Raymond Massey Movies
As one of several sons of the owner of Toronto's Massey/Harris Agricultural Implement Company, Raymond Massey was expected to distinguish himself in business or politics or both (indeed, one of Raymond's brothers, Vincent Massey, later became Governor General of Canada). But after graduating form Oxford University, Massey defied his family's wishes and became an actor. He made his first stage appearance in a British production of Eugene O'Neill's In the Zone in 1922. By 1930, Massey was firmly established as one of the finest classical actors on the British stage; that same year he came to Broadway to play the title role in Hamlet.In 1931, Massey starred in his first talking picture, The Speckled Band, portraying Sherlock Holmes. One year later, he was co-starred with Charles Laughton, Melvyn Douglas, Gloria Stuart and Ernst Thesiger in his first Hollywood film, the classic The Old Dark House (1932). Returning to England, Massey continued dividing his time between stage and screen, offering excellent performances in such major motion-picture efforts as The Scarlet Pimpernal (1935) and Things to Come (1936). In 1938, he was cast in his most famous role: Abraham Lincoln, in Robert E. Sherwood's Pulitzer Prize-winning Broadway production Abe Lincoln in Illinois. Massey repeated his Lincoln characterization in the 1940 film version of the Sherwood play, and 22 years later played a cameo as Honest Abe in How the West Was Won (1962).
Refusing to allow himself to be pigeonholed as Lincoln, Massey played the controversial abolitionist John Brown in both Santa Fe Trail (1940) and Seven Angry Men (1955), and gave an effectively straight-faced comic performance as mass murderer Jonathan Brewster (a role originally written for Boris Karloff) in Frank Capra's riotous 1941 filmization of Arsenic And Old Lace. Though he would portray a wisecracking AWOL Canadian soldier in 1941's 49th Parallel and a steely-eyed Nazi officer in 1943's Desperate Journey, Massey served valiantly in the Canadian Army in both World Wars.
On television, Massey played "Anton the Spymaster", the host of the 1955 syndicated anthology I Spy; and, more memorably, portrayed Dr. Gillespie in the 1960s weekly Dr. Kildare. An inveterate raconteur, Massey wrote two witty autobiographies, When I Was Young and A Thousand Lives (neither of which hinted at his legendary on-set contentiousness). Married three times, Raymond Massey was the father of actors Daniel and Anne Massey. ~ Hal Erickson, All Movie Guide
David and Bathsheba is a respectable, slightly stodgy cinematic adaptation of the Old Testament story. King David (Gregory Peck), much beloved by his subjects and a war hero of long standing, falls victim to the sins of the flesh when he falls in love with Bathsheba (Susan Hayward), the wife of Uriah (Kieron Moore), one of David's most trusted soldiers. His downfall begins when David orders Uriah into a suicidal battle, knowing that this will clear the way for his relationship with Bathsheba. His infatuation leads him to neglect his kingdom and his people, and invokes the wrath of God. Only after his land has been devastated by God's hand does David offer atonement. The film's lavish production values compensate ever so slightly for the long-winded script. David and Bathsheba was the last major "flat-screen" Biblical epic; it was filmed in 1951 B.C. -- Before Cinemascope. ~ Hal Erickson, All Movie Guide
- Starring:
- Gregory Peck, Susan Hayward, (more)
- 1950
- NR
This second-echelon Humphrey Bogart vehicle casts Bogie as a bomber pilot who becomes a free-lance flyboy after the war. Eleanor Parker, Bogart's wartime love, is now the secretary of aircraft manufacturer Raymond Massey. Partly out of an effort to link up with Parker again, Bogart signs on as a test pilot for Massey's firm. Richard Whorf, Massey's safety supervisor, dislikes Bogart's grandstanding. When Whorf is killed, Bogart feels responsible. He volunteers to test Whorf's experimental escape device by flying at high-speed. The test is a success (though it's nip and tuck for a while), and Bogart survives for a final clinch with Parker. Completed in early 1949, Chain Lightning was held back from release until 1950; it was Humphrey Bogart's final Warner Bros. film. ~ Hal Erickson, All Movie Guide
- Starring:
- Humphrey Bogart, Eleanor Parker, (more)
- 1950
Gold-mine operator "Boss" Kruger (Raymond Massey) has certainly earned his nickname. A frontier dictator, Kruger runs his mine like a prison colony; indeed, most of the workers are fugitives from justice, given dubious "protection" by Kruger. Two of the laborers are Judith Burns (Ruth Roman) and Bob Peters (Dane Clark), both on the lam from the law. Judith and Bob befriend lawyer Milburn (Robert Douglas), who seeks to prove that Kruger is a murderer. A bit too talky for the tastes of most western fans, Barricade redeems itself with a spectacularly violent conclusion. ~ Hal Erickson, All Movie Guide
