Nan Martin Movies

The best of the Elm Street sequels, this creepy, surreal fantasy features terrific effects, a fine young cast, and an air of grim fatalism that sets it apart from its giggly successors. Patricia Arquette stars as Kristen, whose nightmare leads to a slashed wrist which looks suspiciously like a suicide attempt. She is placed in a hospital psychiatric ward with a group of six other troubled teens who all dream about the same horribly burned man (Robert Englund) trying to kill them. Perhaps the most unusual thing about this picture, however, is the unexpected depth of sadness running through it. There are some achingly sweet moments in this otherwise frightening film which, though not disruptive, are impossible to analyze. The first and most bizarre of these is Heather Langenkamp's entrance, which inexplicably causes most viewers to get misty-eyed, and there are several similar scenes throughout the film. One answer can be found in the sensitive direction of Chuck Russell, who emphasizes the tragedy and utter hopelessness in these kids' lives and manages to wring some unexpectedly perceptive turns from his cast. This is a film in which a great deal of care was obviously lavished on individual scenes (the sets are outstanding) and performances. The results are well worth repeated viewings, and prove that sequels don't necessarily have to be inferior films. ~ Robert Firsching, All Movie Guide

On her deathbed, mean-spirited millionairess Lily Tomlin has her will amended so that her soul will pass into the body of young, healthy Victoria Tennant. Thanks to a mix-up in transmutation, Tomlin winds up instead trapped in the body of upright (and uptight) attorney Steve Martin. The plot involves the fragility of male-female relationships, the importance of making commitments, and the antics of goofy guru Richard Libertini. As ridiculous as it sounds, All of Me is completely credible, thanks to Steve Martin's remarkable "body language" when conveying the notion that he's two different people with two different sets of emotions and gestures. Though the circumstances of the plot won't allow Martin to connect with the lovely Tennant, in real life things were different: the two costars were married shortly after filming wrapped. Phil Alden Robinson and Henry Olek adapted the script from Ed Davis' novel Me Too. ~ Hal Erickson, All Movie Guide

Once again, Tabitha brings all of her toys to life. Though she manages to recall most of her playthings, her "humanized" toy troll (Felix Silla) escapes -- just when Samantha is out having her "10,000 Twitch Overhaul." Meanwhile, Darrin's new client, Mr. Berkeley (Robert Cummings), insists upon meeting Mrs. Stephens, obliging Sam's lookalike cousin, Serena, to come to the rescue. Written by Lila Garrett and Joel Rapp, "Samantha and the Troll" first aired on February 18, 1971. ~ Hal Erickson, All Movie Guide

William Inge co-wrote this story about a young man who may have outgrown the straight-laced boundaries of his home town. After a hitch in the Navy, Bus Riley (Michael Thomas Parks) comes home to the staid Midwestern town of his birth; however, home doesn't feel quite like it used to, and Riley is looking for a new sense of purpose in his life. While his girlfriend Judy (Janet Margolin) tries to offer him the love and understanding he needs, she just isn't enough any more, and Riley soon starts looking for thrills with Laurel (Ann-Margret), a local floozy. Michael Thomas Parks, better known simply as Michael Parks, first put his James Dean-esque loner persona to work in this film; he'd get the most use out of it three years later, when he was top-billed in the briefly popular TV series Then Came Bronson. ~ Mark Deming, All Movie Guide

A college professor (Dan Aykroyd is forced to go undercover as a Chicago pimp disguised by a bushy wig -- the height of hairlarity in this anemic comedy. When Smooth Walker (Howard Hesseman) is hunted by his gangster rival, Mom (Kate Murtagh), he foists his bevy of hookers on the professor -- and then ends up dead. Among the four hookers who are suddenly in his undercover life are Fran Drescher in an early role as an archetypal Jewish princess, and Donna Dixon as another of the high-class call-girls (Dixon and Aykroyd were later married). ~ Eleanor Mannikka, All Movie Guide

