Ilona Massey Movies

The Marx Brothers' final starring feature Love Happy began life as a solo vehicle for Harpo. The financiers wouldn't go for this, insisting that all three Marx boys appear on screen. Thus, Chico was hastily written into the proceedings, while Groucho made what amounted to a guest appearance as narrator and last-minute problem solver. The story concerns a group of aspiring actors who are putting together a musical review called "Love Happy." Harpo, the troupe's mascot, keeps the actors from starving by cleverly filching canned goods from a local grocer. On one such excursion, he accidentally gets hold of a sardine can containing a fortune in stolen diamonds. This makes Harpo the target of icy adventuress Madame Egilichi (Ilona Massey) and her henchmen (Melville Cooper, Raymond Burr, Bruce Gordon). When he isn't fending off the villains, Harpo is making life a little brighter for "Love Happy"'s leading lady Maggie (Vera-Ellen). Chico shows up sporadically as Faustino the Great, an itinerant musician, while Groucho plays private eye Sam Grunion, who does the best he can with some pretty weak dialogue. Groucho's best scene is his one-minute confrontation with a gorgeous blonde client, played by a decidedly pre-stardom Marilyn Monroe. Most of the comedy routines in Love Happy are either underwritten or underdeveloped, save for the spectacular finale, wherein Harpo evades the villains by climbing over, under and around neon advertisement signs for such products as Fisk Tires, Mobilgas and Kool Cigarettes. The fact that Ben Hecht wrote the original story upon which Love Happy was based caused the film to be banned in Great Britain, due to Hecht's improvident comments about the British occupation of Palestine. Though dyed-in-the-wool Marx Brothers fans tend to dislike Love Happy, the film manages to deliver quite a few solid laughs when seen today. ~ Hal Erickson, Rovi

Backed by the "American GI Chorus", Nelson Eddy made his final screen appearance in the unusually elaborate Republic musical Northwest Outpost. The story is set in the 1830s, when a good portion of California was owned by Russia. US cavalry officer James Laurence (Nelson Eddy) arrives at one of the Russian colonies to pave the way for the eventual American takeover of the territory. He faces resistance in the form of Prince Nikolai Balinin (Hugo Haas), who has no intention of weakening his despotic hold over the local peasants. The plot thickens when Laurence falls in love with Natalie Alanova (Ilona Massey), the wife of disgraced nobleman Count Igor Savin (Joseph Schildkraut). The script draws several unsubtle parallels between Russian California of 1830 and Communist Russia of 1947, but this can be chalked up to the political tenor of the times. Rudolf Friml's soaring musical score evokes fond memories of Friml's earlier Rose Marie, which of course also starred Nelson Eddy. ~ Hal Erickson, Rovi

The fifth film in Universal's "Frankenstein" series goes for the box-office gold by combining two--count 'em, two!--of the studio's star monsters. We all thought that Larry Talbot (Lon Chaney Jr.), alias The Wolf Man, had been shot dead in his own starring film in 1941, but the opening scenes of Frankenstein vs. the Wolf Man prove us incorrect. Brought back to the land of the living, the anguished Talbot commiserates with gypsy lady Maria Ouspenskaya, who advises him that the only way he'll stay dead is to confer with Dr. Frankenstein. The good doctor has passed on, but his equipment is intact. With the help of scientist Patric Knowles and Frankenstein descendant Ilona Massey, Talbot attempts to have the life forces sucked from his body and transferred to that of Frankenstein's monster. The latter character is played by Bela Lugosi, who'd turned the same role down in 1931 because he felt it was beneath his dignity. By 1943, however, Lugosi was in no position to refuse the part of the lumbering monster. The actor was relieved to learn that the monster would have the power of speech, a leftover from 1942's Ghost of Frankenstein; likewise held over from that previous film was the monster's blindness, which would give Lugosi an opportunity to do some swell sightless emoting. But when the preview audience heard the Monster bemoaning his fate in Lugosi's voice, they laughed till they cried. As a result, Universal ordered that all of Lugosi's dialogue be cut. Worse still, the studio also cut all expository dialogue alluding to the monster's blindness, so the film as it stands finds poor Lugosi flailing about with his eyes closed for no apparent reason. At least Lon Chaney Jr. was permitted to portray his Wolfman character without molestation, and this he does very well. So successful was this "monster rally" that Universal rapidly concocted two follow-ups, House of Frankenstein and House of Dracula, both of which added Dracula (John Carradine) to the witches' brew. ~ Hal Erickson, Rovi

Hungarian actress Ilona Massey stars as an operative for the Axis in this slightly tongue-in-cheek wartime melodrama. She spends her working hours signalling secret messages to enemy U-boats. George Brent is the U.S. counterspy sent to track down the security leak. Brent's job is made doubly delicate when he falls in love with the seductive Massey. It is said that Ilona Massey never mastered the English language, and had to learn her lines phonetically; if true, why does she handle the funnier lines in International Lady so well? ~ Hal Erickson, Rovi

In this romantic musical, a Russian prince sees a lovely singer in a town cafe and falls head-over-heels. Realizing that he cannot be seen with her in royal garb, he masquerades as a worker. Later he secretly arranges for her to sing at the Imperial Opera. Unfortunately, his father the emperor is wounded that night by the wicked Reds. The girl's father is among the would-be assassins. Years pass. Just before the dawn of WWII, the girl and her family are exiled to Siberia while the former prince heads for Paris to become a famous nightcub singer. When revolution erupts in Russia, the girl is freed and the lovers are eventually reunited. ~ Sandra Brennan, Rovi