- Starring:
- Ruth Roman, Dane Clark, (more)
- 1950
With Dallas, Gary Cooper revived his long-dormant association with westerns. Cooper plays ex-Confederate officer Blayde Hollister, who rides into Dallas in search of the men who killed his family and stole his land. Because he is considered to be an outlaw by the authorities, Hollister is compelled to switch identities with U.S. marshal Martin Wetherby (Leif Erickson). This ruse requires Hollister to explain his plan to Wetherby's lady friend, Tonia Robles (Ruth Roman). One by one, Hollister gets rid of the men responsible for the murders of his loved ones. The most formidable of his enemies, Will Marlow (Raymond Massey), proves to be a bit too clever to fall into Hollister's trap...at least until Marlow shows his hand in the final scene. There's more talk than action in Dallas, but Gary Cooper's laconic performance holds the audience's interest throughout. ~ Hal Erickson, All Movie Guide
- Starring:
- Gary Cooper, Ruth Roman, (more)
The hero of Ayn Rand's The Fountainhead is Howard Roark (Gary Cooper), a fiercely independent architect obviously patterned after Frank Lloyd Wright. Rather than compromise his ideals, Roark takes menial work as a quarryman to finance his projects. He falls in love with heiress Dominique (Patricia Neal), but ends the relationship when he has the opportunity to construct buildings according to his own wishes. Dominique marries a newspaper tycoon (Raymond Massey) who at first conducts a vitriolic campaign against the "radical" Roark, but eventually becomes his strongest supporter. Upon being given a public-housing contract on the proviso that his plans not be changed in any way, Roark is aghast to learn that his designs will be radically altered. Roark sneaks into the unfinished structure at night, makes certain no one else is around, and dynamites the project into oblivion. At his trial, Roark acts as his own defense, delivering an eloquent paean to individuality. He is acquitted, while the newspaper tycoon, upset that he could offer Roark no help during the trial, kills himself. This clears the way for a final clinch between Roark and Dominique on the skeleton of his latest building project. Ayn Rand's celebration of Objectivism didn't translate very well to film, with Gary Cooper coming off more selfish and petulant than anything else. The Fountainhead's saving graces are the solid direction by King Vidor, the rhapsodic musical score by Max Steiner, and the symbolism inherent in Cooper's manipulation of his power drill when he first lays eyes on Patricia Neal! ~ Hal Erickson, All Movie Guide
- Starring:
- Gary Cooper, Patricia Neal, (more)
- 1949
The saga of the Hatfield-and-McCoy feud is romanticized in Samuel Goldwyn's Roseanna McCoy. Newcomer Joan Evans stars as the title character, whose elopement with Johnse Hatfield (Farley Granger) serves to further fuel the flames of the deadly mountain feud. The opposing patriarches, Devil Anse Hatfield and Old Randall McCoy, are vividly realized by Charles Bickford and Raymond Massey. In West Virginia and Kentucky, the debate still rages over what started the hostilities, but there's no question that the end result was tragedy for all concerned. In Goldwyn's version, the feud comes to a halt because Roseanna and Johnse demand it; would that real life were this simple and clear-cut. Based on a novel by Alberta Hannum, Roseanna McCoy was released through the distribution channels of RKO Radio. ~ Hal Erickson, All Movie Guide
- Starring:
- Farley Granger, Joan Evans, (more)
Rosalind Russell stars in this marathon adaptation of the Eugene O'Neill play. The O'Neill original transposed Euripides' Agamemnon/Clytemnestra legend to post-Civil War New England. Russell plays the daughter of a returning war hero (Raymond Massey), who comes home to find his wife (Katina Paxinou) in the arms of a younger man. The wife murders the husband, leaving it to her grown children--Russell and Michael Redgrave--to exact vengeance. This morbid plotline climaxes with Russell's descent into destructive self-righteousness and her brother's retreat into insanity. Though superbly acted, Mourning Becomes Electra scared away too many moviegoers in its original three-hour running time, which was still half the length of the O'Neill play. Even when pared down to 105 minutes for general release, the film lost tons of money for the ever-beleaguered RKO Studios; to complete the film's curse, Russell lost her long-cherished (and never-won) Best Actress Oscar to Loretta Young for The Farmer's Daughter. According to Oscar legend, Russell was so certain of winning, on the heels of her husband's massive promotional campaign, that she was already out of her seat when she heard Young's name. ~ Hal Erickson, All Movie Guide
