Mary Stuart Masterson Movies

In this humorous documentary, Robert Downey, Jr. shares his views of politics, attitudes and himself while travelling across the country in 1992. He spends a special amount of time at the Democratic and Republican conventions. Downey includes brief interviews by such luminaries as Oliver Stone, Spike Lee, Jerry Falwell, and his father, Robert Downey, Sr. ~ Sandra Brennan, All Movie Guide

This 1992 episode of Saturday Night Live is hosted by Mary Stuart Masterson and features musical guest En Vogue. ~ Skyler Miller, All Movie Guide

A woman learns the value of friendship as she hears the story of two women and how their friendship shaped their lives in this warm comedy-drama. Evelyn Couch (Kathy Bates) is an emotionally repressed housewife with a habit of drowning her sorrows in candy bars. Her husband Ed (Gailard Sartain) barely acknowledges her existence, and while he visits his aunt at a nursing home every week, Evelyn is not permitted to come into the room because the old women doesn't like her. One week, while waiting out Ed's visit, Evelyn meets Ninny Threadgoode (Jessica Tandy), a frail but feisty old woman who lives at the same nursing home and loves to tell stories. Over the span of several weeks, she spins a whopper about one of her relatives, Idgie (Mary Stuart Masterson). Back in the 1920s, Idgie was a sweet but fiercely independent woman with her own way of doing things who ran the town diner in Whistle Stop, Alabama. Idgie was very close to her brother Buddy (Chris O'Donnell), and when he died, she wouldn't talk to anyone except Buddy's girl, Ruth Jamison (Mary-Louise Parker). Idgie gave Ruth a job at the cafe after she left her abusive husband, Frank Bennett (Nick Searcy). Between her habit of standing up for herself, standing up to Frank, and serving food to Black people out the back of the diner, Idgie raised the ire of the less tolerant citizens of Whistle Stop, and when Frank mysteriously disappeared, many locals suspected that Idgie, Ruth, and their friends may have been responsible. Evelyn finds herself looking forward to her weekly visits with Ninny, and is inspired by her story to take a new pride in herself and assert her independence from Ed. Fried Green Tomatoes was based on the novel Fried Green Tomatoes at the Whistle Stop Cafe by actress-turned-author Fannie Flagg, who makes a cameo appearance as the leader of a self-help group. ~ Mark Deming, All Movie Guide

Glenn Close and James Woods star in this artery-clogging schmaltz about a childless couple who desperately want to have a baby. Linda (Close) and Michael Spector (Woods) are an upscale couple who have everything -- except a child. Linda mists over after she takes her temperature, plans the correct time for conception, and then her period starts. Despite medical intervention, the Spectors cannot conceive. They finally decide to adopt a child and meet the pregnant 17-year-old Lucy (Mary Stuart Masterson), who decides that the Spectors can provide a better home for her child than she and her boyfriend Sam (Kevin Dillon) could. The Spectors look Lucy over and determine -- since Lucy's mother died when she was seven -- to take care of her during her pregnancy. The three bond as they await the birth of Lucy's child. But now Lucy has second thoughts about the decision to turn her baby over to the Spectors. The solution for this happy group? Adopt Lucy and become the "immediate family." ~ Paul Brenner, All Movie Guide

A young man freshly graduated from Yale (Anthony Edwards) moves to Rhode Island and finds himself with a strange power: the ability to create mild electric shocks through his hands. He begins to make friends around the community, and tries to help those around him by healing several minor sicknesses. Mr. North was the directorial debut for Danny Huston, the son of John Huston. ~ John Bush, All Movie Guide

Set in Washington D.C. during the Vietnam War era, Gardens of Stone concentrates on the trials and tribulations of the Arlington National Cemetery home guard. James Caan plays career soldier Sgt. Clell Hazard, who has come to the sad conclusion that Vietnam is unwinnable and that America should withdraw as soon as possible. His attitude is contrasted to that held by Private Jackie Willow (D.B. Sweeney), who wants nothing more in life than to go into battle for his country. Though Hazard cannot officially dissuade Willow from this yearning, he pulls a few surreptitious strings to change the lad's mind, including encouraging a renewed romance between Jackie and his former girlfriend Rachel (Mary Stuart Masterton). After so many big-budgeters, Coppola determined that Gardens would be a deliberately "small" picture, concentrating on personalities rather than opulence; the director's father, Carmine Coppola, supplied the music, while Peter Masterton and Carlyn Glynn, the real-life parents of Mary Stuart Masterton, play Mary's on-screen dad and mom. Gardens of Stone was adapted by Ronald Bass from the novel by Nicholas Proffitt. ~ Hal Erickson, All Movie Guide

Love Lives On is the apotheosis of all made-for-TV "problem" films. The focus is on 15-year-old Susan Wallace (Mary Stuart Masterson), who in the course of the film's 97 minutes runs the gamut of crises from drug addiction to unwed pregnancy to cancer. In the climax, poor Susan must decide whether or not to bring into the world a baby that may be even less healthy than she. Add to this mixture the alcoholic father and battered mother of Susan's erstwhile boy friend, and one has the quintessential "disease of the week" flick--though, incredibly, it is all based on actual events. The film earned an Emmy award for "Lullaby", an original song by Douglas Brayfield and James Di Pasquale. Love Lives On made its ABC network debut on April 1, 1985. ~ Hal Erickson, All Movie Guide

In his last appearance before the cameras, David Janssen plays an alcoholic journalist desperate for a comeback. Janssen hitches his star to ruthless publisher Robert Vaughn, who is exploiting a rash of brutal murders to sell papers. The danger here is that the unknown serial killer, who preys upon beautiful young women, is rapidly becoming a media celebrity--and may be prompted to continue killing just to see his name in print. Beyond its own potential for sensationalism, City in Fear raises several provocative questions about the responsibility (and culpability) of the press. For its March 30, 1980 premiere, City in Fear was given a two hour and fifty minute timeslot. ~ Hal Erickson, All Movie Guide