Adrian Martinez Movies

Based on the novel by author Jonathan Safran Foer, director Stephen Daldry's post-9/11 drama follows the journey of a nine-year-old boy as he attempts to solve a family mystery. Two years after his father is killed in the September 11th terrorist attacks, the curious boy discovers a mysterious key hidden in a household vase and begins an exhaustive search for the matching lock. Tom Hanks and Sandra Bullock star. ~ Jason Buchanan, Rovi

Produced by J.J. Abrams and written by Aline Brosh McKenna (The Devil Wears Prada), director Roger Michell's comedic glimpse into the cutthroat world of live television finds a desperate female news producer (Rachel McAdams) attempting to put out the flames between an anchorman (Harrison Ford) and his blustery but iconic cohost (Diane Keaton) in a last-ditch effort to save their failing morning show. Jeff Goldblum co-stars in the Paramount Pictures production. ~ Jason Buchanan, Rovi

Adapted from Mark Millar's hyper-violent comic book of the same name, director Matthew Vaughn's (Layer Cake) vigilante superhero film tells the tale of an average New York teenager who decides to don a costume and fight crime. Comic book geek Dave Lizewski (Aaron Johnson) may not have good coordination or special powers, but that doesn't mean he isn't a fully capable crime fighter. After purchasing a flashy wet suit on the Internet, Dave starts busting up baddies with nothing but brute force. He calls himself Kick-Ass, and he can take a beating as good as he can dish one out. Before long, Kick-Ass has become a local sensation, and others are following his lead. Big Daddy (Nicolas Cage) and Hit-Girl (Chloe Moretz) are a father-daughter crime-fighting duo who have set their sights on local mob heavy Frank D'Amico (Mark Strong). They're doing a decent job of dismantling Frank's sizable underworld empire when Kick-Ass gets drawn into the fray. But Frank's men play rough, and his son, Chris (Christopher Mintz-Plasse), is about to become Kick-Ass' very first arch nemesis. When Chris assumes the persona of Red Mist, the stage is set for a superhero showdown that could spell the end of Kick-Ass once and for all. ~ Jason Buchanan, Rovi

The friendship between two men is put to the ultimate test when the girl of their dreams comes between them. Bob (Adrian Martinez) and Eric (Alex Lyras) were roommates when they first came to New York City. Fifteen years later, aspiring writer Bob is a legal aid attorney, and fast-talking Eric is coasting on fumes. When Bob meets gorgeous twenty-two year old Mona (Kristen Lewis) he feels an instant and powerful connection. Mona makes ends meet with a boring temp job, but she hungers to experience the bohemian nightlife that drew her to the city in the first place. When Bob's finances fall though and he's forced to move back in with Eric, things start to get complicated. Eric was only joking when he made a pass at his best friend's girl, but when she responds in kind he has to ask himself which he values more, his friendship with Bob or his budding romance with the bohemian beauty. ~ Jason Buchanan, Rovi

A devoted family man with a successful career in software unwittingly falls into a hopeless pattern of corporate slacking, lavish business trips, and beautiful prostitutes after being promoted to middle-management in this humorous tale of ambition and redemption starring Breckin Meyer. Ted (Meyer) was the kind of guy who always put his family first, but now that he's been promoted his priorities are beginning to shift. His new manager (Adam Scott) seems more interested in cutting corners and taking advantage of the high life than getting any real work done, and it isn't long before Ted becomes wrapped up in the perks of his new position as well. As much fun as he may be having at the moment, however, Ted will eventually have to return home and answer to his increasingly lonely wife. It's only a matter of time before Ted's corporate affairs come back to haunt him, and when they do will they really have been worth it? Laura Harris, Monica Keena, and Bess Armstrong co-star. ~ Jason Buchanan, Rovi

A petty criminal's attempt to turn his life around takes both him and a young boy on an unexpected journey in this independent drama. Twentysomething Daniel Carter (Mark Webber) has been in trouble with the law ever since he was a kid, and his latest misadventure has led him to performing community service at a grade school in the East Village. Daniel strikes up a close friendship with one of the students he's working with, Boone (Antonio Ortiz), an eight-year-old who has shown surprising resilience despite a blighted home environment. When Boone doesn't show up for school one day, Daniel asks some questions and learns his mother has become seriously ill and a foster family has taken him in. Boone is eventually put up for adoption, and Daniel hopes to gain custody of the boy, convinced helping the boy will give him a chance to turn his life around. However, his age and criminal record make Daniel an unfit father in the eyes of the court, and when Daniel's father refuses to help, he has a brainstorm -- Boone has mentioned that he has an older sister in Dallas, so Daniel snatches the boy from his foster parents and hits the road for Texas, planning to reunite Boone with his family. Just Like the Son received its world premiere at the 2006 Tribeca Film Festival. ~ Mark Deming, Rovi

Bristol Boys stars Thomas Guiry as Michael McCarthy, a man who becomes a drug dealer in order to provide for his family. That family becomes threatened as his career grows much larger than he ever intended. ~ Perry Seibert, Rovi

