Daniel Massey Movies

British director Nicolas Roeg, best known for his films Walkabout and The Man Who Fell To Earth, helmed this made-for-cable adaptation of the epic tale from The Old Testament's Book of Judges. Starring Eric Thal as the legendary strongman Samson, Samson and Delilah also stars Elizabeth Hurley as the temptress Delilah, who ultimately seduces Samson and cuts his hair, robbing him of his strength. Originally airing on the TNT cable network, the film also features Dennis Hopper and Sir Michael Gambon. ~ Matthew Tobey, All Movie Guide

The made-for-cable film Stalin relates the story of the ruthless Soviet dictator and his tyrannical rule. Robert Duvall gives an excellent performance as the dictator and the photography is beautiful, as are the sets, since much of the movie was shot on location in Russia. The screenplay also does a good job of detailing Stalin's aggression, not only on his citizens, but also his young wife (Julia Ormand). Nevertheless, the story is very detailed and viewers need to pay close attention in order to make the film a rewarding experience. ~ Stephen Thomas Erlewine, All Movie Guide

Part of the long-running British mystery series based on the stories by Colin Dexter, Inspector Morse: Deceived by Flight first aired in the U.K. in 1989. Inspector Morse (John Thaw) and Sergeant Lewis (Kevin Whately) investigate the death of a player for the Clarets XI cricket team, right before their annual match. Sports radio commentator Brian Johnston appears as Himself. This mystery was written by British screenwriter Anthony Minghella, who later directed The English Patient and The Talented Mr. Ripley. ~ Andrea LeVasseur, All Movie Guide

The feature films contained in this two-tape set were originally seen on the Showtime cable-TV service. Both films were based on novels from the tremendously popular Harlequin Romances paperback series, which is either a recommendation or a warning depending upon your literary tastes. The first, 1988's Love With the Perfect Stranger, was directed by Desmond Davis. Marilu Henner plays a widowed fashion designer who falls in love with mysterious Britisher Daniel Massey. The second, 1987's Cloud Waltzing, was directed by Gordon Flemyng. Kathleen Beller plays a lonely-for-love journalist who falls for mysterious Frenchman Eric Gendron. Both films were lensed in England, both are predicated upon chance encounters between two people with checkered pasts, and both are chock full of unexpected dangers, unwanted separations, tear-stained reunions, gorgeous interior settings and lush outdoor locations. ~ Hal Erickson, All Movie Guide

This chilling mystery begins when Lucy Dawson (Flora Robson) is found strangled in her apartment. Her nephew Tim (David Hemmings) is the former-drug-addict-turned-successful-author who wrote a book about his experiences. When Tim looks into his aunt's death, people give sketchy answers and the police offer little help. Apparently they think his pleas are simply a drug-addict's ravings. As he investigates he begins to find himself plagued by threatening phone calls, and his own paranoia. The pressure begins mounting until at last he suffers a complete breakdown. As a result, the murder is never solved. ~ Dan Pavlides, All Movie Guide

Two brothers looking to avoid becoming pawns of the establishment come up with a better way of making a living -- through theft -- in this satiric comedy. David Tremayne (Oliver Reed) is a successful London architect, and his younger brother Michael (Michael Crawford) is weighing his options after being kicked out of school. The brothers share a bemused disgust with the world around them and a desire to get through life without the burden of labor; toward this end, one day they begin plotting an elaborate scheme to steal the British Crown Jewels. Mind you, they don't intend to sell them, or even keep them very long -- the idea is to return them after a week, simply to prove that it could indeed be done, and make themselves famous in the process. After studying the procedures of Scotland Yard's Bomb Disposal Unit, the inner working of the Tower of London's Jewel Room, and the London ambulance services, the Tremaynes come up with a foolproof plan -- they call in a bomb threat to the Tower, and they are able to enter the Jewel Room posing as men from the bomb squad. They then feign injury and are able to escape in an ambulance. It all seems simple enough, and it actually works, until Michael "forgets" his part of the agreement to take half of the responsibility for the theft. The supporting cast includes Edward Fox, Frank Finlay, and Harry Andrews. ~ Mark Deming, All Movie Guide

Three losing crooks are featured as Stooge-like misfits (sans slapstick) in this conventional comedy by director Michael Truman. Bernard (Dave King) is the ringleader, while Harry and Alfie (Daniel Massey and Norman Rossington) do their best to contribute to the trio's success -- and fail each time. First the group screw up their escape after a robbery because they are stuck in traffic by a fire engine. That gives them the idea of getting a fire engine to pull off a heist, and that goes wrong because they are detoured to a real fire. Next, they recruit an ex-fireman with a record for setting blazes himself (Robert Morley) in the hopes that a decoy fire can take attention away from the bank they want to rob. With their batting average, the bank seems fairly safe. ~ Eleanor Mannikka, All Movie Guide

