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Patrick Bauchau Movies

A versatile character actor who maintains a busy schedule in both Europe and the United States, Patrick Bauchau was born in Brussels, Belgium, on December 6, 1938. His father, Henry Bauchau, was a noted author, psychoanalyst, and philosopher, while his mother was an educator who also helped operate a publishing company. Coming from an intellectual family, it's not surprising that Bauchau won an academic scholarship to Oxford University, where he received a degree in Modern Languages. In the early '60s, Bauchau became interested in film, and worked as an assistant to French filmmaker Eric Rohmer; this led to Bauchau being cast as Adrien in Rohmer's 1967 "moral tale," La Collectionneuse; Bauchau and his fellow leading actors Haydee Politoff and Daniel Pommereulle were also credited with the film's dialogue. While this got Bauchau's acting career off to an impressive start, his naturalistic performance left many believing that Bauchau was simply playing himself; after Tuset Street (also released in 1967), Bauchau moved away from acting, as he built furniture and worked for Salvador Dali, constructing large pillow-like animal sculptures.
In 1980, Bauchau re-launched his film career in Robert Kramer's Guns, and in 1982, Wim Wenders cast him in the leading role of his drama Der Stand der Dinge, which finally established his credentials as a working actor. In 1984, Bauchau made his American film debut in Alan Rudolph's typically eccentric romantic comedy Choose Me, and through much of the rest of the decade he worked regularly on both sides of the Atlantic, though he appeared in as many low-budget exploitation efforts as art films. In 1991, Bauchau scored an impressive role in Michael Tolkin's superb drama The Rapture, and four years later the same director gave him a meaty role in the satire The New Age. In 1996, Bauchau was cast in the television series Kindred: The Embraced as a patriarch of the living dead; while the series lasted only a few weeks, it did lead to the recurring role of Sydney in another series, The Pretender, which debuted the same year and ran for four seasons. Bauchau's higher profile in television helped him win notable roles in high-profile films such as Clear and Present Danger, The Cell, and Panic Room, though he's also played notable roles in the independent features Twin Falls Idaho and Secretary.
When not busy with acting, Bauchau lives in Los Angeles, where he is an avid gardener. In his private life, he's married to Mijanou Bardot, who played a small role in La Collectionneuse and also happens to be Brigitte Bardot's sister. They have an adult daughter, Camille. ~ Rovi
1995  
 
Another Tom Clancy political thriller is put to film with this made-for-television movie. Harry Hamlin stars as Paul Hood, the new director of an obsolete government crisis management center. Hood is assigned to downsize the center, but during first day on the job some nuclear warheads are hijacked by terrorists. Hood has to rise to the occasion and prove himself as a leader in unfamiliar territory. ~ Bernadette McCallion, Rovi

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Starring:
Harry HamlinDeidre Hall, (more)
 
1995  
 
The fate of a remote Brazilian province will be determined by the passage of a reclamation bill. If the bill goes through the land will be destroyed. Fortunately, Father Stephen Lewis is working hard to stop it. For months he has led numerous high-profile protests, but then just a few days before the assembly retires to decide the bill, he simply vanishes. This off-beat political thriller chronicles the attempts of American reporter Michael Coleman to find the radical priest and interview him. Coleman, who works for a paper in Rio, is obsessed with finding Father Lewis for over the months the two have developed a tempestuous, argumentative relationship over the phone. Privately, Coleman wonders if the outspoken priest's actions mask ulterior motives. Still, he cannot help but respect the father's charisma and drive. So desperate is Coleman to find Lewis, that he stops at nothing, calling in every favor, and even resorting to dirty tricks. In the end it is his blatant abuse of media power that manages to keep the would-be land-grabbers from succeeding. ~ Sandra Brennan, Rovi

