Strother Martin Movies

Screenwriter William Goldman has claimed that Paul Newman agreed to do Harper, the film that established the grateful writer's career, only because he was working unhappily on Lady L. (1965) in Europe, and was looking for something as unlike that film as possible. He stars as Lew Harper, a hip L.A. private dick whose business has gotten so bad that he's re-using his coffee grounds. At the suggestion of his friend, attorney Albert Graves (Arthur Hill), the detective takes on the investigation of the disappearance of the wealthy husband of waspish cripple Elaine Sampson (Lauren Bacall). After finding a photograph of former actress Fay Estabrook (Shelley Winters), Harper locates the alcoholic actress in a bar, plies her with booze, and takes her home to search her apartment while she's unconscious. There he takes a call which leads him to another bar to meet Betty Fraley (Julie Harris), a singer with a heroin problem. To curtail his inquisitive behavior, some large and unpleasant gentleman beat him up outside the saloon. Hoping for sympathy from his soon to be ex-wife (Janet Leigh), who has just filed divorce papers, the weary detective is much more successful than he has any right to expect. ~ Michael Costello, All Movie Guide

Wealthy California widow Millie Barton (Cathy Downs) is matched up by a computer-dating service with Oklahoman Lucas Tolliver (Noah Beery Jr.). Though he pretends to be a poverty-stricken rube, Lucas is actually a filthy-rich oil man. This sets Perry Mason (Raymond Burr) to wondering why Lucas wants to draw up a will leaving Millie's fortune to him in the event of her death. Also problematic is the fact that Lucas' first wife died from an "accidental" poisoning--and guess what eventually happens to poor Millie! ~ Hal Erickson, All Movie Guide

Alan Brady (Carl Reiner) has signed on to star in the first comedy ever written by celebrated playwright Harper Worthington Yates (Strother Martin). During out-of-town tryouts, a nervous Alan decides that the play needs a lot more laughs, so he begs Rob (Dick Van Dyke) to join him for some last-minute rewriting. There's only one problem: no one is supposed to know what Rob is doing, so Alan has to improvise an elaborate -- and very hectic -- charade to "explain" Rob's sudden appearance. Listen for the audience's reaction to the line about famous play-doctor Dave Murrows, an obvious reference to real-life dramatist (and celebrated theatrical "fixer-upper") Abe Burrows. ~ Hal Erickson, All Movie Guide

The year is 1863. Wealthy Virginia landowner Charlie Anderson (James Stewart), a man of peace despite his autocratic behavior, steadfastly refuses to take sides in the Civil War. Bit by bit, Anderson's isolationism--and his way of living--is torn apart.
Charlie's daughter, Jannie Anderson (Rosemary Forsyth) falls in love with Confederate soldier Sam (Doug McClure). His youngest son, Boy Anderson (Philip Alford) is captured by the Confederate army and taken prisoner. Meanwhile, another son, James (Patrick Wayne) and his wife, Ann (Katherine Ross), are murdered by looters. And his oldest son, Jacob Glenn Corbett, is accidentally killed. How all of these personal tragedies culminate in a successfully sentimental finale is the peculiar charm of Shenandoah, which proved to be a hit with audiences on both sides of the Mason-Dixon line. James Lee Barrett's screenplay was later adapted into a successful Broadway musical, starring Northern Exposure's John Cullum in the Stewart role. ~ Hal Erickson, All Movie Guide

Bruce Yarnell makes his first appearance as the Cartwrights' cousin Muley from Missouri. "Blessed" with a singing voice that can literally shatter glass, Muley manages to make life difficult for his rich relations-and also inadvetently louses up negotiations with a neighboring Indian tribe. The supporting cast includes such dependable character actors as Jesse White, Jerome Cowan, Strother Martin and Ralph Moody, the latter in his standard role as an elderly Indian chief. Written by Robert Barron and Alex Sharp, "The Saga of Muley Jones" was originally telecast on March 29, 1964. ~ Hal Erickson, All Movie Guide

