Kathleen Battle Movies

Chinese director Zhang Yimou fuses a martial arts action-drama with a tragic romance in this elegant period piece. In the year 859 A.D., as the Tang dynasty is beset by rebellion, Leo (Andy Lau) and Jin (Takeshi Kaneshiro) are a pair of lawmen who have been given the task of ferreting out the leaders of a revolutionary faction known as the Flying Daggers. Working on a tip that members of the group are working out of a brothel called the Peony Pavilion, Jin arrives there in disguise and is introduced to a beautiful blind dancer named Mei (Zhang Ziyi). After watching Mei's performance following several drinks, Jin drunkenly attempts to have his way with her, and Leo is forced to intervene. After gaining Mei's trust in a game of skill, Leo arrests her and informs her that she'll be tortured if she doesn't tell all she knows about the Flying Daggers. Jin responds by helping Mei break out of prison, but he has an ulterior motive -- by following her, Leo and Jin are certain she'll lead them to the Flying Daggers. However, as he helps the blind girl find her way back home, Jin finds himself falling in love with Mei, and isn't certain if he's willing to betray her again. ~ Mark Deming, Rovi

Initially released to IMAX theaters at the crescendo of millennial fever and 60 years after the original Fantasia, Fantasia 2000 was meant to revitalize Walt Disney's goal of a constantly evolving film, with new segments replacing old ones with each re-release. Only The Sorcerer's Apprentice remains, with seven new shorts. Angular, abstracted butterfly-like shapes fly through the air in Beethoven's Symphony No. 5; computer-animated whales take flight in Respighi's Pines of Rome; Al Hirschfeld's caricatures of New York life come alive in George Gershwin's Rhapsody in Blue; Hans Christian Andersen's The Steadfast Tin Soldier is retold with computer animation against Dmitri Shostakovich's Piano Concerto No. 2, Allegro, Opus 102; frantic flamingos try to stop their yo-yoing comrade in Camille Saint-Saëns' Carnival of the Animals, Finale; Donald and Daisy Duck play Noah and his wife trying to manage the ark to Sir Edward Elgar's Pomp and Circumstance; and the cycle of life, death, and rebirth are celebrated in Stravinsky's Firebird Suite. ~ Emru Townsend, Rovi

Two of the most legendary musicians of the 1990s team up for a performance of 17th century standards in this unique musical documentary, co-directed by the equally legendary filmmaker Albert Maysles. The film, which originally premiered on PBS, follows soprano Kathleen Battle and trumpeter Wynton Marsalis as they rehearse and pontificate on the significance of the Bach and Handel pieces they eventually perform with the St. Luke Chamber Orchestra. ~ Michael Hastings, Rovi

Ariadne auf Naxos begins with a lengthy prologue involving the premiere of an opera based on the story of Ariadne. A conflict develops when the opera's composer discovers that a frivolous comedy has been added to the bill after his new masterpiece. Tensions increase when it is decreed that, because of time restrictions, both pieces are to be performed together so that there will be time for a fireworks display afterward. The cast and creators struggle to quickly come up with a way of making this impossible situation work, and the opera begins in earnest. Ariadne, discarded by her lover Theseus, is on the island of Naxos, awaiting death. A troupe of comedians arrives and tries to entertain her, but her grief is too great. Zerbinetta, leader of the troupe, tries to persuade her that she is foolish to want death in such a manner, and Ariadne leaves her in anger. Zerbinetta and her pals then cavort about, with various ones vying for Zerbinetta's attention, which she eventually gives to Harlekin. Ariadne is then told that a ship is approach; assuming it is Hermes coming to take her to her death, she awaits it. However, it turns out to be Bacchus, a beautiful, young god whom Ariadne at first takes to be Theseus. Bacchus, struck by Ariadne's beauty, tells her who he really is and takes her with him to live in the heavens. ~ Craig Butler, Rovi

This video is part of the Karajan Legacy film series on Sony Classical. Austrian conductor Herbert von Karajan directs the Vienna Philharmonic with Wolfgang Amadeus Mozart's "Coronation Mass" for this High Mass celebrated by Pope John Paul II. Recorded live at St. Peter's Basilica in Rome on June 29, 1985. Features vocal performances from soprano Kathleen Battle, alto Trudeliese Schmidt, and bass-baritone Ferruccio Furlanetto. ~ Andrea LeVasseur, Rovi

Sarah Caldwell's production of The Barber of Seville, with Beverly Sills, was performed at the New York City Opera. ~ Rovi