Jacque Mathou Movies

A businessman tries to belatedly learn the fine art of friendship in this comedy from French filmmaker Patrice Leconte. François (Daniel Auteuil) is an antique dealer who runs an upscale shop with his business partner, Catherine (Julie Gayet). François is a gently ruthless trader who will do nearly anything to make a deal, and when Catherine throws him a birthday party, someone points out that all the guests are business associates, not personal friends. While François protests that he does indeed have friends, Catherine calls him on it and makes him a deal -- if he can produce his best friend within ten days, he'll be allowed to keep a valuable vase he recently found for the shop, but if not, the vase will belong to her. François agrees to the challenge, but while going through his address book, he begins to realize he really doesn't have any especially close friends. Over the course of several days, François keeps running into Bruno (Dany Boon), a gregarious and friendly taxi driver, and while Bruno's personality rubs François the wrong way, he notices that the cabbie has a way of making (most) people like him. Eager to win his bet with Catherine, François recruits Bruno to give him a crash course in making friends and influencing people, hoping to find a buddy before his deadline. Mon Meilleur Ami (aka My Best Friend) received its North American premiere at the 2006 Toronto Film Festival. ~ Mark Deming, Rovi

If such a thing as gentle humor can be wrung from murderous misogyny, this all-star comedy is the embodiment of it. The basic point of the film seems to be this: unattached men long to live with women, and once they do, they long to live without them. In this story, Paul (Thierry Lhermitte) is upset about his wife's having left him. He can't stop thinking about her, and eventually decides that he'd be much happier if he knew she was dead. Then, he thinks, he could put an end to his obsessing. His uncle, a judge (Phillippe Noiret), knows of a man who killed his wife more or less on purpose, and got away with it. Paul and his uncle get together with the lucky killer, Vincent (Richard Bohringer), and, on their way to visit Paul's wife, discuss how Vincent managed to kill his wife and get away with it. Along the way, the aggravations women bring to men are pretty thoroughly (and humorously) hashed over. ~ Clarke Fountain, Rovi

A post-apocalyptic future becomes the setting for pitch black humor in this visually intricate French comedy. The action takes place within a single apartment complex, which is owned by the same man that operates the downstairs butcher shop. It's a particularly popular place to live, thanks to the butcher's uncanny ability to find excellent cuts of meat despite the horrible living conditions outside. The newest building superintendent, a former circus clown, thinks he has found an ideal living situation. All that changes, however, when he discovers the true source of the butcher's meat, and that he may be the next main course. This dark tale is played out in a brilliantly designed, glorious surreal alternate world reminiscent of the works of director Terry Gilliam, who co-presented the film's American release. Like Gilliam, co-directors Jean-Pierre Jeunet and Marc Caro hail from an animation background, and have a fondness for extravagant visuals, absurdist plot twists, and a sense of humor that combines sharp satire with broad slapstick and gross-out imagery. This mixture may displease the weak of stomach, but those attuned to the film's sensibility will be delighted by the obvious technical virtuosity and wicked sense of humor. ~ Judd Blaise, Rovi

The conflict in question is World War II; even though hostilities have all but ceased, the Germans and the French are not precisely reconciled. German soldier Richard Bohlinger, absent without leave, is befriended by a couple of pre-teen boys (Antoine and Julien Hubert, sons of director Jean-Louis Hubert). Despite the fact that they seem to have found a lasting peace, the adult world doesn't see things the boys' way, and Bohlinger is put to death. Apres le Guerre is the second felicitous collaboration between director Hubert and veteran character-actor Richard Bohlinger; the first was the popular Le Grand Chemin. ~ Hal Erickson, Rovi

Duroc (Jean Rochefort) is a secret agent called on to deliver an exploding car to a gang of terrorists in this spy spoof. When someone leaks the plan to the terrorists, Duroc becomes the hunted rather than the hunter. He encounters several situations where people unwittingly interfere with his mission. ~ Dan Pavlides, Rovi

This strange crime-cum-romance story starts out with the ordinary work-a-day life of Mangin, an apparently straight-and-narrow cop (Gerard Depardieu), and then segues into a love story after he meets Noria, a beautiful Arab woman (Sophie Marceau) who has just been arrested during a drug raid. Mangin grills her, but his buddy, a lawyer of dubious ethics named Lambert (Richard Anconina), gets the woman released. Enamored almost from the beginning, Mangin begins to pursue Noria and soon finds himself faced with making the ethical decision to arrest her -- or not. ~ Eleanor Mannikka, Rovi