Sydney Mason Movies

In this crime drama, an unemployed detective begins taking incriminating photos for a Hollywood tabloid. Later he learns that his good work has been used by his editor as part of a grand blackmailing scheme. ~ Sandra Brennan, Rovi

Perry's client Janet Morris (Bethel Leslie) is charged with poisoning her husband Dr. Morris (Sheppard Strudwick), who has been reported killed in a plane crash. As it turns out, however, the crash victim is not Dr. Norris but instead David Kirby (Dabbs Greer); Norris has faked his demise so he can run off to Mexico with his girlfriend (played by Maxine Cooper, best known for her work in the 1955 cult film favorite Kiss Me Deadly). No matter: Janet must now stand trial for Kirby's murder, meaning that Mason will have to dig up the elusive Dr. Morris to prove his client's innocence...but who exactly is guilty? Based on a 1954 novel by Perry Mason creator Erle Stanley Gardner, this episode would be remade in 1965 as "The Case of the Vanishing Victim". ~ Hal Erickson, Rovi

Blackjack Ketchum, the real-life gunslinger who'd previously been a peripheral character in several westerns, is herein afforded his own feature-length "vehicle". Howard Duff plays the title role, who at the beginning of the film is doing his best to live down his reputation. This proves impossible when land baron Jared Tetlow (Victor Jory) and his brood muscle into the territory. Hoping to champion the cause of his fellow ranchers, Ketchum once more straps on his guns and prepares to do battle against Tetlow's henchmen. Naturally, Ketchum's sweetheart Nita Riordan (played by Maggie Mahoney, the mother of actress Sally Field) would prefer that Our Hero abstain from gunplay, but.Blackjack Ketchum, Desperado was based on a novel by Louis L'Amour. ~ Hal Erickson, Rovi

Universal Pictures introduced audiences to yet another classic movie monster with this superbly crafted film, originally presented in 3-D. The story involves the members of a fossil-hunting expedition down a dark tributary of the mist-shrouded Amazon, where they enter the domain of a prehistoric, amphibious "Gill Man" -- possibly the last of a species of fanged, clawed humanoids who may have evolved entirely underwater. Tranquilized, captured, and brought aboard, the creature still manages to revive and escape -- slaughtering several members of the team -- and abducts their sole female member (Julie Adams), spiriting her off to his mist-shrouded lair. This sparks the surviving crewmen to action -- particularly those who fancy carrying the girl off themselves. Director Jack Arnold makes excellent use of the tropical location, employing heavy mists and eerie jungle noises to create an atmosphere of nearly constant menace. The film's most effective element is certainly the monster itself, with his pulsating gills and fearsome webbed talons. The creature was played on land by stuntman Ben Chapman and underwater by champion swimmer Ricou Browning -- who was forced to hold his breath during long takes because the suit did not allow room for scuba gear. The end result was certainly worth the effort, proven in the famous scene where the Gill Man swims effortlessly beneath his female quarry in an eerie ballet -- a scene echoed much later by Steven Spielberg in the opening of Jaws. ~ Cavett Binion, Rovi

H.G. Wells's War of the Worlds had been on the Paramount Pictures docket since the silent era, when it was optioned as a potential Cecil B. DeMille production. When Paramount finally got around to a filming the Wells novel, the property was firmly in the hands of special-effects maestro George Pal. Like Orson Welles's infamous 1938 radio adaptation, the film eschews Wells's original Victorian England setting for a contemporary American locale, in this case Southern California. A meteorlike object crash-lands near the small town of Linda Rosa. Among the crowd of curious onlookers is Pacific Tech scientist Gene Barry, who strikes up a friendship with Ann Robinson, the niece of local minister Lewis Martin. Because the meteor is too hot to approach at present, Barry decides to wait a few days to investigate, leaving three townsmen to guard the strange, glowing object. Left alone, the three men decide to approach the meterorite, and are evaporated for their trouble. It turns out that this is no meteorite, but an invading spaceship from the planet Mars. The hideous-looking Martians utilize huge, mushroomlike flying ships, equipped with heat rays, to pursue the helpless earthlings. When the military is called in, the Martians demonstrate their ruthlessness by "zapping" Ann's minister uncle, who'd hoped to negotiate a peaceful resolution to the standoff. As Barry and Ann seek shelter, the Martians go on a destructive rampage. Nothing-not even an atom-bomb blast-can halt the Martian death machines. The film's climax occurs in a besieged Los Angeles, where Barry fights through a crowd of refugees and looters so that he may be reunited with Ann in Earth's last moments of existence. In the end, the Martians are defeated not by science or the military, but by bacteria germs-or, to quote H.G. Wells, "the humblest things that God in his wisdom has put upon the earth." Forty years' worth of progressively improving special effects have not dimmed the brilliance of George Pal's War of the Worlds. Even on television, Pal's Oscar-winning camera trickery is awesome to behold. So indelible an impression has this film made on modern-day sci-fi mavens that, when a 1988 TV version of War of the Worlds was put together, it was conceived as a direct sequel to the 1953 film, rather than a derivation of the Wells novel or the Welles radio production. ~ Hal Erickson, Rovi

