Daniel Massey Movies

Psychiatrist Alex (Art Garfunkel) becomes sexually obsessed with Milena (Theresa Russell), a woman whom he meets at a party. The pair become involved in an intense and mutually destructive love affair. The drama unfolds in a series of flashbacks, as Alex tells his story to police Inspector Netusil (Harvey Keitel) who is investigating Milena's apparent suicide attempt. Alex's obsession grows, but Milena stays slightly out of reach. Originally rated X, but somewhat toned down to accommodate an R rating, Bad Timing: A Sensual Obsession is an interesting exploration of the nature of sexual passion and jealousy. ~ Linda Rasmussen, All Movie Guide

The Man Who Cried was one of many miniseries adaptations of the works of Catherine Cookson which aired on British television in the 1990s. Set during the Depression years, the series starred Ciaran Hinds as unhappily married Abel Mason. Attempting to escape his insufferable wife Lena (Angela Walsh), Abel flees to Yorkshire, where he enters into an illegal matrimonial union with a wealthy widow. The web of deceit becomes even more tangled when Abel falls in love with his new "wife's" sister Florrie (Kate Buffrey). Produced by Tyne Tees Television, the three-part, three-hour The Man Who Cried was originally telecast in 1996. ~ Hal Erickson, All Movie Guide

This chilling mystery begins when Lucy Dawson (Flora Robson) is found strangled in her apartment. Her nephew Tim (David Hemmings) is the former-drug-addict-turned-successful-author who wrote a book about his experiences. When Tim looks into his aunt's death, people give sketchy answers and the police offer little help. Apparently they think his pleas are simply a drug-addict's ravings. As he investigates he begins to find himself plagued by threatening phone calls, and his own paranoia. The pressure begins mounting until at last he suffers a complete breakdown. As a result, the murder is never solved. ~ Dan Pavlides, All Movie Guide

Three losing crooks are featured as Stooge-like misfits (sans slapstick) in this conventional comedy by director Michael Truman. Bernard (Dave King) is the ringleader, while Harry and Alfie (Daniel Massey and Norman Rossington) do their best to contribute to the trio's success -- and fail each time. First the group screw up their escape after a robbery because they are stuck in traffic by a fire engine. That gives them the idea of getting a fire engine to pull off a heist, and that goes wrong because they are detoured to a real fire. Next, they recruit an ex-fireman with a record for setting blazes himself (Robert Morley) in the hopes that a decoy fire can take attention away from the bank they want to rob. With their batting average, the bank seems fairly safe. ~ Eleanor Mannikka, All Movie Guide

Few morale-boosting wartime films have retained their power and entertainment value as emphatically as Noël Coward's In Which We Serve. To witness Coward's sober, no-nonsense direction (in collaboration with his co-director/editor, David Lean) and to watch his straightforward portrayal of navy captain Kinross, one would never suspect that he'd built his theatrical reputation upon sophisticated drawing-room comedies and brittle, witty song lyrics. The real star of In Which We Serve is the British destroyer Torrin. Torpedoed in battle, the Torrin miraculously survives, and is brought back to English shores to be repaired. The paint is barely dry and the nuts and bolts barely in place before the Torrin is pressed into duty during the Dunkirk evacuation. The noble vessel is finally sunk after being dive-bombed in Crete, but many of the crew members survive. As they cling to the wreckage awaiting rescue, Coward and his men flash back to their homes and loved ones, and, in so doing, recall anew just why they're fighting and for whom they're fighting. Next to Coward, the single most important of the film's characters is Shorty Blake, played by John Mills. (Trivia note: Mills' infant daughter Juliet Mills appears as Shorty's baby.) Even so, the emphasis in the film is on teamwork; here as elsewhere, there can be no stars in wartime. For many years, the only prints available to television were from the bowdlerized American version, which crudely cut out all "hells" and "damns." Fortunately, this eviscerated American release has since been shelved in favor of the full, glorious 115-minute version. ~ Hal Erickson, All Movie Guide

Part of the long-running British mystery series based on the stories by Colin Dexter, Inspector Morse: Deceived by Flight first aired in the U.K. in 1989. Inspector Morse (John Thaw) and Sergeant Lewis (Kevin Whately) investigate the death of a player for the Clarets XI cricket team, right before their annual match. Sports radio commentator Brian Johnston appears as Himself. This mystery was written by British screenwriter Anthony Minghella, who later directed The English Patient and The Talented Mr. Ripley. ~ Andrea LeVasseur, All Movie Guide

Love With a Perfect Stranger was the first of a series of made-for-cable movies based on the Harlequin Romance novels. Fabulously wealthy widow Marilu Henner falls for mysterious Irishman Daniel Massey the moment she spots him on a Florence-bound train. All she knows about Massey is that he lives in sumptuous fashion, and that he insists that she give up her business interests to marry him. If you're familiar with the Harlequin formula, you know where this is going. However, if we didn't tell you here, you might not know that the film was directed by Desmond Davis; for reasons of his own, Davis had his name removed from the credits. Adapted from a novel by Pamela Wallace, Love With a Perfect Stranger debuted over the Showtime cable service on October 12, 1986. ~ Hal Erickson, All Movie Guide

