Samantha Mathis Movies

Olympic gymnastics coach Francine Lake (Lauren Hutton) and her 12 students train on the Island of Crete. The rigors of training preclude most sexual activity with the locals, thus the girls spend their evenings in quiet frustration. Likewise repressed is training-school janitor Ulysses (Svestislav Goncic), a notorious peeping tom. When one of the girls is sexually assaulted, Ulysses is the most likely suspect. It turns out, however, that the film's true antagonist is much closer to the situation than it first appears. ~ Hal Erickson, Rovi

Set in the early 1900s in a small Southern town, this made-for-cable television romance centers on the "scandalous" love affair that blossoms between a free-thinking, strong-willed Northern widow and the much older owner of a local general store. The plot is based on a novel by Olive Ann Burns. ~ Sandra Brennan, Rovi

83 Hours 'Til Dawn utilizes a plot device originally seen on another fact-based TV movie, The Longest Night (1972). Robert Urich stars as a wealthy business executive whose 20-year-old daughter is abducted by sociopathic Peter Strauss. The kidnapper seals his victim in a small box and buries it deep underground, with an air-tube as her only conduit to the outside world. Strauss threatens to never reveal the girl's whereabouts unless Urich ponies up half a million dollars. The original telecast of 83 Hours 'Til Dawn ran a distant second to a competing network showing of the theatrical feature Three Men and A Baby (87). ~ Hal Erickson, Rovi

Made for television, To My Daughter stars Rue McClanahan as a well-to-do matron whose oldest daughter (Michelle Greene) dies. The girl was always McClanahan's favorite; the remaining children (Samantha Mathis and Ty Miller), though not unaffected by the loss, hope that now their mother will pay some attention to them. Instead, McClanahan's grief threatens to shatter her already shaky relationship with her younger offspring. She virtually shuts the kids out of her life in order to finish her older daughter's uncompleted book. To My Daughter was unofficially based on the career of real-life writer Nancy Lynn Schwartz, who did indeed die before completing her history of the Screen Actors' Guild, obliging her mother to finish the job. ~ Hal Erickson, Rovi

Based on the book by Meg Wolitzer, This Is My Life is the directorial debut for Nora Ephron, who adapted the script with sister, Delia Ephron. Dottie Engels (Julie Kavner) is a single mother with aspirations of becoming a standup comedian. When her Aunt Harriet dies, Dottie gets an apartment in Manhattan with her daughters, teenaged Erica (Samantha Mathis) and ten-year-old Opal (Gaby Hoffmann). Soon, Dottie's career is taking off and her agent, Claudia Curtis (Carrie Fisher), gets her on a comedy tour. Everything seems to work out well for Dottie, except that her daughters are left without a mother. Erica, who has just started dating Jordan (Danny Zorn) gets especially mad when she hears Dottie talking about her personal information on a talk show. The two girls are further upset with their mother's choice for a boyfriend, Arnold Moss (Dan Aykroyd). Eventually, Erica and Opal try to track down their real father, Norm (Louis di Banco), in upstate New York. ~ Andrea LeVasseur, Rovi

Documentary filmmaker Philip Haas made his dramatic feature film debut with The Music of Chance, adapted from Paul Auster's terse, existential novel. The film follows the plight of two hapless drifters -- Jim Nashe (Mandy Patinkin), who is escaping family and responsibility with an inheritance and a red BMW, and Jack Pozzi (James Spader), a down-on-his-luck gambler and world class manipulator. Pozzi convinces Nashe to shoot the works and put his remaining $10,000 into a high stakes poker game against two rich suckers -- reclusive lottery winners Willie Stone (Joel Grey) and Bill Flower (Charles Durning), who share a lavish but isolated country estate, using the remains of their lottery fortune to construct a self-contained world on the grounds of their mansion. Instead of bilking the two millionaires, however, Pozzi and Nashe lose their windfall and find themselves indebted to Stone and Flowers, who compel them to work off their losses by constructing a stone monument on their estate, a chore that results in deception, flight, and possibly murder. ~ Paul Brenner, Rovi

Louisa May Alcott's classic novel about a family of women in Civil War-era New England is again brought to the screen in this adaptation. The focus is on the March sisters, four young girls raised by their mother (Susan Sarandon) after their father leaves for battle as part of the Union Army. At the center is Jo March (Winona Ryder), an idiosyncratic would-be writer said to be based on Alcott herself, but the film also focuses on the stories of her sisters -- the more conventional Meg (Trini Alvarado), the innocent Beth (Claire Danes), and the precocious Amy (Kirsten Dunst and Samantha Mathis, who represent Amy at different ages.) The film spans years, following the girls' struggles with life's challenges and illustrating how their family connection remains strong in the face of tragedies large and small. Australian director Gillian Armstrong emphasizes the story's feminist elements, particularly in Jo's journey to independence. ~ Judd Blaise, Rovi

This earnest, intelligent, and well-written romantic comedy is enjoyable and optimistic in classic Hollywood style, even if its idealism doesn't seem quite so credible against the cynical political backdrop of the Nineties. President Andrew Shepherd (Michael Douglas), an unabashedly liberal Democrat, is just gearing up for re-election when he meets an attractive and sharp environmental lobbyist named Sydney Wade (Annette Bening). The two fall in love and the President must soon deal with the political repercussions (Sydney is trying to get legislation through Congress), as well as the cynical machinations of Republican opponent Senator Bob Rumson (Richard Dreyfuss), who attempts to paint Sydney as a radical and use "family values" rhetoric to smear Shepherd. With the attacks affecting his standings in the all-important polls, and his love's legislation causing him headaches in the Capitol, Shepherd must decide whether he can risk continuing his relationship. A rich supporting cast, solid characterizations by Douglas and Bening, and an articulate approach make this an appealing, if not particularly weighty, study of the tensions between public and private life. ~ Don Kaye, Rovi

