Anna Massey Movies

Alfred Hitchcock entered the 1970s with his commercial reputation virtually in tatters, a far cry from his stature at the start of the 1960s. Then, he'd been in the middle of the massively successful trio of movies, North by Northwest, Psycho, and The Birds, and was a ubiquitous presence on television thanks to his anthology series Alfred Hitchcock Presents -- but the series ended, and he'd suffered three expensive box-office failures in a row, Marnie, Torn Curtain, and Topaz, in the second half of the 1960s. He redeemed himself with Frenzy, however, which marked his return not only to England for the first time in 20 years but also to the subject matter with which he'd started his career in thrillers back in 1926 -- murder, and a hunt for a serial killer in London. As the latest female victim of the "Necktie Murderer" is found in the Thames, raped and strangled, we meet Richard Blaney (Jon Finch), a bitter, belligerent ex-Royal Air Force officer who can't seem to find his way in life. He drinks too much and holds grudges too easily, and has an explosive temper, which is very near the surface as he's just lost his job. We also meet his girlfriend, a barmaid (Anna Massey); his ex-wife, a professional matchmaker (Barbara Leigh-Hunt); and his best friend, Covent Garden fruit seller Bob Rusk (Barry Foster). Their connection to the necktie murders will be clear to us in the first 30 minutes of the movie and, not coincidentally, completely misinterpreted by the police, as Chief Inspector Oxford (Alec McCowan) and his men tighten a circle around the wrong man, who rapidly runs out of options and allies.

The chase and suspense are classic Hitchcock, favorably recalling a dozen of his earlier movies, from The Lodger and The 39 Steps through Saboteur and Spellbound to Dial M for Murder and North by Northwest, with some new twists and the added energy afforded by the extensive use of actual London locations. There's also a good deal more sex and nudity here than Hitchcock was ever allowed to use in his earlier movies, owing to the relaxation of "decency" standards that had taken place in the years leading up to this production. The suspense derives from multiple interlocking and overlapping layers of uncertainty -- when will each of the two men, suspect and murderer, slip? (And which will slip first?) When and how will the police realize their mistake, and will it be in time to save the innocent man? Amid the straightforward storytelling and thriller elements, Hitchcock manages to slip in a few bravura cinematic moments, the best of them a pullback shot down a flight of stairs into a busy street as the killer invites his next victim into his home, as well as a scene aboard a truck, with a murderer desperately wrestling with a corpse hidden in a sack of potatoes. Frenzy was adapted from Arthur La Bern's novel Goodbye Picadilly, Farewell Leicester Square by mystery aficionado Anthony Shaffer, but for all of that and its decidedly modern trappings of sex and violence, it bears the indelible stylistic stamp of Alfred Hitchcock. ~ Bruce Eder, All Movie Guide

In this Cold War espionage-thriller, adapted from the novel of John Le Carre, two veteran British intelligence operatives, Leclerc (Ralph Richardson) and Haldane (Paul Rogers), recruit a young Polish defector (Christopher Jones) to check on some missiles in East Germany. Avery (Anthony Hopkins) is the British agent assigned to help him to cross the East German border. Once behind the Iron Curtain, the recruit meets a sympathetic German girl (Pia Degermark) who tries to help him to evade the East German secret police and to complete his assignment. ~ Yuri German, All Movie Guide

Based on the mystery novel by Marryam Modell (using the pseudonym Evelyn Piper), Bunny Lake Is Missing is a bizarre study in motherhood, kindness, enigma, and insanity. Ann Lake (Carol Lynley), an American freshly relocated to England, wishes to drop off her daughter Bunny for the girl's first day at a new nursery school. Oddly, Ann cannot locate any teachers or administrators, only the school's disgruntled cook (Lucie Mannheim). She is forced to leave Bunny unsupervised in the building's "first day" room, under the reassurance that the cook will be responsible for the child. When Ann returns in the afternoon, the cook has quit and Bunny Lake is missing. The school's remaining employees vehemently deny ever seeing the child, and Ann desperately calls her older brother Stephen (Keir Dullea) for help. Ann was raised fatherless and never married; she and Bunny have lived under Stephen's care and protection for the majority of both their lives. Stephen is enraged by the irresponsibility of the staff, but as Scotland Yard begins its investigation, it comes to light that he had never officially enrolled a child at the school. When Police Superintendent Newhouse (Laurence Olivier) begins to unravel the Lakes' lives and search their belongings, he discovers that not only did Ann once have an imaginary childhood daughter named "Bunny," but that the young Bunny seemed to have no tangible possessions at the Lake apartment. Bunny Lake (whom we have yet to see onscreen) may not be missing: she may not even be real. Terrified that Newhouse will now abandon the search for the girl, the hysterical Ann sets out to prove her sanity and, in the process, surprisingly uncovers the true psychosis behind the disappearance of her little Bunny Lake. ~ Aubry Anne D'Arminio, All Movie Guide

Director John Ford traveled to England to film this adaptation of the novel by J.J. Maraca, which details a typical day in the busy life of a detective for Scotland Yard. Inspector George Gideon (Jack Hawkins) begins his working day by confronting one of his fellow officers who is believed to be accepting graft. The sergeant stubbornly denies the charge, but he dies later the same day in a mysterious hit-and-run accident that piques Gideon's curiosity. While confronting internal strife within Scotland Yard, Gideon also has more typical crimes to investigate, including a murder in Manchester and a burglary in London, both of which were performed by the same vicious criminal. Gideon himself becomes the victim of a holdup and is forced to take a bullet for his troubles, while on the home front he finds himself in disfavor with his family when he forgets to bring home salmon for dinner and lets his daughter's recital slip his mind. Along with Jack Hawkins, Gideon's Day features a stellar cast of British actors, including Cyril Cusack, Anna Massey, Laurence Naismith, Dianne Foster, and Billie Whitelaw. For its initial American release, Gideon's Day (also shown as Gideon of Scotland Yard) was cut from 91 minutes to a mere 54, and distributed in black and white prints instead of the original Technicolor. Fortunately, nearly all the prints currently in circulation are of the uncut, color edition. ~ Mark Deming, All Movie Guide