Matt Weaver (George Segal) returns home after fighting for the South in the Civil War to his home in the New Mexico territory. He discovers that in his absence his ancestral house and land have been sold by Sam Brewster (Pat Hingle), an unscrupulous land developer. Matt tries to kill Sam, but when the attempt fails, Matt barricades himself in the place he once called home. Sam sends for the colorful hired gun Jules Gaspard D'Estaing (Yul Brynner), a well-educated dandy whose mother was a black slave and father was a Creole. Jules is as adept with card and piano playing as he is with a six gun. When Jules gets drunk and tears up the town, Sam tries to make a truce with Matt to get rid of the deadly drifter. Janice Rule also appears, along with Bert Freed in his familiar role as the local sheriff. ~ Dan Pavlides, All Movie Guide

George Washington McLintock (John Wayne) has a saddlebag full of trouble. The owner of the largest ranch in the territory, which also includes a mine and a lumber mill that he built up himself, should be a happy, fulfilled man, but he isn't. His wife, Katherine (Maureen O'Hara), walked out on him two years ago without a word of explanation and has been living back east and running in very fancy circles. He's getting older, a fact of which he's constantly reminded as friends around him decline in health. He's being challenged by their sons, eager to make their mark on the territory, and by the homesteaders who are pouring in with the support of the government, hoping to farm on land that's just barely adequate for cattle to graze on; he's got government officials underfoot, including an inept Indian agent (Strother Martin) and a corrupt land agent (Gordon Jones); the thick-headed, longwinded territorial governor, the honorable Cuthbert H. Humphrey (Robert Lowery), and the government back east are trying to push the Indians -- whose chiefs are some of McLintock's oldest enemies and his best and most honored friends -- by shipping them off to a reservation, where they'll be cared for like old women; and to top it all off, Katherine is coming back to secure a divorce and take custody of their 17-year-old daughter, Rebecca (Stefanie Powers), who's been at school back east and no longer likes anything to do with the West, any more than her mother does. All of that -- plus the presence of a young hired hand (Patrick Wayne) who's interested romantically in McLintock's daughter -- is the setup for a sprawling comedy Western with serious overtones, part battle-of-the-sexes and part political tract.

McLintock! was made mostly to keep John Wayne's production company solvent in the wake of the losses incurred from the production of The Alamo. Wayne needed a film that could be made quickly and have mass appeal, and he got more than he bargained for in James Edward Grant's screenplay, which owed a little to both The Taming of the Shrew and The Quiet Man. Shot in the spring of 1963 and premiered in late November of that year, McLintock! proved to be one of the star's most popular and successful films of the '60s. It was a prized possession of the Wayne estate and was held unavailable for all of the '80s and beyond until they missed the copyright renewal in 1991 -- after that, it emerged in numerous substandard videocassette and DVD editions. There was an authorized VHS edition from MPI in the early '90s, and there were legitimate showings on WTBS, but until 2005 there was no decent quality DVD version. Late that year, Paramount Home Video, working under license from the Wayne estate, released a beautiful letterboxed DVD edition loaded up with extras. ~ Bruce Eder, All Movie Guide

His curiosity aroused, Paladin (Richard Boone) decides to find out why a man named Boise Peabody (Strother Martin) has purchased a gaudy costume for a chorus girl. It turns out that Peabody is under the impression that he is terminally ill, and figures he has nothing to lose to fulfill his lifelong dreams--ranging from squiring a pretty gal to killing the town bully. But when Peabody finds out that he's not going to die after all, it is up to Paladin to undo the damage left in the man's wake. ~ Hal Erickson, All Movie Guide