Hong Kong director John Woo's second U.S. film (his first was Hard Target) delivers a number of exciting action sequences but is let down by a credibility-straining plot. John Travolta plays Vic Deakins, an Air Force pilot on what is supposed to be a routine night flight mission with his co-pilot, the younger Riley Hale (Christian Slater), whom Deakins constantly kids for lacking the "will to win." Deakins is actually a traitor who crashlands their Stealth Bomber in Death Valley so that he can steal two nuclear warheads onboard and sell them to terrorists who plan to blackmail the government. Deakins meets up with his cohorts, who have been waiting in the park, while Hale survives and teams up with a young, attractive park ranger (Samantha Mathis) to foil Deakins's plans. Plenty of action ensues, with car chases, collapsing mine shafts, fights on burning trains, and even the underground detonation of a nuclear device. Despite the script's implausibilities and inconsistencies, Woo amply displays the expertise with action sequences and man-to-man conflict that has made his Hong Kong films cult favorites. ~ Don Kaye, Rovi

A young woman with multiple sclerosis (Samantha Mathis) is placed in an assisted care facility by her family. While at first she feels abandoned and hopeless, she learns to develop a new confidence, self-respect and independence by bonding with her fellow patients, who learn important lessons from each other about growing as a group and as individuals. Supporting cast includes Natalie Cole as a blues singer who has been severely injured in an accident. ~ Mark Deming, Rovi

Writer/director Russell DeGrazier makes his feature debut with this dark tale of four twentysomethings and the destructive relationships between them. Originally titled Stalk, the film concerns the decidedly ungentlemanly behavior of Matthew (The In Crowd's Matthew Settle), part-time alternative-newsweekly columnist, part-time rude-boy radio talk-show host, and full-time torch-carrier for ex-girlfriend Liz (Gretchen Mol). In keeping with her "been there, done that" stance on their relationship, Liz objects to Matthew's obsessive displays of affection (parking his car outside her apartment for hours on end, attempting to break down her door). Luckily, two forces intervene: her friend Corey (Samantha Mathis) and her current boyfriend, Matthew's editor Garrett (Tom Everett Scott). In a chance meeting at a local watering hole, Corey befriends the tortured Matthew, and the two begin an intensely carnal relationship that not only distracts him from stalking Liz but also -- as an added bonus -- makes Liz jealous. Unfortunately, Garrett is still worried that Liz's loose-cannon ex might still be hung up on her, so he begins his own cat-and-mouse game with Matthew. Attraction premiered at the 2000 Toronto International Film Festival. ~ Michael Hastings, Rovi

Director Linda Yellen spins this study of four couples as they struggle to maintain their relationships. Middle-aged divorcée and landlord Katharine (Lynn Redgrave) is completely smitten with her live-in lover Rick (Harry Connick, Jr.). She loves throwing parties, and on one Halloween she hosts a dinner for some wildly dissimilar guests: her tenets Sandra (Cindy Crawford) and Paul (Jamey Sheridan) are conservative professionals, while fellow building dwellers Marta (Monica Keena) and Billy (Dylan Bruno) are rock musicians. Also at the party is wacky psychic Arnita (Tyne Daly). During dinner, Arnita sees the spirits of another couple: Mae (Samantha Mathis), a flapper from the 1920s, and Katharine's great-grandfather Edward (William Hurt). Unnerved, Arnita predicts that one couple will split up by year's end. Though initially shaken, the guests brush her off as a nut. Yet toward the year's end, Katharine grows increasingly jealousy of Rick's flirtation with Sandra. ~ Jonathan Crow, Rovi

This three-hour miniseries adapts Marion Zimmer Bradley's feminist recasting of the Arthurian mythos into a big-budget cable television event. In ancient England, Christianity is spreading and the Saxons are invading. It's up to Viviane (Anjelica Huston) -- Lady of the Lake and high priestess of the kingdom's ancient pagan religion -- to make sure that the next king will honor both the old and new faiths and thereby banish the barbarian hordes. Viviane manipulates her sister Igraine (Caroline Goodall) into marrying King Uther Pendragon (Mark Lewis Jones) and bearing a son, Arthur (Edward Atterton) -- much to the consternation of Viviane's other sister, the power-hungry Morgause (Joan Allen). Arthur grows up happily with his older half-sister, Morgaine (Julianna Margulies), until Merlin (Michael Byrne) spirits him off for training and Viviane brings Morgaine to the mystical island of Avalon to develop her magical connection to the Goddess. Years later, the siblings reunite in a masked mating ritual, unaware that their union is incestuous -- or that their son, Mordred (Hans Matheson), will fall into Morgause's clutches and destroy the delicate balance that Viviane has sought to maintain. As Arthur gathers the knights of the round table and ushers in a golden age with Queen Gwenhwyfar (Samantha Mathis) at his side, the seeds of his destruction, and Avalon's, have already been planted -- by Arthur himself. Filmed on-location in Prague, The Mists of Avalon premiered on the TNT cable network July 15 and 16, 2001. Director Uli Edel, best known for his feature adaptation of Last Exit to Brooklyn, had previously helmed Purgatory for TNT. The titular mists -- developed by Edel and executive producer Mark Wolper -- utilized custom fluid dynamic software designed specifically for the project. Celtic musician Loreena McKennitt added her theme music to composer Lee Holdridge's score. ~ Brian J. Dillard, Rovi