- Starring:
- Rosalind Russell, Michael Redgrave, (more)
- 1947
- NR
We first meet Joan Crawford, star of the moody flashbackfest Possessed, wandering aimlessly through the city streets, moaning "David....David." She goes to pieces in public and is rushed to the mental ward, where a team of psychiatrists try to find out who she is and where she's been. Who she is is a practical nurse, hired by Raymond Massey to care for Massey's invalid wife. While going about her duties, Crawford renews her acquaintance with an old flame, architect Van Heflin. Though Heflin is indifferent, Crawford is still crazy for the man. She remains so even after marrying her employer Massey, whose wife has committed suicide. Any further details would give away the ending, but we can note that Van Heflin's character name is David. Best scene: Crawford, descending into schizophrenia, imagining that she's killed Massey's vitriolic daughter Geraldine Brooks. While the psycho-babble delivered in the asylum scenes is laughable, Possessed still holds up well as one of the best of Joan Crawford's Warner Bros. soap operas. This black-and-white film is also available in a colorized version, but don't blame us. ~ Hal Erickson, All Movie Guide
- Starring:
- Griff Barnett, Joan Crawford, (more)
- 1946
Also known as Stairway to Heaven, A Matter of Life and Death is the remarkable British fantasy film that became the surprise hit of 1946. David Niven stars as Peter Carter, a World War II RAF pilot who is forced to bail out of his crippled plane without a parachute. He wakes up to find he has landed on Earth utterly unharmed...which wasn't supposed to happen according to the rules of Heaven. A celestial court argues over whether or not to claim Carter's life or to let him survive to wed his American sweetheart (Kim Hunter). During an operation, in which Carter hovers between life and death, he dreams that his spirit is on trial, with God (Abraham Sofaer) as judge and Carter's recently deceased best friend (Roger Livesey) as defense counsel. The film tries to have it both ways by suggesting that the heavenly scenes are all a product of Carter's imagination, but the audience knows better. Among the curious but effective artistic choices in A Matter of Life and Death was the decision to film the earthbound scenes in Technicolor and the Heaven sequences in black-and-white. The film was a product of the adventuresome team known as "The Archers": Michael Powell and Emeric Pressburger. ~ Hal Erickson, All Movie Guide
- Starring:
- David Niven, Kim Hunter, (more)
- 1945
Vicki Baum, the author of the novel Grand Hotel, also wrote this similarly structured tale about a group of disparate characters brought together in a towering hotel in Germany as the nation teeters on the verge of collapse near the end of World War II. Martin Richter (Helmut Dantine), a member of Germany's anti-Nazi underground, has escaped from a prison camp and is now on the run from the Gestapo; he's hiding out at the Hotel Berlin, once a palace of luxury but now a shadow of it's former glory. Martin used to work with Johannes Koenig (Peter Lorre), once a renowned scientist before he was forced to use his gifts for his Nazi captors; he now lives under an assumed name and scrapes by as a waiter rather than support the Axis war machine. Arnim Von Dahnwitz (Raymond Massey) is a disgraced Nazi general on the outs with Gestapo leader Joachim Helm (George Coulouris), who has a lot on his mind -- he's looking for Martin, he's riding herd over Arnim, and he has designs on Arnim's mistress, Lisa Dorn (Andrea King). Lisa, a stage actress of some success, is one of the few at the hotel who is able to live in some semblance of the glamour of Berlin's glory days; her wardrobe makes her the envy of Tillie Weiller (Faye Emerson), the hotel's concierge who pretends to be everyone's friend but is actually keeping tabs on the anti-Nazi activities of her tenants and is preparing to turn them in to the Gestapo. Hotel Berlin was completed in great haste, since midway through production it became obvious that Berlin would soon fall and the war in Europe would be over. Warner Bros. was so eager to get the film into theaters -- before the war's end would make the film seem dated -- that Hotel Berlin went through the studio's editing department in less than a week. ~ Mark Deming, All Movie Guide
