Daniel Massey Movies

Few morale-boosting wartime films have retained their power and entertainment value as emphatically as Noël Coward's In Which We Serve. To witness Coward's sober, no-nonsense direction (in collaboration with his co-director/editor, David Lean) and to watch his straightforward portrayal of navy captain Kinross, one would never suspect that he'd built his theatrical reputation upon sophisticated drawing-room comedies and brittle, witty song lyrics. The real star of In Which We Serve is the British destroyer Torrin. Torpedoed in battle, the Torrin miraculously survives, and is brought back to English shores to be repaired. The paint is barely dry and the nuts and bolts barely in place before the Torrin is pressed into duty during the Dunkirk evacuation. The noble vessel is finally sunk after being dive-bombed in Crete, but many of the crew members survive. As they cling to the wreckage awaiting rescue, Coward and his men flash back to their homes and loved ones, and, in so doing, recall anew just why they're fighting and for whom they're fighting. Next to Coward, the single most important of the film's characters is Shorty Blake, played by John Mills. (Trivia note: Mills' infant daughter Juliet Mills appears as Shorty's baby.) Even so, the emphasis in the film is on teamwork; here as elsewhere, there can be no stars in wartime. For many years, the only prints available to television were from the bowdlerized American version, which crudely cut out all "hells" and "damns." Fortunately, this eviscerated American release has since been shelved in favor of the full, glorious 115-minute version. ~ Hal Erickson, All Movie Guide

The celebrated stage farce 3DThe Middle Watch3D was the basis of the maritime comedy 3DGirls at Sea3D. While briefly in port, the British battleship 3DScotia3D, hosts a wild party, brimming over with wine, women and more women. Three of the female revellers-Mary (Ann Kimball), Jill (Mary Steele) and Antoinette (Nadine Tallier) are inadvertently left on board when the 3DScotia3D sets sail. It's up to the ship's by-the-book captain (Guy Rolfe) to keep the ladies safe-and out of sight-as the 3DScotia3D engages in maneuvers off the coast of Italy. Michael Hordern has some dryly amusing moments as the hapless Admiral, who suspects that something's amiss-but never suspects that it's 3Dthree3D misses. ~ Hal Erickson, All Movie Guide

A humorous, sometimes absurd and sometimes just light-hearted comedy, this story sets up the premise of a couple's search for a housemaid, with a series of impossible women providing the hilarity. When Richard and Kate (Michael Craig and Anne Heywood) return from their honeymoon, they discover that Kate's father has given them a maid as a wedding gift. The trouble is that the maid has a good portion of the U.S. Navy in the house when they arrive, in a more-or-less wild orgy. Exit maid. The couple then hire Rosemary (Joan Hickson) who tipples to excess, making her service at a dinner party an insurmountable challenge. Exit Rosemary. Enter Blodwen (Joan Sims) a homesick woman from Wales who cannot live outside her native environment. Exit Blodwen. And so it goes, even through a gorgeous French maid (Mylene Demongeot) who causes more than a mild uproar among the couple's friends. It seems the help is either too bad or too good. ~ Eleanor Mannikka, All Movie Guide

Three losing crooks are featured as Stooge-like misfits (sans slapstick) in this conventional comedy by director Michael Truman. Bernard (Dave King) is the ringleader, while Harry and Alfie (Daniel Massey and Norman Rossington) do their best to contribute to the trio's success -- and fail each time. First the group screw up their escape after a robbery because they are stuck in traffic by a fire engine. That gives them the idea of getting a fire engine to pull off a heist, and that goes wrong because they are detoured to a real fire. Next, they recruit an ex-fireman with a record for setting blazes himself (Robert Morley) in the hopes that a decoy fire can take attention away from the bank they want to rob. With their batting average, the bank seems fairly safe. ~ Eleanor Mannikka, All Movie Guide

Two brothers looking to avoid becoming pawns of the establishment come up with a better way of making a living -- through theft -- in this satiric comedy. David Tremayne (Oliver Reed) is a successful London architect, and his younger brother Michael (Michael Crawford) is weighing his options after being kicked out of school. The brothers share a bemused disgust with the world around them and a desire to get through life without the burden of labor; toward this end, one day they begin plotting an elaborate scheme to steal the British Crown Jewels. Mind you, they don't intend to sell them, or even keep them very long -- the idea is to return them after a week, simply to prove that it could indeed be done, and make themselves famous in the process. After studying the procedures of Scotland Yard's Bomb Disposal Unit, the inner working of the Tower of London's Jewel Room, and the London ambulance services, the Tremaynes come up with a foolproof plan -- they call in a bomb threat to the Tower, and they are able to enter the Jewel Room posing as men from the bomb squad. They then feign injury and are able to escape in an ambulance. It all seems simple enough, and it actually works, until Michael "forgets" his part of the agreement to take half of the responsibility for the theft. The supporting cast includes Edward Fox, Frank Finlay, and Harry Andrews. ~ Mark Deming, All Movie Guide

This chilling mystery begins when Lucy Dawson (Flora Robson) is found strangled in her apartment. Her nephew Tim (David Hemmings) is the former-drug-addict-turned-successful-author who wrote a book about his experiences. When Tim looks into his aunt's death, people give sketchy answers and the police offer little help. Apparently they think his pleas are simply a drug-addict's ravings. As he investigates he begins to find himself plagued by threatening phone calls, and his own paranoia. The pressure begins mounting until at last he suffers a complete breakdown. As a result, the murder is never solved. ~ Dan Pavlides, All Movie Guide