Mad Matthewz makes his feature debut as a writer/director with Men Without Jobs. Ish (Ishmael Butler, formerly of the jazz-influenced rap group Digable Planets) and Oz (Bonz Malone of Slam) are roommates scrounging by in Brooklyn, barely scraping the rent together each month, and ignoring their bills. They spend their days hanging out, smoking, drinking, and playing video games. Ish wants to make it in the music biz, while Oz watches daytime cooking shows and puts his culinary skills to work impressing the grandmother of his young daughter, in hopes that his little girl will eventually come to live with him. Occasionally they visit their favorite record store, where Ish plans to buy rare R&B records when he gets some money, and peppers the proprietor with potential band names. Their pal Junie (Andre Royo of HBO's The Wire) frequently pops by, begging to be in their as yet unformed band, bragging about his beats, and lying about meetings with famous producers. Ish makes regular visits to his parents' house, but only when they aren't home. He raids the fridge and borrows his dad's (Reg E. Cathey) old records. One day, Ish meets Veronica (Anita Kopacz), a pretty young woman who shares his interest in graffiti and music. Veronica encourages Ish's creative ambitions, but his reluctance to take the next step -- to actually follow through on his dreams -- threatens their relationship. Oz, meanwhile, gambles his way into trouble with some local thugs. When he goes on the run, Ish and Veronica decide to go with him. Men Without Jobs had its world premiere at the 2004 Tribeca Film Festival. ~ Josh Ralske, All Movie Guide

A family takes on the difficult task of learning how to get along with one another in this emotional comedy drama. Alex Gromberg (Michael Douglas) is a middle-aged man who feels caught in the middle of his familial obligations as he muddles he way through a midlife crisis. While a successful businessman, Alex sometimes still feels as if he's under the shadow of his father, Mitchell Gromberg (Kirk Douglas), a successful attorney whose skills in the courtroom outstripped his gifts as a parent. Elderly Mitchell has recently survived a stroke, and Alex and Mitchell want to mend their relationship while there's still time, but making it so proves difficult, even with Alex getting advice from his wife, psychologist Rebecca (Bernadette Peters), and Mitchell being prodded by his long-suffering wife, Evelyn (Diana Douglas). Alex is also trying to reach out to his two sons, who are as different as night and day; college student Asher (Cameron Douglas) is an aspiring club DJ who seems to be styling himself to bear no resemblance to his father, while 11-year-old Eli (Rory Culkin) is an overly serious lad who is having trouble navigating the first steps of adolescence. It Runs in the Family marked the first time Kirk Douglas acted in a film with his son Michael Douglas; adding to the family atmosphere was Michael's son Cameron Douglas, working with his family for the first time, and Diana Douglas, Kirk's former wife and Michael's mother. ~ Mark Deming, Rovi

After chronicling various chapters of Irish history in such films as In the Name of the Father and The Field, writer/director Jim Sheridan turns his lens upon his own family's experiences immigrating to the United States in the aptly titled In America. The loosely autobiographical script centers on Johnny (Paddy Considine), a young actor sneaking his wife, Sarah (Samantha Morton), and daughters, Christy and Ariel (real-life sisters Sarah and Emma Bolger, respectively), over the Canadian border in the hopes of jump-starting his career in New York City. They soon find that America is not the land of boundless opportunity, however, as they move into a dank, dilapidated apartment building populated by drug dealers, transients, and thugs. Johnny doesn't snag auditions as easily as he may have hoped, and he and Sarah are forced to take meager jobs after spending their savings on food, rent, and utilities. Still in grief over the untimely death of their toddler son back in Ireland, the couple find their relationship further strained by the pressures of life in the city. Little by little, however, things begin to look up for the fiercely protective family unit, especially when they befriend an eccentric artist neighbor named Mateo (Djimon Hounsou). In America saw its world premiere at the 2002 Toronto International Film Festival and played to enthusiastic crowds at the 2003 Sundance Film Festival before its theatrical release in the fall of that year. ~ Michael Hastings, Rovi

New York art dealer Arne Glimcher took his first crack at film directing with this florid, high-energy romance about two brothers who flee Cuba in the early 1950s to make it as musicians in the United States. Cynthia Cidre wrote the literate screenplay adapted from Oscar Hijuelos's Pulitzer Prize-winning novel The Mambo Kings Play Songs of Love. Cesar (Armand Assante) and Nestor Castillo (Antonio Banderas) are popular musicians on Havana's club circuit, but when they make enemies of the wrong people, they are forced to leave for New York City, the moody Nestor leaving behind his true love. In New York, the brothers work as meat-cutters during the day as Cesar tries to organize a band and make inroads into the lively New York music scene. Soon, as The Mambo Kings, they get club bookings and Cesar falls in love with a sharp-tongued cigarette girl, Lanna Lake (Cathy Moriarty), and Nestor with the beautiful Delores Fuentes (Maruschka Detmers), who wants to be a teacher. Cesar concentrates on singing and managing the band, while Nestor plays the trumpet and writes emotional songs of love. All seems to be going well until Cesar antagonizes the moneymen on the Latin nightclub circuit and they finds themselves playing bar mitzvahs. But after they're discovered by Desi Arnaz (Desi Arnaz Jr.), the group is prominently featured on I Love Lucy. Their popularity soars and they cut a successful album called "Mambo Kings Play Songs of Love." Cesar is glorying in his success, but Nestor is disappointed and longs to return to Cuba. ~ Paul Brenner, Rovi