Like Pontius Pilate, director John Ford asks "What is truth?" in The Man Who Shot Liberty Valance--but unlike Pilate, Ford waits for an answer. The film opens in 1910, with distinguished and influential U.S. senator Ransom Stoddard (James Stewart) and his wife Hallie (Vera Miles) returning to the dusty little frontier town where they met and married twenty-five years earlier. They have come back to attend the funeral of impoverished "nobody" Tom Doniphon (John Wayne). When a reporter asks why, Stoddard relates a film-long flashback. He recalls how, as a greenhorn lawyer, he had run afoul of notorious gunman Liberty Valance (Lee Marvin), who worked for a powerful cartel which had the territory in its clutches. Time and again, "pilgrim" Stoddard had his hide saved by the much-feared but essentially decent Doniphon. It wasn't that Doniphon was particularly fond of Stoddard; it was simply that Hallie was in love with Stoddard, and Doniphon was in love with Hallie and would do anything to assure her happiness, even if it meant giving her up to a greenhorn. When Liberty Valance challenged Stoddard to a showdown, everyone in town was certain that the greenhorn didn't stand a chance. Still, when the smoke cleared, Stoddard was still standing, and Liberty Valance lay dead. On the strength of his reputation as the man who shot Valance, Stoddard was railroaded into a political career, in the hope that he'd rid the territory of corruption. Stoddard balked at the notion of winning an election simply because he killed a man-until Doniphon, in strictest confidence, told Stoddard the truth: It was Doniphon, not Stoddard, who shot down Valance. Stoddard was about to reveal this to the world, but Doniphon told him not to. It was far more important in Doniphon's eyes that a decent, honest man like Stoddard become a major political figure; Stoddard represented the "new" civilized west, while Doniphon knew that he and the West he represented were already anachronisms. Thus Stoddard went on to a spectacular political career, bringing extensive reforms to the state, while Doniphon faded into the woodwork. His story finished, the aged Stoddard asks the reporter if he plans to print the truth. The reporter responds by tearing up his notes. "This is the West, sir, " the reporter explains quietly. "When the legend becomes fact, print the legend." Dismissed as just another cowboy opus at the time of its release, The Man Who Shot Liberty Valance has since taken its proper place as one of the great Western classics. It questions the role of myth in forging the legends of the West, while setting this theme in the elegiac atmosphere of the West itself, set off by the aging Stewart and Wayne. ~ Hal Erickson, All Movie Guide

Sam Peckinpah's first feature as director is this modest Western, taking place in the late 1860s. Yellowleg (Brian Keith), a former sergeant in the Union army, is obsessed with tracking down Turk (Chill Wills), a Rebel army deserter who, during the War Between the States, tried to scalp him as he lay wounded on a battlefield. Yellowleg finds Turk and his sidekick Billy (Steve Cochran) in a cantina and convinces them to help him rob a bank. They journey to Gila City, where the bank is located, and find that another group of bank robbers are also in Gila City to rob the same bank. During a shoot-out with the other bank robbers, Yellowleg accidentally kills the nine-year-old son of dance-hall hostess Kit Tilden (Maureen O'Hara). Remorseful at having caused the death of Kit's son, Yellowleg forces Turk and Billy to accompany him through Apache territory to bury Kit's son at the gravesite of her husband in the ghost town of Siringo. When Billy attacks Kit, Yellowleg throws him out of their camp. Then Turk deserts. As Kit and Yellowleg finally reach Siringo, Yellowleg realizes that he is in love with her. But then, Billy and Turk reappear, having robbed the bank in Gila City, leading to a final confrontation between Yellowleg and Turk. ~ Paul Brenner, All Movie Guide

Charles Cromwell (Karl Weber), president-elect of Euclid College, arranges a meeting with Robert Haskell, who is handling a million-dollar college grant provided by wealthy James Vardon (Will Wright). Alas, the deal may be nullified if a woman named Maizie Frietag (Barbara Stuart) reveals Cromwell's unsavory past as "Curly Oliver." But the poor pedant's troubles are just beginning: Haskell is murdered, and Cromwell is charged with the killing. Sounds like Perry Mason (Raymond Burr) is going to have to invade the sacred halls of Academia to clear his client. ~ Hal Erickson, All Movie Guide

This is a routine Disney comedy-fantasy about a boy who turns into a large sheep dog at the most inopportune moments. That is assuming there would be opportune moments. Young Wilby Daniels (Tommy Kirk) finds a magic ring that used to belong to the Borgia family. When he pronounces an inscription on the ring, he is suddenly able to transform himself into a shaggy dog -- though he has no control over when this is going to happen. To his dismay, the girl he likes gets involved without knowing who the dog really is. At the same time, the only way Wilby can break the spell is to perform some virtuous deed. Fortunately for him, a few Soviet spies are just hanging around, waiting to be uncovered by a canine. ~ Eleanor Mannikka, All Movie Guide

Recently released from prison, an infamous Civil War guerilla named Ben Harvey (George Mathews) insists that he wants to change his ways and start life anew. To this end, he hires Paladin (Richard Boone) to escort himself and a wagonload of trade goods to the town of Gila, where Harvey's brothers run a general store. Unfortunately, the Harvey boys aren't the reforming kind: in fact, each and every one of them has a price on his head. A young and menacing James Coburn appears as Jack Harvey. ~ Hal Erickson, All Movie Guide