- Starring:
- Helmut Dantine, Andrea King, (more)
- 1945
- NR
Such was the prevailing mood among filmgoers in 1943 that God Is My Co-Pilot was allowed to show a spiritual shaft of light in the sky and several scenes of enemy pilots spitting up blood when shot down by American bullets. The film was based on the best-selling novel by fighter pilot Col. Robert Lee Scott Jr., who fought in the Pacific during World War II. At 34, Scott was told he was too old to fly in combat, but he proved his worth as a member of the Flying Tigers. Dennis Morgan plays Scott with pious sincerity, while the more traditional "regular guy" roles went to such stalwarts as Dane Clark and Alan Hale. Like most aerial combat films of the era, God Is My Co-Pilot soars highest when its characters stay off the ground and away from all that pontificating dialogue. ~ Hal Erickson, All Movie Guide
- Starring:
- Dennis Morgan, Dane Clark, (more)
Directed by Fritz Lang, The Woman in the Window, a sadly tragic film noir, is the story of the doomed love of married psychology-professor Wanley (Edward G. Robinson), who, with murderous results, meets and falls in love with another woman. Wanley first sees the portrait of a beautiful woman, Alice (Joan Bennett), and then meets the woman herself. After committing murder in self-defense, he finds himself blackmailed by Heidt (Dan Duryea). The script, written by Nunnally Johnson, is carefully structured with crisp dialogue and a convincing ending. Lang is at his best, getting excellent performances from Robinson, as the doomed, naive professor, and Bennett both. The Woman in the Window shows that good and evil are present in all, and that circumstances frequently dictate moral choices. Based on J.H. Wallis' novel Once Off Guard, the film gives viewers their money's worth with not one but two logical and satisfying surprise twists at the end. ~ Linda Rasmussen, All Movie Guide
- Starring:
- Edward G. Robinson, Joan Bennett, (more)
Arsenic and Old Lace is director Frank Capra's spin on the classic Joseph Kesselring stage comedy, which concerns the sweet old Brewster sisters (Josephine Hull, Jean Adair), beloved in their genteel Brooklyn neighborhood for their many charitable acts. One charity which the ladies don't advertise is their ongoing effort to permit lonely bachelors to die with smiles on their faces--by serving said bachelors elderberry wine spiked with arsenic. When the sisters' drama-critic nephew Mortimer (Cary Grant) stumbles onto their secret, he is understandably put out--especially since he has just married the lovely Elaine Harper (Priscilla Lane). Given the homicidal tendencies of his aunts, the sinister activities of his escaped-convict older brother Jonathan (Raymond Massey) and the disruptive behavior of younger brother Teddy (John Alexander)--who is convinced that he's really Theodore Roosevelt, and runs around the house yelling "CHAAAAARGGGE"--Mortimer isn't keen on starting a family with his new bride. "Insanity runs in my family," he explains. "It practically gallops." Further complications ensue when the murderous Jonathan Brewster arrives home, with his snivelling accomplice Dr. Einstein (Peter Lorre) in tow. When Jonathan learns that his darling aunts have killed twelve men, he is incensed--they're challenging his own record of murders. Though the movie rights for Arsenic and Old Lace were set up so that the film could not be released until 1944, director Capra shot the film quickly and inexpensively in 1941, so that his family could subsist on his $100,000 salary while he was serving in World War II. ~ Hal Erickson, All Movie Guide
- Starring:
- Cary Grant, Priscilla Lane, (more)
- 1943
- NR
Action in the North Atlantic is solid wartime propaganda with a rather endearing inner lining of left-wing politics, courtesy (no doubt) of scenarist John Howard Lawson, who based his screenplay on a novel by maritime specialist Guy Gilpatric. While running war goods to America's Russian allies, a merchant marine ship captained by Raymond Massey is torpedoed. The courage of Massey and his first mate Humphrey Bogart serves as an inspiration to the survivors, who manage to navigate their tiny lifeboat to America, where they are lauded as heroes. After only the briefest of compassionate leaves (Massey is reunited with wife Ruth Gordon, while Bogart strikes up a relationship with Julie Bishop), the crew is assigned a new Liberty Ship. Despite fears of being torpedoed again, Massey, Bogart, and the other men successfully bring their cargo to Russia, shooting down several German planes in the process. As the Americans are cheered on by the smiling, well-fed Russian seamen and peasants, Action in the North Atlantic fades out, with the voice of Franklin D. Roosevelt (actually radio announcer Art Gilmore) heard on the soundtrack encouraging a "United Nations" allegiance against the axis. The supporting cast of Action in the North Atlantic includes a young newcomer by the name of Bernard Zanville, whose billing was changed to "Dane Clark" upon the film's release. ~ Hal Erickson, All Movie Guide