Laurence Olivier recreates his stage role of Archie Rice in this in-your-face film adaptation of John Osborne's play. The son of a legendary music hall comedian (Roger Livesey), Archie is strictly a third-rater, headlining a tacky music hall revue in a seedy seaside resort town. Archie can't admit that he's a failure, and his grim insouciance destroys everyone around him. Archie finagles his dying father into financing one last revue; he cheats shamelessly on his alcoholic wife (Brenda De Banzie); and he all but forces one of his sons (Albert Finney) to run off to join the army, only to die in the Suez. Through all his personal crises, Archie jigs and jabbers before his ever-diminishing audience, but by the end of the film he isn't even entertaining himself. Joan Plowright, who married Olivier shortly after completing The Entertainer, plays the film's one sympathetic character: Archie's daughter, whose love for her father blinds her to his flaws. The Entertainer was remade for television in 1976, with Jack Lemmon as Archie Rice and original songs by Marvin Hamlisch. ~ Hal Erickson, All Movie Guide

The celebrated stage farce 3DThe Middle Watch3D was the basis of the maritime comedy 3DGirls at Sea3D. While briefly in port, the British battleship 3DScotia3D, hosts a wild party, brimming over with wine, women and more women. Three of the female revellers-Mary (Ann Kimball), Jill (Mary Steele) and Antoinette (Nadine Tallier) are inadvertently left on board when the 3DScotia3D sets sail. It's up to the ship's by-the-book captain (Guy Rolfe) to keep the ladies safe-and out of sight-as the 3DScotia3D engages in maneuvers off the coast of Italy. Michael Hordern has some dryly amusing moments as the hapless Admiral, who suspects that something's amiss-but never suspects that it's 3Dthree3D misses. ~ Hal Erickson, All Movie Guide

Few morale-boosting wartime films have retained their power and entertainment value as emphatically as Noël Coward's In Which We Serve. To witness Coward's sober, no-nonsense direction (in collaboration with his co-director/editor, David Lean) and to watch his straightforward portrayal of navy captain Kinross, one would never suspect that he'd built his theatrical reputation upon sophisticated drawing-room comedies and brittle, witty song lyrics. The real star of In Which We Serve is the British destroyer Torrin. Torpedoed in battle, the Torrin miraculously survives, and is brought back to English shores to be repaired. The paint is barely dry and the nuts and bolts barely in place before the Torrin is pressed into duty during the Dunkirk evacuation. The noble vessel is finally sunk after being dive-bombed in Crete, but many of the crew members survive. As they cling to the wreckage awaiting rescue, Coward and his men flash back to their homes and loved ones, and, in so doing, recall anew just why they're fighting and for whom they're fighting. Next to Coward, the single most important of the film's characters is Shorty Blake, played by John Mills. (Trivia note: Mills' infant daughter Juliet Mills appears as Shorty's baby.) Even so, the emphasis in the film is on teamwork; here as elsewhere, there can be no stars in wartime. For many years, the only prints available to television were from the bowdlerized American version, which crudely cut out all "hells" and "damns." Fortunately, this eviscerated American release has since been shelved in favor of the full, glorious 115-minute version. ~ Hal Erickson, All Movie Guide

In 1963, the conservative British government was shaken to its foundations by the Profumo Scandal. The central character in this disastrous affair was John Profumo, Britain's minister of war, who had become sexually involved with call-girl Christine Keeler, whose "sponsor" was high-priced osteopath Dr. Stephen Ward. Fancying himself a dashing international adventurer, Ward had also offered Christine to alleged Soviet spy Eugene Ivanov. Another of Ward's stable, Mandy Rice-Davies, allegedly had slept with numerous British and American luminaries. The whole sordid story, which ended with Ward's suicide and Profumo's public disgrace, was recounted with relish in director Michael Caton-Jones's Scandal, which featured John Hurt as Stephen Ward, Joanne Whalley-Kilmer as Christine Keeler, Ian McKellan as Profumo, Bridget Fonda as Mandy Rice-Davies, and Jeroen Krabbe as Ivanov. In its original form, the film was ripe enough to court an X-rating; post-production trimming enabled it to squeak by with an R. ~ Hal Erickson, All Movie Guide

Frank Willard's 1927 stage play The Cat and the Canary was filmed several times before this 1978 version saw the light of day. In the story, Annabelle West (Carol Lynley) is one of several potential heirs to a huge fortune. Brought to his foreboding mansion to learn who will benefit from his death, the anxious heirs must sit still for the deceased's taped recitation of his bequests. The dead man, Cyrus West (Wilfred Hyde-White), takes advantage of the occasion to scold his greedy and unpleasant relatives. He leaves behind several posthumous practical jokes which drive his points home. It's a rainy night, the mansion is full of surprises, most of the heirs are an anxious, unpleasant lot, and at least one of them is not above committing murder to have his way. ~ Clarke Fountain, All Movie Guide