Joe Matheson Movies

Evidently inspired by the 1958 theatrical feature It! The Terror From Beyond Space (which, of course, was also the basis for the 1979 thriller Alien), this made-for-cable melodrama begins as the crew of the space shuttle Oklahoma returns to earth after a routine mission. Unbeknownst to them, they have also brought back an alien "guest" in the form of seeds which blossom into insectoid life-forms, infiltrating human bodies to complete their evolution. At first, the victims of these aliens think they've merely broken out in blisters, but they soon learn differently -- to their unutterable horror. Racing against the clock, the Oklahoma's chief medical officer "Geronimo" Horne (Nicholas Lea) works in concert with his colleague Thaddeus Owens (Anthony Sherwood) and entimologist Savannah Bailey (Jamie Luner) to stem the alien invasion before the rapidly proliferating creatures reach the "threshold" amount -- at which point they will be impossible to control. Threshold debuted April 19, 2003, on the Sci-Fi Channel. ~ Hal Erickson, Rovi

If Ms. Famke Janssen is a Model By Day in this TV movie, what does she do by night? If this were a USA cable movie, perhaps she'd be walking the streets. But since it's network movie, Famke spends her evenings as a masked crimefighter. She runs into trouble with the law when a murderer appropriates her alter ego and costume for a mayhem spree. Sean Young costars in this busted pilot film. Model by Day was first telecast March 21, 1994. ~ Hal Erickson, Rovi

Two twin brothers, both renowned gynecologists, descend into madness after becoming romantically involved with the same woman in this disturbing, horrific drama. Jeremy Irons delivers a bravura performance as both Beverly and Elliot Mantle, Toronto-based surgeons who operate an exclusive gynecological clinic and share a reputation as brilliant innovators. They also share lovers, as the more aggressive, confident Elliott seduces women and later secretly allows the shier, more intellectual Beverly to reap the benefits. This arrangement is disturbed when Beverly falls in love with their newest conquest, Claire Niveau (Genevieve Bujold), a famous actress with an unusual gynecological deformity. Beverly's relationship with the hard-living Claire leads to him to turn away from Elliot and begin a dangerous involvement with drugs and alcohol. Elliot senses his brother's rapid decline into addiction and paranoia and attempts to save him, only to start falling victim to the same urges. Director David Cronenberg adapted the loosely fact-based tale to his own creepy purposes, tapping into primal fears regarding the uncanniness of twins and male sexual panic. His notorious gore was used sparingly here, however, with the film's most disturbing moments coming through suggestion, as in the display of a group of terrifying surgical instruments created by Beverly in his madness. Cronenberg's expertise with special effects proves crucial, however, as he and his regular cinematographer Peter Suschitzsky seamlessly combine Irons' two performances in a manner unrivalled by any previous depiction of twins. This visual achievement is more than matched by Irons, who delivers what may be his career performance, delineating the twins' differences and similarities and embodying their collapse in frighteningly believable fashion. The subject matter and chilly tone may be too intense for some viewers, but the brilliant central performance and intellectually provocative approach will prove thoroughly absorbing for others. ~ Judd Blaise, Rovi