- Starring:
- Humphrey Bogart, Raymond Massey, (more)
- 1942
In this wartime drama, a doctor discovers that one of his patients isn't as crazy as he thought, with dangerous consequences for the whole world. Dr. Michael Lewis (John Garfield) is an intern at a hospital where a woman named Jane (Nancy Coleman) is admitted. Jane was injured in a car wreck, and she tells Michael a remarkable story. She claims that she is actually an espionage agent with top-secret information that could help the Allied war effort; the accident occurred while she was trying to escape from Axis spies who will do anything to get her documents. Michael, who is supposed to keep an eye on Jane, thinks she must be delusional, and when psychiatrist Dr. Ingersol (Raymond Massey) arrives with Jane's father, Mr. Goodwin (Moroni Olsen), he signs Jane out in their custody. However, Michael soon discovers that Mr. Goodwin isn't Jane's father at all; he and Ingersol are actually the Nazi spies Jane was fleeing in the accident, and someone must rescue her before it's too late, both for Jane and the Allied war effort. Dangerously They Live was scripted by Marion Parsonnet from her novel, Remember Tomorrow. ~ Mark Deming, All Movie Guide
- Starring:
- John Garfield, Nancy Coleman, (more)
- 1942
- NR
In this, one of many World War II propaganda films of the early 1940s, Errol Flynn is one of five RAF pilots to survive a crash-landing in occupied Poland. They are relentlessly pursued by Nazi officer Raymond Massey, who despite his erudition and poise comes across as one of the densest men on earth--not that his Nazi underlings are any brighter. After repeatedly humiliating Massey and laying waste to most of the Third Reich installations in Poland, Flynn and cohort Ronald Reagan steal a German bomber and head back to England. "Now for Australia and a crack at those Japs!" declares Flynn at the end, admirably maintaining a straight face. Desperate Journey gained some negative fame in the 1980s because of its brief scenes in which Ronald Reagan dons a Nazi uniform. ~ Hal Erickson, All Movie Guide
- Starring:
- Errol Flynn, Ronald Reagan, (more)
Cecil B. DeMille's Technicolor historical spectacle Reap the Wild Wind was to have starred Gary Cooper, but Cooper's prior commitment to Goldwyn's Pride of the Yankees compelled DeMille to recast the leading role with John Wayne. The film, set in the mid-19th century, centers around Key West, Florida, where piracy reigns unchecked. Wayne plays the captain of a salvage business, working on behalf of Raymond Massey to rescue valuables from the merchant ships wrecked by pirates. During one expedition, Wayne is rescued from drowning by Paulette Goddard, the hoydenish manager of a rival salvage firm. Goddard arranges for Wayne to go to work for her boss, Ray Milland, and a romantic rivalry ensues. Later on, Goddard's cousin Susan Hayward is lost at sea when her ship is attacked by pirates. Wayne is accused of engineering the wreck, thanks to the duplicity of Massey, the real brains of the pirate operation. Wayne and Milland both don deep-sea diving gear and swim to the bottom in search of evidence. When Milland is attacked by an octopus, Wayne saves his rival's life at the expense of his own. Massey is exposed, and Milland wins Goddard. Essentially a standard maritime meller, Reap the Wild Wind takes on the veneer of importance thanks to DeMille's epic treatment of the material. Though competition is fierce, Ray Milland steals the show with a truly offbeat characterization (he even gets to indulge in a little ventriloquism!) ~ Hal Erickson, All Movie Guide
- Starring:
- Ray Milland, John Wayne, (more)
49th Parallel is a British wartime entreaty for Empire solidarity, concentrating on rousing the patriotic fervor of the citizens of Canada. A group of Nazi naval officers and crewmen are stranded on Canadian soil (we have no sympathy for the castaways, inasmuch as we have just seen them refusing food and water to a group of torpedoed British seamen). Led by lieutenant Eric Portman, the Nazis try to stir up sympathy amongst the Canadians, beginning with apolitical Quebeckian trapper Laurence Olivier. Failing to convert Olivier--even by force--the Germans move on to a Hutterite farming community, where again they are unsuccessful in winning adherents (though, conversely, German seaman Niall Mac Ginnis defects to the other side). They then cross the path of professorial author Leslie Howard, who is living amongst the Indians to soak up "local color". Even Howard proves too formidable for the Nazis, and by film's end the surviving invaders are hiding out in a train, where they are discovered and captured by AWOL Canadian soldier Raymond Massey. Most TV viewers know 49th Parallel under its alternate title, The Invaders. ~ Hal Erickson, All Movie Guide
