Strother Martin Movies

Officers Jim Reed (Kent McCord) and Pete Malloy (Martin Milner) investigate a series of baffling thefts at a fancy riding school run by a washed-up cowboy star (Rod Cameron). Elsewhere, the two cops bust up a drug ring, and confront the problem of a young girl who has been hoodwinked into driving the getaway car at a robbery. The guest cast includes Oscar winner Strother Martin, former Petticoat Junction leading lady Linda Kaye Henning, and future Emegency! star Randolph Mantooth. ~ Hal Erickson, All Movie Guide

It is easy to see why the US Army refused to cooperate in the production of Attack. Based on the Norman Brooks play The Fragile Fox, this searing war film is a powerful indictment against a military system which protects even its most incompetent of officers. Eddie Albert plays a posturing but hopelessly inept infantry captain, whose misdeeds are covered up by his colonel Lee Marvin. Albert has strong political connections in the US, and Marvin hopes to take advantage of this after the war. Lieutenant Jack Palance has sworn to kill Albert with his bare hands if the officer bungles another mission. Albert orders Palance and his men into an untenable position on the battlefields of Belgium--and then, true to character, is too cowardly to send backup troops, leaving Palance's men to their fate. By sheer strength of will, Palance, whose arm has been shattered by an enemy tank, drags himself to the cellar where Albert is billeted and attempts to rid the world of the terror-stricken captain. Palance dies before he can keep his promise, but when the craven Albert makes an effort to surrender himself and his men to the Germans, he is shot down by lieutenant William Smithers. The rest of the men conspire to cover up Smithers' "crime" by claiming that Albert died from enemy fire, but Smithers proves to be less willing to prevaricate than his fellow soldiers. Though most filmgoers are mesmerized by Eddie Albert's virtuoso performance as a snivelling yellow-belly, director Robert Aldrich claimed that Albert gave his best reading during rehearsals, and that what ended up on film was nowhere near as powerful as it might have been. ~ Hal Erickson, All Movie Guide

Oscar-winning character actor Strother Martin makes a return visit to Baretta, this time in the role of an embittered doctor named Shaner. Having given up on humanity, Shaner has become a professional bounty hunter. Undercover cop Tony Baretta (Robert Blake) finds himself in the uncomfortable position of preventing Doc Shaner from killing a scuzzy drug pusher who caused the death of a wealthy banker's daughter. ~ Hal Erickson, All Movie Guide

George Montgomery both produced and starred in the psychological western Black Patch. Written by character actor Leo Gordon (who also appears on screen), the story revolves around one-eyed marshal Clay "Black Patch" Morgan (Montgomery). The marshal is delighted to find out that his old buddy Hank Danner (Leo Gordon) is riding into town, but less than thrilled to learn that Danner is now a wanted outlaw. Reluctantly throwing his friend into jail, Morgan sets off a chain reaction of terror, beginning with a jailbreak engineered by crooked saloonkeeper Frenchy De Vere (a particularly vicious performance by Sebastian Cabot) and culminating in a showdown between the marshal and Danner's young protégé Flytrap (Tom Pittman). This is the sort of film in which a rape is represented by the symbolic opening and closing of a screen door. Black Patch seems pretentious when seen today, but in 1957 a western never lost money at the box-office. ~ Hal Erickson, All Movie Guide

Ben Cartwright makes a solemn promise that the entire estate of dying skinflint Jake Smith (Burt Mustin will go to Jake's next of kin, Meredith Smith. But Ben never expected to be besieged by six different people, all laying claim to be the Meredith Smith-among them a woman named Meredith (Anne Helm) and a scroungy hillbilly known as Little Meredith (the great Strother Martin). Also in the cast are Robert Colbert as Ace, Winnie Coffin as Widow Smith, Guy Lee as Ah Chow, and Robert Sorrells as the Cowby. First shown on October 21, 1965, this comic episode was written by Lois Hire. ~ Hal Erickson, All Movie Guide

Bruce Yarnell makes his first appearance as the Cartwrights' cousin Muley from Missouri. "Blessed" with a singing voice that can literally shatter glass, Muley manages to make life difficult for his rich relations-and also inadvetently louses up negotiations with a neighboring Indian tribe. The supporting cast includes such dependable character actors as Jesse White, Jerome Cowan, Strother Martin and Ralph Moody, the latter in his standard role as an elderly Indian chief. Written by Robert Barron and Alex Sharp, "The Saga of Muley Jones" was originally telecast on March 29, 1964. ~ Hal Erickson, All Movie Guide

