Marino Masé Movies

Nina di Majo, the former assistant director for Mario Martone, makes her feature debut with this psychological drama. Set in Naples, the film revolves around three generations of middle-class intellectuals. Costanza (di Majo) can't quite bring herself to finish college, fearing what the future will bring; her middle-aged aunt (Elisabetta Piccolomini) struggles to put a past relationship behind her; and teenaged Matteo (Pietro Alessio di Majo) is generally brooding and morose. ~ Jonathan Crow, All Movie Guide

After a break of more than 15 years, director Francis Ford Coppola and writer Mario Puzo returned to the well for this third and final story of the fictional Corleone crime family. Two decades have passed, and crime kingpin Michael Corleone (Al Pacino), now divorced from his wife Kay (Diane Keaton), has nearly succeeded in keeping his promise that his family would one day be "completely legitimate." A philanthropist devoted to public service, Michael is in the news as the recipient of a special award from the Pope for his good works, a controversial move given his checkered past. Determined to buy redemption, Michael and his lawyer B.J. (George Hamilton) are working on a complicated but legal deal to bail the Vatican out of looming financial troubles that will ultimately reap billions and put Michael on the world stage as a major financial player. However, trouble looms in several forms: The press is hostile to his intentions. Michael is in failing health and suffers a mild diabetic stroke. Stylish mob underling Joey Zaza (Joe Mantegna) is muscling into the Corleone turf. "The Commission" of Mafia families, represented by patriarch Altobello (Eli Wallach) doesn't want to let their cash cow Corleone out of the Mafia, though he has made a generous financial offer in exchange for his release from la cosa nostra. And then there's Vincent Mancini (Andy Garcia), the illegitimate and equally temperamental son of Michael's long-dead brother Sonny. Vincent desperately wants in to the family (both literally and figuratively), and at the urging of his sister Connie (Talia Shire), Michael welcomes the young man and allows him to adopt the Corleone name. However, a flirtatious attraction between Vincent and his cousin, Michael's naïve daughter Mary (Sofia Coppola) develops, and threatens to develop into a full-fledged romance and undo the godfather's future plans. ~ Karl Williams, All Movie Guide

American architect Stourley Kracklite (Brian Dennehy) comes with his young wife Louisa (Chloe Webb) to Rome to supervise an exhibition devoted to Etienne-Louis Boullée, a French architect of the 18th century. Suffering from severe abdominal pains, Stourley doesn't pay much attention to his pregnant wife, and she finds consolation in the arms of suave Caspasian Speckler (Lambert Wilson). Built from rigidly symmetrical images, the film has quite an unusual subject: the belly -- both the sick one of the architect and the pregnant one of his wife, the rounded forms alluding to the spherical constructions designed by Boullée, the architect whose visionary projects seldom materialized. Beautifully shot on location in Rome, this ironic fable wittily examines the issues of artistic creativity. ~ Yuri German, All Movie Guide

Nick Mancuso stars in the made-for-TV Embassy. Cast as an American ambassador stationed in Rome, Mancuso's life is thrown into turmoil by a crucial computer chip. When not trying to keep U.S. defense secrets from falling into the wrong hands, he must juggle the affections of his press-attache-girlfriend, (Mimi Rogers), and his girlfriend's chief rival (Blanche Baker). Embassy was intended as the 2-hour pilot for a weekly series; it didn't sell, but Nick Mancuso's next venture in the TV-pilot field, Stingray, proved successful. Embassy was initially telecast on April 21, 1985. ~ Hal Erickson, All Movie Guide

Dario Argento leaves a distinct and bloody impression with this Italian horror film that took the slasher genre to graphic new limits at the time of its release. Novelist Peter Neal (Anthony Franciosa) jets into Rome to promote his new book. Simultaneously, a killer obsessed with Neal begins a brutal series of murders that are followed by cryptic notes to the author. Inspector Germani (Giuliano Gemma) questions Neal, who then begins his own investigation into the bizarre case with the help of his assistant, Anne (Daria Nicolodi), and local youth Gianni (Christian Borromeo). Neal and Gianni follow leads to the home of a TV talk-show host (John Steiner), who is axed to death in front of Gianni while Neal is knocked unconscious. As they close in on the killer, flashbacks show the killer's murderous beginnings and an obsession with red shoes. Meanwhile, Neal's publicist, Bullmer (John Saxon), is revealed to be having an affair with the author's ex-lover, Jane (Veronica Lario), making them both potential suspects. Inspector Germani insists that Neal leave town, but even when he does, the killer strikes again, knifing Bullmer in broad daylight. At the same time, Gianni returns to the home of the dead talk-show host and recalls an important detail about the murder. However, he is strangled before he can tell anyone. At her apartment, Jane is brutally slain just as Inspector Germani arrives to discover the murderer's identity, along with the shocking, twist-filled truth behind the entire case. ~ Patrick Legare, All Movie Guide

Following the surprising success of his cheapjack Star Wars knockoff, Star Crash, Italian director Luigi Cozzi was given the helm of this cheapjack Alien knockoff. An alien cyclops causes a man to cover the Earth with nasty eggs (sometimes made of silicone, sometimes close-ups of common olives). The eggs release gelatinous gunk which makes people explode, and it's all part of the alien's plan to take over the world. Cozzi, a less-talented protégé of Dario Argento, at least gets a good soundtrack by using his mentor's house band, Goblin, but delivers a bad film nonetheless. The director admits that the ludicrous monster was made of badly painted papier-mache, requiring 96 separate cuts to look convincing in its big scene. It didn't work. ~ Robert Firsching, All Movie Guide