- Starring:
- Leslie Howard, Raymond Massey, (more)
Santa Fe Trail, Errol Flynn's third western, has precisely nothing to do with the titular trail. Instead, the film is a simplistic retelling of the John Brown legend, with Raymond Massey playing the famed abolitionist. The events leading up to the bloody confrontation between Brown and the US Army at Harper's Ferry, Virginia, are treated in a painstakingly even-handed fashion: Brown's desire to free the slaves is "right" but his methods are "wrong." Whenever the leading characters are asked about their own feelings towards slavery, the response is along the noncommittal lines of "A lot of people are asking those questions," "I don't have the answer to that," and so forth. Before we get to the meat of the story, we are treated to a great deal of byplay between West Point graduates Jeb Stuart (Flynn) and George Armstrong Custer (Ronald Reagan), who carry on a friendly rivalry over the affections of one Kit Carson Halliday (Olivia DeHavilland). Just so we know that the picture is meant to be a follow-up to Warners' Dodge City and Virginia City, Flynn is saddled with Alan Hale and "Big Boy" Williams, his comic sidekicks from those earlier films. Despite its muddled point of view, Santa Fe Trail is often breathtaking entertainment, excitingly staged by director Michael Curtiz. The film's public domain status has made Santa Fe Trail one of the most easily accessible of Errol Flynn's Warner Bros. vehicles. ~ Hal Erickson, All Movie Guide
- Starring:
- Errol Flynn, Olivia de Havilland, (more)
- 1940
Raymond Massey plays Abe Lincoln in this moving adaptation of Robert Sherwood's Pulitzer Prize-winning play. Expanded a bit for cinematic purposes, the film traces Lincoln's progress from his days of scrambling for a living as a woodsman, to his courtship of the tragic Ann Rutledge (Mary Howard) and then the mercurial Mary Todd (Ruth Gordon), to the formative years of his law practice, to his debates with Stephen Douglas (Gene Lockhart), and finally to his election as President of the soon-to-be-divided United States in 1860. Latter-day critics have complained about Massey's stolidity in his signature role, but even the most stone-hearted viewer will be moved by such scenes as Lincoln riding through the ruins of what once was the village of Salem; Abe's heated election-eve quarrel with his spiteful wife Mary; and his climactic speech from the observation car of the train that will carry him to Washington...and immortality. Abe Lincoln at Illinois turned out to be a succes d'estime for its producer Max Gordon and its studio (RKO), taking a bath to the tune of $750,000. Its failure moved one Hollywood wise-guy to collar Gordon at a party and say, "I can't understand it, Max. Lincoln was so kind to everybody but you." ~ Hal Erickson, All Movie Guide
- Starring:
- Raymond Massey, Ruth Gordon, (more)
- 1939
Originally designed for exhibition at the 1939 World's Fair, Land of Liberty is a 137-minute compendium of filmclips from past American historical epics. The project was sponsored by the Motion Picture Producers & Distributors of America, Inc. and supervised by Cecil B. DeMille, who also edited the film with the assistance of his crack Paramount production staff. The narration was written by old DeMille hands Jeannie MacPherson and Jesse Lasky Jr. and spoken by a talented team of uncredited announcers (one of whom sounded suspiciously like old C. B. himself). Clips from such Hollywood productions as America (1924), Abraham Lincoln (1930), Alexander Hamilton (1931), Show Boat (1936), Man of Conquest (1939) and DeMille's own The Plainsman (1936), The Buccaneer (1938) and Union Pacific (1939) are woven together into a chronological continuity, tracing American history from the Revolutionary War to the "present," which is largely represented by newsreel footage of President Roosevelt, the TVA project, and other current personalities and events. In later years, Land of Liberty was redistributed on the classroom circuit, with new footage added from historical dramas of the 1940s and 1950s. ~ Hal Erickson, All Movie Guide
- 1938
