to point out the positive values of a special rehabilitation program, wherein the main characters are given the opportunity to make themselves useful members of society. ~ Hal Erickson, All Movie Guide

In this children's drama, a youthful gang of cyclists find themselves wrongfully accused of stealing bikes from a manufacturer and end up barred from the local track. Unfortunately, they had been using the track to train for the big race. Fortunately, they are able to catch the real culprits. The company rewards them by repaving their track. ~ Sandra Brennan, All Movie Guide

Most of this hectic British comedy takes place in an ancient Scottish castle. The British National Coal Board, following a real-life policy established in the 1940s, wants to annex the castle as a group home for the local miners and their families. Wealthy, much-married American Mrs. Clodfelter Dunne (Barbara Kelly) wants to claim the castle--and its owner, the Earl of Locharne (David Tomlinson)--for herself. Meanwhile, eccentric boarder Miss Nicholson (Margaret Rutherford) is possessed with the notion that the Earl is actually the rightful King of Scotland. The film's deus-ex-machina is a beautiful ghost, played by Patricia Dainton. With all this going on, it is easy to ignore the antiseptic romantic subplot involving Tomlinson and Helen Cherry. Castles in the Air was based on the popular stage play by Alan Melville. ~ Hal Erickson, All Movie Guide

Made in Heaven is predicated on one of Britain's most curious annual traditions. During the yearly Dunmow Flitch, a side of bacon is awarded to any married couple who can prove at a public trial that their union has been happy and argument-free for a full year. Among the contestants depicted herein are the members of the Topham family: husband (Charles Victor), wife (Sophie Stewart), son (David Tomlinson), daughter-in-law (Petula Clark) and grandfather (A. E. Mathews). Into this household arrives a saucy Hungarian maidservant (Sonja Ziemann), sending the menfolk into a tizzy. No surprises here, just plenty of laughs--and in Technicolor, to boot. ~ Hal Erickson, All Movie Guide

The Magic Box was the English film industry's contribution to the 1951 Festival of Britain. Its all-star cast generously forsook their usual salaries for the privilege of paying tribute to that unsung pioneer of cinema, William Friese-Greene, here played by Robert Donat. Adapted by Eric Ambler from the controversial biography by Ray Allister, Magic Box contends that Friese-Greene was the true father of motion pictures, and not such upstarts as W. K. L. Dickson and Thomas Edison. Told in flashback, the film details Friese-Greene's tireless experiments with the "moving image," leading inexorably to a series of failures and disappoints, as others hog the credit for the protagonist's discoveries. The huge cast includes such British film luminaries as Joyce Grenfell, Miles Malleson, Michael Redgrave, Eric Portman, Emlyn Williams, Richard Attenborough, Peter Ustinov, Cecil Parker, Kay Walsh, and, best of all, Laurence Olivier as the confused bobby who witnesses Friese-Greene's first motion picture demonstration. ~ Hal Erickson, All Movie Guide

Four relatives find themselves going to unusual lengths to inherit a fortune in this British comedy. Henry Russell (Hugh Griffith) was a practical joker all his life, and his sly sense of humor is hardly stilled by his death; when his four closest relatives gather for the reading of the will, they discover that each is to be left $140,000 -- but, as always, there are strings attached. His sister Agnes (Fay Compton) has always treated her hired help with an attitude bordering on contempt, so Henry leaves her the money with the proviso that she must first work as a maid for 28 days. His cousin Deniston (Alastair Sim) writes detective novels for a living, so Henry insists that he get a clearer perspective on how bad guys live -- to collect his inheritance, he must spend four weeks in prison. Herbert (George Cole), a milquetoast clerk at a bank, will only receive his share if he's able to pull off a robbery at his place of employment. And Simon (Guy Middleton), a confirmed ladies' man, must marry the first girl he meets (and stay married to her) if he's to collect his $140,000. Keep an eye peeled for a youthful Audrey Hepburn, who has a bit part as a cigarette girl. ~ Mark Deming, All Movie Guide

Originally released in Great Britain as Whisky Galore!, Tight Little Island is a comedy predicated on the notion that all Scotsmen are lushes. The tiny Scots Island of Todday suffers from a wartime whisky shortage. Luck of luck, a ship full of the precious liquid is wrecked on a reef. The islanders conspire to smuggle the whisky off the ship right under the noses of the pesky British revenue officials. Numerous clever comic complications occur before the happy ending--which, we are told by the narrator, was not so happy once all the whisky was consumed. Tight Little Island is regarded by devotees of British comedy as the best and most representative offering from the short-lived Ealing Studios. ~ Hal Erickson, All Movie Guide

By 1949, British stage and film star A.E. Matthews was more widely celebrated for his advanced age (eighty) than his considerable thespian achievements. In The Amazing Mr. Beecham (original British title: The Chiltern Hundreds), Matthews goes into his well-calculated "doddering aristocrat" routine as an elderly earl confounded by political upheaval. The old man's son (David Tomlinson) attempts to be elected to Parliament on the socialist ticket, but it is the family butler (Cecil Parker) who ends up being elected as a Tory. The original play, written by William Douglas Home, had also served as a vehicle for the venerable Matthews (who had made his stage debut in 1886!) After Amazing Mr. Beecham, A.E. Matthews remained active until his death in 1960 at age 91. ~ Hal Erickson, All Movie Guide