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Starring:
Henry Czerny
 
1994  
R  
A wealthy Beverly Hills husband and wife are forced to reevaluate their lives after losing their jobs in writer-director Michael Tolkin's aloof satire. Peter Witner (Peter Weller) and Katherine Witner (Judy Davis) have become so accustomed to their high-class, shallow lifestyle that they feel helpless when circumstances leave them facing imminent bankruptcy. Lost and confused, their marriage on the verge of collapse, they seek help from a number of spiritual gurus, who offer ineffectual New Age philosophies as the solution to their problems. These remedies provide little comfort, however, and the Witners' attempt to make their own way by opening a hip clothing store also disappoints, leaving them ostracized and desperate for a direction in life. Best known for the cutting screenplay of Robert Altman's The Player (1992) and for his own earlier film The Rapture (1991), Tolkin provides sharp dialogue and a well-observed critique of the Los Angeles high life. This film continues the social criticism of those earlier efforts, as Tolkin consistently portrays American life as mindlessly materialistic, spiritually hollow, and bereft of meaningful purpose or moral direction. While some viewers may feel distanced from the unsympathetic characters and detached tone, Tolkin continues to be one of the most trenchant social satirists in contemporary American movies. ~ Judd Blaise, Rovi

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Starring:
Peter WellerJudy Davis, (more)
 
1994  
 
This action-filled Spanish melodrama takes dramatic license with the facts surrounding the illegal slave trade in early nineteenth century Cuba. It is 1820 and Amelia has recently been wed to Ton, a Cuban plantation owner whom she barely knows as part of a business contract. With Ton's sinister best friend as her chaperone, Amelia reluctantly leaves Spain. During the long sea voyage, Alfons leads a mutiny and the ship detours to Africa where they fill up the hold with slaves. In Havana, Amelia is appalled to find her husband has been sleeping with slaves and colonial wives. For revenge, Amelia attempts to expose Alfons' and Ton's illegal activities to the authorities and to their families. ~ Sandra Brennan, Rovi

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Starring:
Aitana Sanchez-GijonFernando Guillen Cuervo, (more)
 
1994  
 
In this thriller, a young art critic falls for a psychotic artist. Jennifer Cole can't help it. She is in love with artist Julian Jons. It doesn't matter that he was just released after spending 7 years in prison for killing his model/girlfriend in the heat of obsessive passion. It doesn't matter that her roommate and editor warn her that Julian is unstable. She is in love with him. Unfortunately, her friends are right. All Julian can paint are images of his dead girlfriend. Things really heat up after an art collector commissions Julian to paint a portrait of his daughter who is the spitting image of -- the murdered woman. ~ Sandra Brennan, Rovi

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Starring:
Brent FraserFinola Hughes, (more)
 
1994  
PG13  
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This is the third film based on Tom Clancy's high-tech espionage potboilers starring CIA deputy director Jack Ryan. Harrison Ford, returning to the Ryan role after his first go-round in 1992's Patriot Games, is assigned to a delicate anti-drug investigation after a close friend of the President (a Reaganesque Donald Moffat) is murdered by a Colombian drug cartel. When Ryan discovers that the President's wealthy friend was in league with the cartel, the President's devious national security adviser (Harris Yulin) and an ambitious CIA deputy director (Henry Czerny) send a secret paramilitary force into Colombia to wipe out the drug lords. The force is captured and then abandoned by the President's lackeys. It falls to Ryan to enter Colombia and rescue them, aided only by a renegade operative named Clark (Willem Dafoe), with both his life and career on the line. ~ Don Kaye, Rovi

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Starring:
Harrison FordWillem Dafoe, (more)
 
1994  
PG  
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This beautifully photographed German drama is set in Lisbon, a major center for contemporary European culture, and offers insight into the nature of cinema. Sound recordist Phillip Winter is driving to Lisbon to meet his old friend Friedrich Monroe who recently sent him a postcard asking Winter to help him with a documentary, but when he arrives, Monroe is nowhere to be found. Instead, Winter only finds a few cans of film shot on an old fashioned hand cranked camera. When he is not aimlessly ambling about the beautiful city recording sounds for the film, Winters passes the time playing with the local street children who are obsessed with chronicling even the smallest events on their video cameras. He also begins falling for Teresa, the singer whose band is composing the soundtrack for the documentary. Eventually Monroe returns with a brand new vision and some strong opinions on the sorry state of contemporary cinema. ~ Sandra Brennan, Rovi