When it was released in 1968, For Love of Ivy was the first mainstream Hollywood film to depict a mature romantic relationship between a black man and woman. Sidney Poitier stars as Jack Parks, a trucking executive who runs an illegal travelling casino out of one of his vehicles. Abbey Lincoln co-stars as Ivy Moore, the much-valued maid of the white Austin household. To make sure that Ivy won't quit her job, Frank Austin (Carroll O'Connor) blackmails Poitier into romancing her. He eventually falls in love with Ivy for real, but not before she's discovered that he's little more than a "hired hand" in affairs of the heart. Beau Bridges costars as amiable hippie Tim Austin, the only truly likeable member of his snooty, upper-crust clan. Robert Alan Aurthur based his screenplay on an original story by star Sidney Poiter. ~ Hal Erickson, All Movie Guide

The sheltered life of a Vermont orphan is suddenly thrown into chaos with the appearance of a beautiful and free-spirited New York artist in this coming of age drama from four-time Emmy nominee Lee Shallat Chemel. JP Barton was just an infant when he was found by the elderly owner of a rustic family resort in Vermont, and over the years he has hardly ever ventured off the grounds. When a radiant artist from the big city arrives at the resort and JP begins to realize how big the world truly is, however, his entire perception of reality is turned upside down. ~ Jason Buchanan, All Movie Guide

Yvette Mimieux delivers a sensitive, nuanced performance in a role that could have easily spread into a cheap exploitation turn in Jackson County Jail. Mimieux plays advertising executive Dinah Hunter, who leaves Los Angeles and a promising career after she discovers her lover has been cheating on her. Determined to start fresh in New York City, she gets into her car and heads east. Picking up some young hitchhikers along the way, she ends up stranded in an out-of-the-way western town after being beaten up and having her car stolen. Thrown into the local jailhouse on trumped up charges, she finds herself at the mercy of a psychopathic guard who further beats her and then rapes her. Dinah kills the jailkeeper and goes on the lam with fellow jailhouse inmate and down-home radical Coley Blake (Tommy Lee Jones). The sheriff's department engages the couple in a wild car chase through a parade commemorating the United States' Bicentennial, as Dinah and Coley try to break free to the open road. ~ Paul Brenner, All Movie Guide

Based on The Country of the Heart by Barbara Wershba, this cable-TV film concerns a young pianist (Christopher Gartin) who falls in love with an older musician (Jane Seymour). ~ John Bush, All Movie Guide

Every prediction made by a fortune teller to Patricia Kean (Julie Adams) has come true, including her marriage to her wealthy boss Max Armstead (Jesse White). This is why Patricia begins worrying when the seer predicts "You'll wear white. . .then widow's black." Sure enough, Max ends up being fatally poisoned--and as he breathes his last, he accuses Patricia of being his murderer. This place Patricia's lawyer Perry Mason (Raymond Burr) in an uncomfortable position, inasmuch as both he and Lt. Drumm (Richard Anderson) were present when Max spoke his final words! ~ Hal Erickson, All Movie Guide

Set in modern times, this western drama chronicles the reconciliation between a draft-dodging son and his ultra-conservative rancher father after the son realizes that his father is going to die soon. The film originally aired on cable television. ~ Sandra Brennan, All Movie Guide

Jack Black continues his march to stardom with this typical Farrelly brothers blend of broad comedy and a heartfelt message. Black is Hal Larsen, a shallow man rapidly approaching middle age whose superficiality can be attributed to his father's deathbed admonition to only date young, beautiful women. Hal and his best friend, Mauricio (Jason Alexander), have taken the advice to heart, but Hal finds all of his physically impressive girlfriends consistently lacking in other qualities that would make them ideal mates. When he bumps into self-help guru Tony Robbins (playing himself), the motivational entrepreneur is intrigued by Hal's predicament and hypnotizes him so that he'll only see the inner beauty of women. Hal is quickly smitten with Rosemary Shanahan (Gwyneth Paltrow), a blonde Peace Corps volunteer who's tenderhearted, funny, and intelligent. She is also gorgeous and meets Hal's basic criteria of outer perfection, but what he doesn't realize is that Robbins' spell is working and he cannot see that Rosemary actually weights 300 pounds. When Mauricio is finally able to snap Hal out of his charmed state, Hal's in love with the inwardly perfect woman and must overcome his obsession with beauty. The script for Shallow Hal (2001) was developed when Peter Farrelly enjoyed the humorous letters written to a mutual friend by Sean Moynihan, a computer software executive who followed the filmmaker's advice to take up screenwriting. ~ Karl Williams, All Movie Guide