The Drum is an opulent Technicolor "British India" epic, based on a story by A.E.W. Mason (of Four Feathers fame). Teenaged actor Sabu stars as a young East Indian prince educated in England. By rights, his loyalties should lie with his countrymen, but in typical "Sun Never Sets" fashion most of the other Indian characters are as evil and untrustworthy as Prince Guhl (Raymond Massey). Guhl plans a revolt against the British, intending to wipe out the Royal troops as the English officers enjoy the hospitality of Guhl's spacious palace. It's up to Sabu to warn the troops of Guhl's treachery by means of tapping out a message on the drum of the title. In the US, The Drum was released as Drums, on the theory (according to film historian Alan Barbour) that Americans must have more of everything. ~ Hal Erickson, All Movie Guide
- Starring:
- Sabu, Raymond Massey, (more)
- 1938
A once-popular stage melodrama by Gordon Sherry was the source for the 1938 British film Black Limelight. Raymond Massey plays Peter Charrington, who early in the proceedings is charged with murder. Escaping from the authorities, Peter desperately tries to keep in touch with his distraught wife Mary (Joan Marion), who believes in his innocence. Meanwhile, an overly unctuous fellow named Lawrence Crawford (Walter Hudd) watches from the sidelines as Peter eludes the police. Crawford has a vested interest in the outcome of the chase; he is, after all, the real murderer. Reviewers in 1938 enjoyed Black Limelight, but carped over the fact that neither Raymond Massey nor Joan Marion seemed inclined to scale down their stage characterizations for the more intimate demands of the screen. ~ Hal Erickson, All Movie Guide
- Starring:
- Raymond Massey, Joan Marion, (more)
- 1937
The war between England and Spain in the late 16th century serves as backdrop for the fictional machinations of Fire Over England. Laurence Olivier plays a British naval officer who offers his services to Queen Elizabeth (Flora Robson) after his father is executed by the Spaniards. The queen dispatches Olivier to the court of Spain, there to determine which of her courtiers are actually spies for King Philip (Raymond Massey). Working under cover, Olivier learns that the Spaniards intend to send an armada to decimate the British navy. Barely escaping with his life, Olivier relays this information to his queen and also dispatches the traitors in her midst. Cast as one of Elizabeth's ladies-in-waiting, Vivien Leigh appears in the role that brought her to the attention of Gone With the Wind producer David O. Selznick. Directed by Hollywood's William K. Howard, Fire Over England was based on a novel by A.E.W. Mason of Four Feathers fame. ~ Hal Erickson, All Movie Guide
- Starring:
- Flora Robson, Raymond Massey, (more)
- 1937
- NR
Framed in a flashback related by doctor Thomas Mitchell, The Hurricane is in essence the story of a struggle between individual freedom and colonial oppression. Jon Hall plays Terangi, a tempestuous native of the French-controlled island of Manakoora. After marrying childhood sweetheart Marama (Dorothy Lamour, saronged as usual), Terangi takes a job on a ship. While docked in Tahiti, Teragni is goaded into a fight by a white man-an offense punishable by a stiff prison term. French governor DeLaage (Raymond Massey) has nothing personal against the native, but he is dedicated to upholding the strict letter of the law. Even the appeals made on behalf of Terangi by doctor Mitchell, priest C. Aubrey Smith, ship's captain Jerome Cowan and the governor's own wife (Mary Astor) fail to weaken DeLaage's resolve to do his duty. Thus begins a chain of events that entangles the freedom-loving Terangi in the impenetable web of white "justice". Time and again Terangi escapes from prison, only to be recaptured and sentenced to longer and longer terms. Finally managing to make his way back to Manakoora -- and killing a prison guard in the process -- Terangi continues to be doggedly pursued by DeLaage. Just as Terangi is about to sail off to parts unknown in an outrigger canoe with Marama and their child, the hurricane begins. At the risk of his own life, and his freedom, Terangi rescue DeLaage's wife and several other storm refugees. Largely the handiwork of art director James Basevi, the hurricane of The Hurricane was not directed by the film's official helmsman John Ford, but by an uncredited Stuart Heisler -- a fact readily acknowledged by Ford. Adapted by Dudley Nichols and Oliver H. P. Garrett from a novel by Charles Nordhoff and James Norman Hall, The Hurricane was poorly remade in 1979 with Jason Robards and Mia Farrow in the Raymond Massey and Mary Astor roles. ~ Hal Erickson, All Movie Guide
- Starring:
- Dorothy Lamour, Jon Hall, (more)
