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John Batten Movies

En route from his native New Zealand to the U.K., handsome, dark-haired John Batten enjoyed a stopover in San Francisco where a friend persuaded him to try Hollywood. Signed by Cecil B. DeMille, Batten played a miniscule bit in The Ten Commandments (1923) and had supporting roles in Backstage (1927), The Godless Girl (1929), and The Chorus Kid (1930), after which he finally continued his journey. He became a star, albeit briefly, in such British films as the old-fashioned Under the Greenwood Tree (1929), the English language version of Lillian Harvey's The Love Waltz (aka Liebeswaltzer [1930]), and the disaster epic Men Like These (aka Trapped in a Submarine [1931]). He continued to balance stage and screen work. ~ Hans J. Wollstein, Rovi
1944  
 
In this war drama, an aspiring pilot who didn't make the grade, joins the air-sea rescue service instead. He is on a recovery mission off the French coast when his boat meets up with German ships, mines, and shore batteries. The rescuers successfully save the downed air crew they were sent out for, but are suddenly bombarded by a German plane. Their commander is killed and the heroic young man must safely take the boat back to Britain. ~ Sandra Brennan, Rovi

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Starring:
David FarrarRalph Michael, (more)
 
1934  
 
A church mouse may be quiet, but not in this zippy British comedy from Warner Bros.' Teddington Studios. Hollywood's Laura LaPlante plays a meek, drab secretary in the employ of handsome banker Ian Hunter. She takes off her glasses, and--gosh!--she's gorgeous. Old silent-comedy hands W. Scott Darling and Tom Geraghty fashioned their screenplay from a play by Ladislas Fodor and Paul Frank (previously filmed as a silent). The Church Mouse was directed by slapstick comedian Monty Banks, who essays a small role as Harry Blump. ~ Hal Erickson, Rovi

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Starring:
Edward Chapman
 
1933  
 
High Finance, Ida Lupino's second film (and one of director George King's many low-budget quickies), is "a drama of a man overwhelmed by his own success," as the studio's publicity department put it. The man is question is Sir Grant Rayburn (Gibb McLaughlin), a man whose blinders prevent him from appreciating those around him. This is especially true of his daughter Jill (played by Lupino), determinedly in love with a man that Rayburn deems unsuitable. He resolutely refuses to allow her to marry without his consent and dismisses the matter, concentrating on a new opportunity that has presented itself: the opportunity to become chairman of a new company. He ignores the advice of others who see this as a disastrous move, and as a result ends up in jail. While behind bars, he comes to realize that he has behaved in an unsuitable and self-centered way, and emerges a better, more beneficent man. ~ Craig Butler, Rovi

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1933  
 
In this comedy a young man is on the verge of inheriting a title, but finds his plans thwarted by the return of his mother the barfly. ~ Sandra Brennan, Rovi

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1932  
 
In this British romance, two brothers living in Devon fall in love with the same farm girl. One of the men has an accident and is crippled so the girl marries the other. The gimpy one learns to accept the situation with grace. Later he is very happy when he becomes an uncle. ~ Sandra Brennan, Rovi

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1931  
 
Also known as Trapped in a Submarine, the British Men Like These was inspired by the real-life Poseidon submarine disaster. A British sub, chugging its way through Chinese waters, is broadsided by a cargo boat. As water fills the doomed vessel, director Walter Summers concentrates on the behavior of the engine crew. Under the cool-headed leadership of the chief petty officer, the nervous crewmen allow the water to rise to neck level, then don safety jackets to make their escape through the turret (exactly what happened in the "Poseidon" incident). Men Like These runs a tight 60 minutes, with 50 of those minutes devoted to the accident, the aftermath, and the escape. ~ Hal Erickson, Rovi

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Starring:
John Batten
 
1930  
 
The Greenwood Tree was based on a novel by Thomas Hardy -- though given the film's 60-minute running time, the original text was undoubtedly cut to shreds. It's a story of shameful secrets, nobility in the face of adversity, and unwarranted villainy on the part of the heroine's persecutors. Director Harry Lachman, an otherwise reliable technician, seemed unable to bring the material to life, nor was he successful in conveying the time-frame of the original novel. It is reported that audiences laughed at the ill-fitting costumes and phony mustaches worn by the principal male characters. Only Marguerite Allen, cast in the leading role of Fanny, emerged from the film with dignity intact. ~ Hal Erickson, Rovi