Written and directed by Bonanza star Michael Landon, "The Younger Brothers' Younger Brother" is one of the series' zaniest episodes. It all begins when Hoss Cartwright is mistaken for one of the notorious Younger Brothers, who have recently resumed their criminal activities after a 12-year prison term. Thrown in jail, Hoss must depend upon Ben and Joe to bail him out-only to end up sharing a cell with his father and brother when they, too, are mistaken for Youngers. Meanwhile, the real Younger boys, led by Cole Younger (Strother Martin), demonstrate the monumental stupidity that landed them in the slammer in the first place. "The Younger Brothers' Younger Brother" first aired on March 12, 1972. ~ Hal Erickson, All Movie Guide

Opening with a silent "movie" of Butch Cassidy's Hole in the Wall Gang, George Roy Hill's comically elegiac Western chronicles the mostly true tale of the outlaws' last months. Witty pals Butch (Paul Newman) and Sundance (Robert Redford) join the Gang in successfully robbing yet another train with their trademark non-lethal style. After the pair rests at the home of Sundance's schoolmarm girlfriend, Etta (Katharine Ross), the Gang robs the same train, but this time, the railroad boss has hired the best trackers in the business to foil the crime. After being tailed over rocks and a river gorge by guys that they can barely identify save for a white hat, Butch and Sundance decide that maybe it's time to try their luck in Bolivia. Taking Etta with them, they live high on ill-gotten Bolivian gains, but Etta leaves after their white-hatted nemesis portentously arrives. Their luck running out, Butch and Sundance are soon holed up in a barn surrounded by scores of Bolivian soldiers who are waiting for the pair to make one last run for it. ~ Lucia Bozzola, All Movie Guide

Paul Newman was nominated for an Oscar and George Kennedy received one for his work in this allegorical prison drama. Luke Jackson (Paul Newman) is sentenced to a stretch on a southern chain gang after he's arrested for drunkenly decapitating parking meters. While the avowed ambition of the captain (Strother Martin) is for each prisoner to "get their mind right," it soon becomes obvious that Luke is not about to kowtow to anybody. When challenged to a fistfight by fellow inmate Dragline (George Kennedy), Luke simply refuses to give up, even though he's brutally beaten. Luke knows how to win at poker, even with bad cards, by using his smarts and playing it cool. Luke also figures out a way for the men to get their work done in half the usual time, giving them the afternoon off. Finally, when Luke finds out his mother has died, he plots his escape; when he's caught, he simply escapes again. Soon, Luke becomes a symbol of hope and resilience to the other men in the prison camp -- and a symbol of rebelliousness that must be stamped out to the guards and the captain. Along with stellar performances by Newman, Kennedy, and Martin, Cool Hand Luke features a superb supporting cast, including Ralph Waite, Harry Dean Stanton, Dennis Hopper, Wayne Rogers, and Joe Don Baker as members of the chain gang. ~ Mark Deming, All Movie Guide

The once-scandalous autobiography of Frank Harris was the source of the fascinating "adult" western Cowboy. Jack Lemmon plays Harris, who when first the audience meets him is a citified desk clerk in a frontier hotel. Harboring romantic notions of the West, Harris prevails upon hard-living, hard-drinking trail boss Tom Reece Glenn Ford to take him along on Reece's next cattle drive. In the months that follow, Harris' idealized notions of the West are cruelly dispelled, though he eventually becomes accustomed to the rough-and-tumble life on the trail and to the curious cameradie between the drovers. The film's most talked-about scene finds a group of cowboys planting a rattlesnake in one of their comrade's blankets as a joke; their regretful but oddly detached reaction when the bitten man dies speaks volumes about the Real West. Also memorable is the performance of Brian Donlevy as Doc Bender, an ageing gunfighter who can't stand the notion of becoming an anachronism. One of the more unorthodox westerns of the 1950s, Cowboy is also one of the best. ~ Hal Erickson, All Movie Guide

Though heavily advertised as Delmar Daves' Drum Beat, this film owed its existence to producer-star Alan Ladd. The star is cast as a veteran Indian fighter Johnny MacKay, who because of his close relationship with the Medoc tribe is sent out to negotiate a peace treaty. Once he has arrived in Medoc territory, Johnny (Ladd) must contend with the misspent emotions of his childhood sweetheart Toby (Marisa Pavan), the sister of Indian chief Manok (Anthony Caruso). Jealous over Johnny's relationship with pretty Nancy Meek (Audrey Dalton), Toby has cast her lot with renegade warrior Captain Jack (Charles Bronson), who honors no treaties. Though the film has a Native American villain, Drum Beat is largely sympathetic to the plight of the Indian. Based on a true story, the film is distinguished by J. Peverell Marley's breathtaking exterior photography, and by Victor Young's ballad-like musical score. ~ Hal Erickson, All Movie Guide