Set in an anti-aircraft station along the British coast, this light comedy features Donald Sinden as Lt. Gordon Brown and Barbara Murray as his wife, Private Betty Brown. When a group of female recruits are posted to the base, the handsome lieutenant attracts their attention, especially the attention of blonde charmer Private Marge White (Carole Lesley). Then Lt. Brown's wife Betty gets posted to the base as well, and that causes no end of trouble. Regulations require that they cannot be working out of the same place, and so they hide their relationship. Meanwhile, the enamored Marge does not have a clue and neither does Major Pym (Naunton Wayne). The good Major then gives the flummoxed lieutenant leave to go visit his wife, and matters deteriorate even more. ~ Eleanor Mannikka, All Movie Guide

In 1963, the conservative British government was shaken to its foundations by the Profumo Scandal. The central character in this disastrous affair was John Profumo, Britain's minister of war, who had become sexually involved with call-girl Christine Keeler, whose "sponsor" was high-priced osteopath Dr. Stephen Ward. Fancying himself a dashing international adventurer, Ward had also offered Christine to alleged Soviet spy Eugene Ivanov. Another of Ward's stable, Mandy Rice-Davies, allegedly had slept with numerous British and American luminaries. The whole sordid story, which ended with Ward's suicide and Profumo's public disgrace, was recounted with relish in director Michael Caton-Jones's Scandal, which featured John Hurt as Stephen Ward, Joanne Whalley-Kilmer as Christine Keeler, Ian McKellan as Profumo, Bridget Fonda as Mandy Rice-Davies, and Jeroen Krabbe as Ivanov. In its original form, the film was ripe enough to court an X-rating; post-production trimming enabled it to squeak by with an R. ~ Hal Erickson, All Movie Guide

Touted by 20th Century-Fox as a follow-up to their enormously successful The Sound of Music, Star! reteams that earlier film's leading lady Julie Andrews and director Robert Wise. Andrews plays legendary musical comedy star Gertrude Lawrence, while Daniel Massey appears as Lawrence's friend, co-worker and severest critic Noel Coward (Massey's real-life godfather). The film jumps back and forth in continuity at times, its transitions bridged by fabricated newsreel footage; essentially, however, William Fairchild's script traces Lawrence's progress from ambitious bit actress to the toast of London and Broadway. Her success is offset by a stormy private life, which is given some ballast when she falls in love with an American financier (Richard Crenna). The film is way too long for its own good, though the musical set pieces -- especially the Andrews-Massey duets -- are superb. Julie Andrews welcomed the chance of playing a character as far removed from her goody-two-shoes heroine in Sound of Music as possible; Gertrude Lawrence was temperamental, sarcastic, profane and at times self-destructive, and Andrews makes a meal of the role. Unfortunately, Andrews' fans, conditioned by the Fox publicity machine to expect a continuation of Sound of Music, rejected her outright in this "new" characterization. Star! was a huge box-office bomb, so much so that Fox desperately attempted a shortened re-release under a misleading new title, Those Were The Happy Times. They weren't: it remained a financial disaster, though it has developed a loyal cult following in recent years. ~ Hal Erickson, All Movie Guide

The Problem of Thor Bridge involves a pretty governess, her master, and his invalid wife. The wife dies under highly questionable circumstances. Before the husband can be brought to the police to "assist them in their inquiries," he disappears. It's up to Sherlock Holmes (Jeremy Brett) to put all the pieces in place. Like all the entries in the British made-for-TV Casebook of Sherlock Holmes entries, "The Problem of Thor Bridge" is drawn from the "Canon" penned by Sir Arthur Conan Doyle. ~ Hal Erickson, All Movie Guide

Laurence Olivier recreates his stage role of Archie Rice in this in-your-face film adaptation of John Osborne's play. The son of a legendary music hall comedian (Roger Livesey), Archie is strictly a third-rater, headlining a tacky music hall revue in a seedy seaside resort town. Archie can't admit that he's a failure, and his grim insouciance destroys everyone around him. Archie finagles his dying father into financing one last revue; he cheats shamelessly on his alcoholic wife (Brenda De Banzie); and he all but forces one of his sons (Albert Finney) to run off to join the army, only to die in the Suez. Through all his personal crises, Archie jigs and jabbers before his ever-diminishing audience, but by the end of the film he isn't even entertaining himself. Joan Plowright, who married Olivier shortly after completing The Entertainer, plays the film's one sympathetic character: Archie's daughter, whose love for her father blinds her to his flaws. The Entertainer was remade for television in 1976, with Jack Lemmon as Archie Rice and original songs by Marvin Hamlisch. ~ Hal Erickson, All Movie Guide

Every so often, an actor or actress will achieve a fame which transcends any memory of their work, and he or she becomes synonymous with the word "star." Sarah Bernhardt (1844-1923) was one such person. A commanding performance by Glenda Jackson towers over this episodic drama chronicling the early life of legendary stage actress Bernhardt. The film follows Bernhardt's career trajectory from her early years on the French stage, through a period of celebrity and notoriety, until an early comeback at the age of 35. The film begins when Bernhardt wins a Comedie Francaise audition as a teenager in 1860 and vows, "I shall be the greatest actress that ever lived." What follows is a sampler of the more bizarre aspects of Bernhardt's career -- from giving birth to a nobleman's son out of wedlock, to her proclivity towards sleeping in a coffin, to her insistence on being paid after every performance in gold. Interspersed throughout the film is Jackson as Bernhardt performing excerpts from La Passant, Phedre, La Dame aux Camelias, and King Lear. ~ Paul Brenner, All Movie Guide