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Starring:
Marguerite AllanJohn Batten, (more)
 
1930  
 
The "Great Game" is football -- not the American brand, but the British version. The hero, Dicky Brown (John Batten), is the reserve forward on a championship team. Thanks to the urgings of Dicky's sweetheart Peggy Jackson (Renee Clama), whose father happens to be the team's manager, the young lad is groomed to compete in the English Cup Final. Unfortunately, the manager is accused of "personal bias" by the judges and disqualified from coaching during the crucial match. The loss of the manager throws the rest of the team into a deep depression, and by the time they get to Wembley, the outlook is pretty bleak -- but never fear, salvation is close at hand! Featured in the cast of The Great Game is real-life football pro Jack Cock, a fact that certainly didn't hurt the film's box-office performance. ~ Hal Erickson, Rovi

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Starring:
John BattenRenee Clama, (more)
 
1930  
 
Originally Liebeswalzer, this German operetta was the third talkie vehicle for the effervescent Lillian Harvey. The plot is a typical Graustarkian affair, with Princess Eva (Harvey) preparing to marry a duke whom she's never met. Getting cold feet, the duke ducks the wedding, persuading a handsome young commoner named Bobby (Willy Fritsch) to take his place. The wedding goes on as planned, with Eva never suspecting that her new hubby is a ringer. Eventually, the false duke confesses everything, leading to all sorts of intrigue before a happy ending can be realized. Love Waltz was simultaneously filmed in an English-language version, which posed no problem for the British-born Harvey but caused a few uncomfortable moments for her Teutonic co-stars (eventually, Willy Fritsch was replaced by John Batton, who'd played a bit role in the German version). ~ Hal Erickson, Rovi

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Starring:
Lilian HarveyWilly Fritsch, (more)
 
1929  
 
In this drama set in the English countryside, a town squire causes quite a ruckus when he decides to buck tradition and replace the ancient church organ so he can cozy up to the lovely young newcomer (who just happens to play the organ) in town. As soon as the woman figures out his plan, she quickly sets things to right and normalcy returns. ~ Sandra Brennan, Rovi

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Starring:
Marguerite AllanJohn Batten, (more)
 
1928  
 
Having been in show biz since infancy, Broadway chorus girl Beatrice (Virginia Brown Faire) regrets her lack of formal education. Upon unexpectedly falling heir to a huge sum of money, Beatrice decides to make up for lost time by enrolling in a fancy girl's school. Though many of her snooty classmates shun her, our heroine makes a valuable friend in the form of the daughter (Thelma Hill) of an oil-company executive (Bryant Washburn). Said executive falls in love with Beatrice, much to the dismay of wealthy widow Mrs. Garrett (Hedda Hopper), who's set her sights on the man. Mrs. Garrett stirs up animosity and bigotry against Beatrice, but in the end the heroine prevails, if for no other reason than she's the nicest character in the film. ~ Hal Erickson, Rovi

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Starring:
Virginia Brown FaireSheldon Lewis, (more)
 
1928  
 
Add The Battle of the Sexes to Queue Add The Battle of the Sexes to top of Queue  
A remake of a 1914 D.W. Griffith potboiler, The Battle of the Sexes is a highly entertaining, if cautionary, tale of a middle-aged family man, J.C. Judson (Jean Hersholt), who despite his devotion to wife and offspring falls for what is obviously a gold digger, Marie Skinner (Phyllis Haver). When Mrs. Judson (Belle Bennett) and her grown children, Ruth (Sally O'Neil) and Billy (William Bakewell), confront him with the awful truth, Judson refuses to give up his inamorata and instead moves out of the home. A desperate Ruth, gun in hand, seeks a showdown with Marie, but their confrontation is interrupted by the latter's handsome but feckless boyfriend, Babe Winsor (Don Alvarado), who in drunkenness begins to court the pretty Ruth. Judson walks in on this tender scene and immediately employs a double standard, condemning his daughter for bringing shame upon his house. A violent argument between a jealous Marie and Babe forces him to face the truth, however, and a chagrined Judson returns to home and hearth, begging for forgiveness. Beautifully restored and released on DVD in 2000, The Battle of the Sexes benefits from a wonderful new score performed by the Mont Alto Motion Picture Orchestra. ~ Hans J. Wollstein, Rovi

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Starring:
Jean HersholtPhyllis Haver, (more)