Nino Martini Movies
Italian tenor and actor Nino Martini spent most of his career performing with the New York Metropolitan Opera. During the '30s and '40s, he also made the occasional film appearance. ~ Sandra Brennan, All Movie Guide- 1948
In this musical, a renowned tenor meets a lovely woman at a British railway station. When the woman's dog gets in a fight, he saves it. Unfortunately this causes them to miss their train. Later, the tenor discovers that his suitcases by been stolen. The thief, a tramp, is then mistaken for the singer and taken to a Roman studio. Meanwhile, the tenor and the woman must somehow earn enough money to eat supper before the next train arrives. They do it by singing. Later they are arrested for passing a counterfeit bank note. Fortunately they are released in time to make it to Rome and find the tramp. ~ Sandra Brennan, All Movie Guide
- Starring:
- Nino Martini, Patricia Roc, (more)
- 1937
The "suspense" in the RKO Radio musical comedy Music for Madame lies in whether or not golden-voiced Operatic tenor Nino Martini will be permitted to sing. En route to Hollywood, Tonio (Martini) is hoodwinked into serenading a wedding party while a gang of jewel thieves clean out the place. The crooks head for the hills, but not before threatening to murder Tonio if he ever sings again (his voice, you see, is the only clue the police have to go by). While pondering the future of his career, our hero falls in love with beautiful Jean (Joan Fontaine) and is sorely tempted to express his ardor in song. Music for Madame was Jesse L. Lasky's first RKO production -- and very nearly his last when the picture lost $375,000 for the studio. ~ Hal Erickson, All Movie Guide
- Starring:
- Nino Martini, Joan Fontaine, (more)
The Gay Desperado is a 1936 musical lampooning the then-popular gangster pictures. Leo Carrillo plays a genial Mexican bandit, Pablo Braganza, who gets nowhere until he and his amigos begin studying gangster techniques -- courtesy of Hollywood movies. Selecting kidnapping as his crime of choice, Pablo snatches opera star Chivo (Nino Martini) simply because he likes his singing. But the bold bandito gets in over his head when he abducts a troublesome heiress, Jane (Ida Lupino), and her nerdy fiancé, Bill (James Blakely). Chivo hopes to extract a huge ransom for Jane's return, but the girl is more trouble than she's worth. All ends happily when Pablo engineers a romance between Jane and Chivo. ~ Hal Erickson, All Movie Guide
- Starring:
- Nino Martini, Ida Lupino, (more)
- 1935
International singing sensation Nino Martini made his American film debut in the Jesse L. Lasky production Here's to Romance. His career bankrolled by the beneficent opera diva Mme. Schumann-Heink (playing herself), singer Nino Donelli (Martini) hits the big time, and as a bonus falls in love with his leading lady Lydia Lubov (Anita Louise). For a while, however, their romance is nearly loused up by wealthy, self-centered art patrons Kathleen and Emery Gerard (Genevieve Tobin and Reginald Denny). Also complicating matters is amorous ballerina Rosa (Maria Gambarelli), but she leaves the scene after turning down both Nino and Emery. Often listed as a 20th Century-Fox release, Here's to Romance was actually one of the last Fox releases before the merger with 20th Century. ~ Hal Erickson, All Movie Guide
- Starring:
- Nino Martini, Genevieve Tobin, (more)
- 1930
Considered the best of the all-star "studio" musicals of 1929 and 1930, Paramount on Parade utilized the talents of practically everyone on the Paramount Pictures payroll. Under the supervision of British musical-comedy favorite Elsie Janis, 11 top directors contributed to the project: Dorothy Arzner, Otto Brower, Edmund Goulding, Victor Heerman, Edwin H. Knopf, Rowland V. Lee, Ernst Lubitsch, Lothar Mendes, Victor Schertzinger, Edward Sutherland and Frank Tuttle. Introduced by masters of ceremonies Jack Oakie, Skeets Gallegher and Leon Errol, the film is a vaudeville-like maelstrom of musical duets, comedy sketches, occasional dramatic interludes, and spectacular production numbers. To mention all the highlights would take a book in itself but among them are Nancy Carroll's rendition of "Dancing to Save Your Sole" (performed inside a giant shoe!); Maurice Chevalier (and chorus) soaring heavenward in "Sweeping the Clouds Away" ; child actress Mitzi Green's dead-on impersonations of Chevalier, George Arliss, Moran & Mack and Helen "Boop-a-doop" Kane; Ernst Lubitsch's witty staging of an Apache dance in the style of a polite boudoir farce, with Chevalier (again) and Evelyn Brent; Clara Bow's saucy "I'm True to the Navy Now" ; the wish-fulfillment sketch "Impulses," in which George Bancroft and Kay Francis delightedly upset a dinner party by saying what's really on their minds; and best of all, "Murder Will Out," a murder-mystery parody wherein Fu Manchu (Warner Oland) bumps off Sherlock Holmes (Clive Brook) and Philo Vance (William Powell) when they refuse to give him proper credit for his killing of Jack Oakie. Only the dramatic sketch with Frederic March and Ruth Chatterton truly creaks when seen today. Originally released at 102 minutes, Paramount on Parade is presently available only in an 80-minute version, with all its Technicolor sequences missing: casualties include the elaborate "Drink to the Girl of My Dreams" number, directed by Edmund Goulding and featuring Gary Cooper, Jean Arthur and Fay Wray, and Harry Green's dialect song "Isadore the Toreodor". ~ Hal Erickson, All Movie Guide
- Starring:
- Maurice Chevalier, Richard Arlen, (more)