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1993  
PG13  
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The late journalist Randy Shilts' best-selling book on the burgeoning AIDS crisis was adapted for cable TV by Arnold Schulman. In 1981, researchers begin discerning a mysterious new disease that apparently affects only homosexual males (or so they thought at that time). Working independently, and with marked hostility toward one another, an American and a French research team manage to identify and name the dreaded HIV virus. The long-range effects of AIDS is experienced through the first- and secondhand experiences of several unfortunates, including a choreographer (Richard Gere) whose character is said to be based on Michael Bennett. The all-star cast (most of whom eschewed their usual high salaries) includes Lily Tomlin as San Francisco health official Selma Dritz, Matthew Modine as Centers for Disease Control researcher Don Francis, Alan Alda as NIH official Robert Gallo (who emerges as the villain of the piece), Ian McKellan as gay activist Bill Kraus, and Glenne Headley, Steve Martin and Anjelica Huston in cameo roles. And the Band Played On debuted September 11, 1993, on HBO. ~ Hal Erickson, Rovi

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1993  
 
In this behind-the-scenes thriller, a movie actress finds herself accused of hacking up her producer. She tries to flee with two lovers preparing to marry. The three get into all sorts of trouble that ends with the death of the fiancee. Once again, the actress finds herself accused of the crime, but did she do it? ~ Sandra Brennan, Rovi

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Starring:
Linda FiorentinoC. Thomas Howell, (more)
 
1993  
R  
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This passable made-for-cable-TV vampire opus explores the clever concept of a Transylvanian immigrant community in the western United States. Young Cody (Jason London) is introduced to their legacy one fateful night when his parents are awakened, staked, and set on fire by ruthless vampire-hunters. After a narrow escape, Cody seeks out a distant uncle in Long Beach -- who happens to be a key figure in the "Carpathian-American" mob. Cody is eventually inducted into the culture, which is represented by various social strata, from a lawyer/journalist couple (who encourage further assimilation into non-vampire society), to a bloodsucking teenage biker gang. Cody becomes a full-fledged member of the family, learning the real secret which binds the community... but the new path to his destiny is soon blocked by the untimely arrival of the hunters, who have tracked him cross-country to his new family's Long Beach lair. This was originally conceived as a pilot for a TV series, and it shows -- the tendency to lapse into soap-opera conventions is all too apparent -- but benefits from a glossy look, high production values and some interesting plot twists. ~ Cavett Binion, Rovi

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1993  
 
Judd Nelson is the ex-brat-packer in this particular direct-to-video gem. Befriended by a wealthy but depraved young couple (Joanna Pacula and Patrick Bauchau), Nelson joins the pair in their bizarre notions of fun and games. He thinks he knows the score, but even he isn't parade for the kinkiness of his hosts. Though much is suggested, surprisingly little happens. The suspense elements in Every Breath are in fact stronger than the film's sexual allure. ~ Hal Erickson, Rovi

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Starring:
Judd NelsonJoanna Pacula, (more)
 
1992  
R  
Temistocles Lopez's Chain of Desire, based on Arthur Schnitzler's La Ronde, plays like an AIDS-era version of The Yellow Rolls Royce, in which a series of unrelated amorous lovers are connected by a "chain of desire." The film begins as Alma D'Angeli (Linda Fiorentino) flees from a lover and runs into a church, where she finds solace and a young Latino worker, Jesus (Elias Koteas). They make love. Then Jesus comes home to his wife Isa (Angel Aviles) and gets intimate with her. The next morning, Isa goes off to see Dr. Jerald Buckley (Patrick Bauchau), with whom she is having an affair. After seeing Isa, Jerald heads off to visit Linda (Grace Zabriskie), a sexy dominatrix. Linda returns home to her husband, Hubert (Malcolm MacDowell), a harried television commentator. After an unsatisfactory interview with women who claim to have had affairs with John F. Kennedy, he relieves his tensions by seeking the arms of Keith (Jamie Harrold), a teenage hustler. And the trail continues on as gay social worker Ken (Tim Guinee) offers Ken a place for the night, followed by Ken's lover David Bango (Dewey Martin) and hot dancer Diana (Holly Marie Combs), who wants David to deflower her. Coming on the scene after that is famed artist Mel (Seymour Cassel), who has a tryst with Diana, but he finds that he has to answer to his vindictive wife, Cleo (Assumpta Serna). At the end, all the characters arrive at a hip nightclub, where Alma, the singer at the club, has learned that the lover she had spurned at the beginning of the film has been diagnosed with AIDS. ~ Paul Brenner, Rovi