Banned in Italy, this movie tells the story of a teenage virgin who has somehow become pregnant. Mary is an epileptic and the town's witch (many rural Italian regions have women who practice folk-magic and medicine and whom they call witches or stregoni). When she appears to die after a seizure, she is given funeral rites but then recovers and walks home. Three months later, she is discovered to be pregnant. A furor gathers as the local people believe they are witnessing a virgin birth. The village priest is encouraged by his Cardinal to find the father of the baby...or else. ~ Clarke Fountain, All Movie Guide

Max (Dirk Bogarde) is a discreet, unassuming night porter working in a posh hotel in Vienna in 1957, tending to the guests' needs, from cold water to a bed-warming gigolo. Then Lucia (Charlotte Rampling) arrives at the hotel, on the arm of her husband, an American composer, and Max's past comes flooding back to him. It turns out Max was an S.S. officer at a Nazi concentration camp where Lucia was a beautiful young prisoner. She became, in effect, Max's sexual slave. Now, years later, their reunion shatters both of their lives. Lucia stays in Vienna after her husband travels on, in order to see Max, and they find themselves caught up in a renewal of their former sadomasochistic relationship. Max has an upcoming show trial for his war crimes. His former S.S. comrades have been carefully destroying documents and "filing away" witnesses to clear all their names, and, while Max tries to keep Lucia's existence a secret from them, they eventually find out about her. They consider her a threat, and they urge Max to turn her over to them. He quits his job, and he and Lucia hide out in his apartment, while his former friends keep watch. Liliana Cavani (Ripley's Game) co-wrote and directed this controversial film, Il Portiere di Notte, which she reportedly based partly on her own interviews with a Holocaust survivor. ~ Josh Ralske, All Movie Guide

A combined force of Italian and American commandos are ordered to attack and take over an air base in North Africa with only two days to do it. The Italian film, dubbed into English, is also known as Sullivan's Marauders. ~ John Bush, All Movie Guide

This story of youthful rebellion is taken from the ancient Greek classic "Antigone." The setting is modern times and Britt Eklund plays Antigone in a fictitious land where reality is suspended. Haimon (Tomas Milian) goes against the wishes of his father and the prime minister by wanting to become an animal. Tiresias (Pierre Clementi) plays a Christ-like figure. The only resemblance between this version and the ancient tragedy is that the three principle characters are slated for an uncertain future among the living. The film was shown at the 1970 New York Film Festival. ~ Dan Pavlides, All Movie Guide

Considered one of the great lost classics of Italian neo-realism, this bleak drama was the debut feature of filmmaker Marco Bellocchio. Lou Castel stars as Alessandro, an epileptic from a large family of similarly afflicted siblings, headed up by a blind matriarch (Liliana Gerace). The only healthy member of the family is Alessandro's brother Augusto (Marino Mase), who wants to marry his girlfriend but refuses to saddle a bride with the enormous burden of helping to care for his ailing relatives. Sympathetic to Augusto's plight, Alessandro decides to murder the rest of the family so as to set his brother free and assure him of an inheritance. After hurling his mother into a ravine and drowning his little brother, Alessandro returns home to suffer a seizure. Long hailed by critics and historians as an unjustly ignored film, I Pugni in Tasca (1965) was one of 15 titles selected by New York's Museum of Modern Art for its "Second Act" retrospective of post-war Italian cinema in the spring of 2000. ~ Karl Williams, All Movie Guide

Arguably Luchino Visconti's best film and certainly the most personal of his historical epics, The Leopard chronicles the fortunes of Prince Fabrizio Salina and his family during the unification of Italy in the 1860s. Based on the acclaimed novel by Giuseppe Tomasi di Lampedusa, published posthumously in 1958 and subsequently translated into all European languages, the picture opens as Salina (Burt Lancaster) learns that Garibaldi's troops have embarked in Sicily. While the Prince sees the event as an obvious threat to his current social status, his opportunistic nephew Tancredi (Alain Delon) becomes an officer in Garibaldi's army and returns home a war hero. Tancredi starts courting the beautiful Angelica (Claudia Cardinale), a daughter of the town's newly appointed Mayor, Don Calogero Sedara (Paolo Stoppa). Though the Prince despises Don Calogero as an upstart who made a fortune on land speculation during the recent social upheaval, he reluctantly agrees to his nephew's marriage, understanding how much this alliance would mean for the impecunious Tancredi. Painfully realizing the aristocracy's obsolescence in the wake of the new class of bourgeoisie, the Prince later declines an offer from a governmental emissary to become a senator in the new Parliament in Turin. The closing section, an almost hour-long ball, is often cited as one of the most spectacular sequences in film history. Burt Lancaster is magnificent in the first of his patriarchal roles, and the rest of the cast, especially Delon and Cardinale, become almost perfect incarnations of the novel's characters. Filmed in glorious Techniscope and rich in period detail, the film is a remarkable cinematic achievement in all departments. The version that won the Palme d'Or at the Cannes Film Festival ran 205 minutes. Inexplicably, the picture was subsequently distributed by 20th Century Fox in a poorly dubbed, 165-min. English-language version, using inferior color process. The restored Italian-language version, supervised by cinematographer Giuseppe Rotunno, appeared in 1990, though the longest print still ran only 187 minutes. ~ Yuri German, All Movie Guide