Londoners Leslie and Gillian Harwood (Daniel Massey and Jill Haworth) arrive in Nevada to take charge of a ranch on behalf of a British investment firm-and immediately mistake the Ponderosa for the ranch in question. Thus, the Cartwrights become involved in the couple's travails, attempting to find out why the property managed by the Harwoods is regularly losing cattle and profits. In the course of events, the veddy British Leslie slowly but surely evolves into a true-blue westerner. Written by Stanley Roberts, "The Reluctant American" originally aired on February 14, 1971. ~ Hal Erickson, All Movie Guide

Vault of Horror is the first sequel to 1972's horror hit Tales from the Crypt. It is also known as Tales from the Crypt, Part II. It continues it's predecessor's popular formula of using established stars in five witty short horror episodes. The first, "Midnight Mass," shows that having a vampire for a relative can be upsetting, to say the least. In "The Neat Job" a nagging neat-freak is neatly nullified. In "This Trick'll Kill You," a colonial overlord learns that it's not safe to steal magic tricks from natives. "Bargain in Death" exposes the greed of two insurance swindlers, and "Drawn and Quartered" takes "The Picture of Dorian Grey" one better. Among the stars appearing in these episodes are Terry-Thomas, Glynnis Johns, Curt Jurgens, Denholm Elliott and Tom Baker. ~ Clarke Fountain, All Movie Guide

Frank Willard's 1927 stage play The Cat and the Canary was filmed several times before this 1978 version saw the light of day. In the story, Annabelle West (Carol Lynley) is one of several potential heirs to a huge fortune. Brought to his foreboding mansion to learn who will benefit from his death, the anxious heirs must sit still for the deceased's taped recitation of his bequests. The dead man, Cyrus West (Wilfred Hyde-White), takes advantage of the occasion to scold his greedy and unpleasant relatives. He leaves behind several posthumous practical jokes which drive his points home. It's a rainy night, the mansion is full of surprises, most of the heirs are an anxious, unpleasant lot, and at least one of them is not above committing murder to have his way. ~ Clarke Fountain, All Movie Guide

Psychiatrist Alex (Art Garfunkel) becomes sexually obsessed with Milena (Theresa Russell), a woman whom he meets at a party. The pair become involved in an intense and mutually destructive love affair. The drama unfolds in a series of flashbacks, as Alex tells his story to police Inspector Netusil (Harvey Keitel) who is investigating Milena's apparent suicide attempt. Alex's obsession grows, but Milena stays slightly out of reach. Originally rated X, but somewhat toned down to accommodate an R rating, Bad Timing: A Sensual Obsession is an interesting exploration of the nature of sexual passion and jealousy. ~ Linda Rasmussen, All Movie Guide

Love With a Perfect Stranger was the first of a series of made-for-cable movies based on the Harlequin Romance novels. Fabulously wealthy widow Marilu Henner falls for mysterious Irishman Daniel Massey the moment she spots him on a Florence-bound train. All she knows about Massey is that he lives in sumptuous fashion, and that he insists that she give up her business interests to marry him. If you're familiar with the Harlequin formula, you know where this is going. However, if we didn't tell you here, you might not know that the film was directed by Desmond Davis; for reasons of his own, Davis had his name removed from the credits. Adapted from a novel by Pamela Wallace, Love With a Perfect Stranger debuted over the Showtime cable service on October 12, 1986. ~ Hal Erickson, All Movie Guide

The feature films contained in this two-tape set were originally seen on the Showtime cable-TV service. Both films were based on novels from the tremendously popular Harlequin Romances paperback series, which is either a recommendation or a warning depending upon your literary tastes. The first, 1988's Love With the Perfect Stranger, was directed by Desmond Davis. Marilu Henner plays a widowed fashion designer who falls in love with mysterious Britisher Daniel Massey. The second, 1987's Cloud Waltzing, was directed by Gordon Flemyng. Kathleen Beller plays a lonely-for-love journalist who falls for mysterious Frenchman Eric Gendron. Both films were lensed in England, both are predicated upon chance encounters between two people with checkered pasts, and both are chock full of unexpected dangers, unwanted separations, tear-stained reunions, gorgeous interior settings and lush outdoor locations. ~ Hal Erickson, All Movie Guide

In 1963, the conservative British government was shaken to its foundations by the Profumo Scandal. The central character in this disastrous affair was John Profumo, Britain's minister of war, who had become sexually involved with call-girl Christine Keeler, whose "sponsor" was high-priced osteopath Dr. Stephen Ward. Fancying himself a dashing international adventurer, Ward had also offered Christine to alleged Soviet spy Eugene Ivanov. Another of Ward's stable, Mandy Rice-Davies, allegedly had slept with numerous British and American luminaries. The whole sordid story, which ended with Ward's suicide and Profumo's public disgrace, was recounted with relish in director Michael Caton-Jones's Scandal, which featured John Hurt as Stephen Ward, Joanne Whalley-Kilmer as Christine Keeler, Ian McKellan as Profumo, Bridget Fonda as Mandy Rice-Davies, and Jeroen Krabbe as Ivanov. In its original form, the film was ripe enough to court an X-rating; post-production trimming enabled it to squeak by with an R. ~ Hal Erickson, All Movie Guide