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Starring:
Linda FiorentinoElias Koteas, (more)
 
1992  
 
Now it's off to Monte Carlo, where Jessica (Angela Lansbury) pays a visit to her old friend, the owner of a luxury hotel.. Unfortunately, the hotel proves to be the final destination for a much-despised businessman. In her efforts to solve this murder and recover a diamond stolen from the victim's wife, Jessica forms an alliance with the relentlessly charming police inspector Charles Morel (Patrick Bachau). ~ Hal Erickson, Rovi

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1991  
R  
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An audacious film about faith, The Rapture is a contemporary fantasy that keeps its feet unnervingly planted in reality even as reality starts to collapse. Mimi Rogers, in a strikingly accomplished performance, stars as Sharon, a telephone operator who spends her off-hours engaging in casual group sex to blot out her boredom. By chance, she becomes aware of a small Christian sect whose members believe that they have found a child with the gift of prophecy who has seen the upcoming end times. Slowly but steadily, Sharon finds herself drawn to this group, and one night she abruptly turns a corner, renounces her old life, and embraces fundamentalism with passion. She marries one of her former lovers, Randy (David Duchovny), who takes up Sharon's evangelical fervor to atone for his past as a hired killer, and they have a daughter. All seems peaceful until Randy is unexpectedly murdered, and Sharon takes her child to the desert to await the rapture that will bring the chosen to heaven. The film neither supports nor scoffs at Sharon's views, and the superb performances add immeasurably to a film that presents the unbelievable (and unthinkable) at face value, making it seem oddly plausible in the process. Michael Tolkin has also written and/or directed such films as The Player (1992), directed by Robert Altman, and The New Age (1994), both of which also skewer contemporary American society as shallow, materialistic, and desperate for something authentic to believe in. ~ Mark Deming, Rovi

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Starring:
Mimi RogersDavid Duchovny, (more)
 
1991  
 
Some time ago, Robert took some photos of military action which are now endangering his life. He is on the run from those who would find their publication damaging and is headed for Syria, where he believes he will be safe. While in Istanbul, he meets a pop singer, a woman half his age who gives him the erotic charge of his life. He begins taking film of their bedroom encounters and says some pretty excessive things about how marvelous she is to him. Meanwhile, his local friends don't trust or like him enough to help him stay in Istanbul, and it seems that he will have to continue onward in his journey to safety. ~ Clarke Fountain, Rovi

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Starring:
Patrick BauchauAsli Altan, (more)
 
1991  
 
Carlino is an insufferable young teenager who is convinced that his father is really his stepfather. Surely he is the son of one of his mother's former lovers, a much more glamorous character. The only person in the family he feels much connection to is his older sister, and she has just gotten married. When his parents send him to a Catholic boarding school and he becomes the headmaster's favorite whipping-boy, he runs away to his sister's home. However, the kind of bickering he sees between his sister and her new husband is so distasteful that he finds boarding school, for all its drawbacks, is much more attractive. On his Christmas break he learns that his mother's old flame was sterile, and that his father really was his father. This is revealed at the same time that his sister reveals she is divorcing her new husband as they have both found new lovers. ~ Clarke Fountain, Rovi

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Starring:
Patrick BauchauDelia Boccardo, (more)
 
1990  
 
There have been quite a few spoofs of Hollywood, and a similar number of spoofs about filmmaking in general. This is one of the few spoofs which is about film festivals and, in particular, the Taormina festival in Italy. It was shot during the 1988 festival using many of the actual participants in the festival as actors and leading characters. When word of the film went round, many more wanted to participate than was originally planned, and further scenes were shot during the next year's festival. It was finally shown at the 1990 festival. Those who are not playing themselves are portraying characters who are easily recognized by those attending the festival, though these references are probably impossible for non-participants to understand. Nonetheless, the scenes showing the chaos and energetic self-promotion behind the scenes serve to leaven the heavy seriousness with which festivals promote themselves. The frequently leaden, self-important themes of many festival films are not exempt from barbs in this comedy, any more than the are the windbag philosophical utterances of the unhappy critics who must watch them. Reviewers of this film expressed considerable pleasure in observing the gusto with which the participants made fun of themselves in this unusual festival offering. ~ Clarke Fountain, Rovi

