Paul Massie Movies

A rugged, isolated island off the coast of Nova Scotia provides the setting for this drama. Much of the island is owned by one person, the other inhabitants, primarily lobster fishermen, rent from him. One of the lobster men begins romancing the wealthy owner's daughter and marries her. After the wedding, the bride is disturbed to learn that her hubby is a compulsive gambler who quickly squanders their small savings. The impoverished couple has no choice but to leave the island and live on the mainland. ~ Sandra Brennan, All Movie Guide

A man is forced to prove who he really is -- and discovers that it isn't as easy as one might think -- in this drama. Sir Mark Loddon (Dirk Bogarde) is a titled member of the British aristocracy who lives a life of wealth, privilege, and notoriety, until one day Jeffrey Buckenham (Paul Massie), a pilot from Canada, makes a startling accusation. Buckenham and Loddon were both inmates in the same POW camp during WWII, and Buckenham is convinced that Loddon is not the man he claims to be; Frank Welney, an actor who was also a prisoner in the same camp, bore a striking resemblance to Loddon, and he is convinced that the actor has taken Loddon's place. The press picks up Buckenham's story, and the question of Loddon's identity becomes the talk of all England; Lady Maggie Loddon (Olivia de Havilland), Mark's wife, is deeply offended and insists that he sue for libel to restore his good name. Mark obtains the services of Sir Wilfred (Robert Morley), one of the nation's best-respected attorneys, but it soon becomes evident that proving Mark's identity in court may not be as simple as it might seem; Mark suffered severe head injuries during the war that cause him to stutter at times and also result in periodic spells of amnesia; the testimony of the many witnesses called by Sir Wilfred and his opponent, Hubert Foxley (Wilfrid Hyde-White), establish no clear consensus of who Loddon really is. Libel was based on the popular stage drama by Edward Wooll. ~ Mark Deming, All Movie Guide

This is the film version of Robert Louis Stevenson's The Strange Case of Dr. Jekyll and Mr. Hyde in which Hyde is the handsome, clean-shaven one. Though top-billed Christopher Lee, portraying a caddish playboy, was the beneficiary of all the ad publicity, it is Paul Massie who plays Dr. Jekyll and Mr. Hyde. The "horror" in the film is mostly sociological, with Jekyll learning first hand of the corruption lurking beneath the respectable facade of the Victorian Era. His metamorphosis into Hyde is meant as an allegory to the evils of drug addiction, another "don't ask--don't tell" element of 19th century London. In still another departure from the Stevenson original, Jekyll becomes Hyde not because he can't control his alter ego, but because he wants to exact revenge on Christopher Lee, who has been siphoning off Jekyll's savings to finance his own gambling and womanizing. In contrast to Stevenson's story, Jekyll/Hyde does not die--though the strain of being Hyde has permanently scarred Jekyll's psyche. Two Faces of Dr. Jekyll was originally released in Britain as House of Fright. ~ Hal Erickson, All Movie Guide

Zany British comedian Tony Hancock was briefly a major draw in the 1960s, with several popular TV series, sellout personal appearances, and a string of theatrical films to his credit. In The Rebel (released in the US as Call Me Genius), Hancock plays a middle-class businessman who decides to chuck it all and become a painter. He heads for Paris, there to starve in an attic until fame and fortune comes calling. Like many British comedies of the era, The Rebel has great fun at expense of modern art and bohemian artistes; Hancock takes full advantage of every humorous possibility, with suave George Sanders acting as his dignified foil. Alas, by the end of the 1960s, Tony Hancock was dead by his own hand, a victim of alcohol and acute depression. ~ Hal Erickson, All Movie Guide

This by-the-numbers comedy stars Wayne Rogers and Karen Valentine as Alex and Annabelle Grier. Alex is a well-paid ad executive who is laid off during an economic downswing. In order to continue living in the manner to which she he is accustomed, Alex's wife Annabelle decides to look for work. Unfortunately, her practical experience is nil, so Alex labors behind the scenes, training his wife to become a top-drawer copywriter. Inevitably, when Annabelle finally does land a job, it turns out to be a major blow to Alex's ego. Initially titled Paper Castles, this made-for-TV movie was first shown December 18, 1984. TV Guide/Marrill ~ Hal Erickson, All Movie Guide