Written and directed by Irving Brecher, best known for his weekly TV series Life of Riley and The People's Choice, Somebody Loves Me is the highly fictionalized life story of vaudeville and Broadway star Blossom Seeley (Betty Hutton) and her husband-partner Benny Fields (Ralph Meeker). Unflatteringly, the film depicts Fields as something of an opportunist, who maneuvers Blossom into marriage for the benefit of his own career. Eventually he does penance for his callousness, particularly in a scene wherein Fields is reduced to playing straight for a pair of crummy Burlesque comedians. Meanwhile, Blossom also goes into an eclipse as a "single." The tearful finale is, like the rest of the film, a bit at odds with the truth, but effective nonetheless. Betty Hutton does pretty well as Seeley, even though she looks and sounds nothing like genuine article; Meeker seems uncomfortable, except when lip-synching to the prerecorded voice of Pat Morgan as Benny Fields. Jack Benny makes an amusing cameo appearance. ~ Hal Erickson, Rovi

The Kefauver Committee's ongoing investigation of organized crime spawned several "Torn from Today's Headlines!" films in the early 1950s. Republic's Hoodlum Empire concerns the efforts by gangster Joe Gray (John Russell) to get out of the rackets after WW II. Part of Gray's "reclamation" is to testify at a public hearing, prompting a series of flashbacks. Part of the fun is to guess who all the "fictional" criminals are really supposed to be: Luther Adler's character may be called "Nicky Mancini," for example, but for all intents and purposes Adler is playing Frank "Fifth Amendment" Costello. Other famous underworld personages are impersonated by Claire Trevor, Forrest Tucker and Roy Barcroft, while the steadfast Estes Kefauver counterpart is portrayed by Brian Donlevy. ~ Hal Erickson, Rovi

Arthur Kennedy stars as a blinded war veteran struggling to adjust to his affliction in peacetime. He must overcome his pugnacious attitude towards any problem he can't think his way out of--and he must learn to temper his inbred racial prejudices. Peggy Dow plays the woman who loves Kennedy enough to be cruel to him during his bouts of self-pity. Refusing to lapse into sentimentality, Bright Victory, based on the novel by Bayard Kendrick, is one of the best of the "against all odds" films of the 1950s. Arthur Kennedy's performance won him the New York Critics' Circle award, but not the Oscar he so richly deserved. Trivia note: new Universal contractee Rock Hudson receives 18th billing for his bit role as a soldier in this film. ~ Hal Erickson, Rovi

Pretty stewardess Marcy Lewis (Jane Wyman) must choose between Three Guys Named Mike in this frothy MGM concoction. There's Mike Lawrence (Van Johnson), a science student who moonlights as a bartender. There's Mike Tracy (Barry Sullivan), a wheeler-dealer ad executive. And finally, there's Mike Jamison (Howard Keel), a handsome airline pilot. Marcy's love life is counterpointed with her ever-increasing expertise on her job; the more self-assured she becomes, the more she changes her views about men. It wouldn't be cricket to reveal which "Mike" Marcy finally chooses, though the order of billing is something of a giveaway. ~ Hal Erickson, Rovi

1950's Emergency Wedding is a remake of 1940's You Belong to Me. The later film stars Larry Parks, who'd had a bit role in the original. Parks plays wealthy Peter Kirk, a playboy, while Barbara Hale co-stars as female doctor Helen Hunt. When Peter marries Helen, it is a "given" that he'll stay home while she works. Unfortunately, Peter becomes jealous of the amount of time Helen spends at the hospital with her patients. Out of pique, Peter makes the supreme sacrifice and offers to get a job himself. All sorts of misunderstandings and remonstrations ensue before the title Emergency Wedding is explained at the very end. ~ Hal Erickson, Rovi

Nancy Croyden (Violet Mersereau), the daughter of an English nobleman (James O'Neill), runs off with her father's groom (Bradley Barker). Their daughter, Susan (Mersereau again), grows up in a New York slum. She meets and falls in love with Tom Neville (Sidney Mason), who has escaped to America after being falsely accused of a murder. The police hunt down Tom and arrest him. Meanwhile the groom dies and Susan's grandfather finally sends for her. She assumes her rightful home and position in England. The real killer confesses to the crime of which Tom was accused, which frees him to be with Susan. ~ Janiss Garza, Rovi