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Starring:
Jessica FordePatrick Bauchau, (more)
 
1989  
PG  
The gloom-laden Canadian/French Double Identity stars Nick Mancuso as a sedate college professor residing in the small university town of New Hope. Not given to talking about himself much, Mancuso's past is a mystery to his friends, colleagues, and new lady friend Leah Pinsent. The film's noir-ish title is the tip-off that once Mancuso's previous life comes to the forefront, it will be no picnic. In fact, it's a killer. Filmed in 1989, Double Identity was released in 1991; director Yves Boisset remains on target while dealing with the film's "present", less so when he indulges in confusing flashbacks. ~ Hal Erickson, Rovi

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1989  
 
The very busy actor Michel Serrault lends his talents to the depiction of a monstre sacree of French literature, the extremely repugnant but very clever Paul Leautaud, who was famous for his rude, clever observations and his epigrams. Although unkempt and very mean, his rapier-like wit and strong lust were sufficiently magnetic that at the time of this film he was engaged in a long-term relationship with his equally vile mistress (Annie Girardot), and a new relationship with a librarian (Aurore Clement) who is a fan of his writing. The story is based on the author's personal diaries from the period. ~ Clarke Fountain, Rovi

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Starring:
Michel SerraultAnnie Girardot, (more)
 
1989  
 
The oddest things come in pairs. In 1989, there were two foreign films on the market whose titles translated to Errors of Youth or Youthful Indiscretion. One was a Russian film, the other was a French picture, originally titled Erreur de Jeunesse. In this one, would-be poet Francis Frappat breezes through a number of relationships. Of paramount importance to Frappat are his attempts to seduce the lovely Muni (as she billed herself). ~ Hal Erickson, Rovi

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Starring:
Francis FrappatGeraldine Dannon, (more)
 
1989  
 
Widower Edouard Pierson (Jeremy Irons) fought for Australia in World War Two, but he was born (and married) in Belgium. For the past twelve years, he has been living in Australia with his daughter. His occupation as a wool merchant is in keeping with his family's tradition. He is determined to remain in Australia, and is equally determined to keep his daughter (Danielle Lyttleton) from learning much about her mother, whom she never knew. Nonetheless, when his brother (Tcheky Karyo) calls urgently from Belgium, requesting his help in saving the family's business there, he returns to his hometown of Verviers. In addition to saving the family business, he comes to have second thoughts about returning to Australia after he has a brief affair with a Belgian woman (Fanny Ardant). Meanwhile, his daughter has made contact with her grandmother (Helene Surgere), and is beginning to learn about her mother. ~ Clarke Fountain, Rovi

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Starring:
Fanny ArdantJeremy Irons, (more)
 
1989  
 
Columbo: Murder, A Self Portrait stars Patrick Bauchau as an artist hounded by a contentious ex-wife (Fionulla Flanagan). He murders his former spouse on the beach at Malibu, but arranges things to make it seem he was far away in his art studio at the time of the killing. Lt. Columbo (Peter Falk) has heard this song before, and he meticulously chips away at the artist's alibi. Also in the cast is Shera Danese, a.k.a. Mrs. Peter Falk. Murder, A Self Portrait was one of the handful of Columbo 2-hour episodes shown during the 1989-1990 season on The ABC Saturday Mystery Movie. ~ Hal Erickson, Rovi

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1988  
 
Nicole (Zabou) is a female attorney who is frustrated with the male-dominated world of provincial law. She embezzles money from a law firm and travels to Paris where she disguises herself as a man in hopes it will make a difference in her life and career. Nicole has two lesbian affairs and becomes a pimp for one of the women. She also has an affair with a man who indicates that he doesn't want a serious relationship. Nicole's loneliness leads her to the affairs as she continues the downward spiral into schizophrenia in this depressing psychological drama. ~ Dan Pavlides, Rovi

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Starring:
ZabouAnna Galiena, (more)