Mickey Martin Movies
We'd rather not speculate over how much of Best Friends is autobiographical. We'll just note that this story of a male-female screenwriting team was written by real-life married scenarists Barry Levinson and Valerie Curtin. Lovers as well as collaborators, scriveners Richard Babson (Burt Reynolds) and Paula McCullen (Goldie Hawn) decide to make their union legal. Predictably enough, they discover that their relationship goes straight downhill after they say "I do." The stars are far less interesting than the supporting cast, including Jessica Tandy and Barnard Hughes as Hawn's parents, Audra Lindley and Keenan Wynn as Reynolds' folks, Ron Silver as an avaricious producer (no names, please!), and Richard Libertini as a Mexican justice of the peace. ~ Hal Erickson, All Movie Guide
- Starring:
- Burt Reynolds, Goldie Hawn, (more)
The Gnome-Mobile was Walt Disney's first all-out fantasy since Mary Poppins. Walter Brennan stars in a dual role, as kindly lumber tycoon D. J. Mulrooney and the irascible (and much tinier) 943-year-old gnome Knobby. Mulrooney likes Knobby and his fellow gnomes, but the feeling isn't reciprocal, since Knobby considers Mulrooney a threat to his beloved forest. Meanwhile, the tycoon's vice-president Ralph Yarby (Richard Deacon), hearing his boss' claims that he's been consorting with gnomes, decides that the old guy is insane and has him committed. Rescued by his grandchildren Rodney (Matthew Garber) and Elizabeth (Karen Dotrice), D.J. seeks out Knobby and Knobby's own grandson Jasper (Tom Lowell), who are hiding somewhere in the woods with gnome-king Rufus (Ed Wynn, in his final film role). There follows an amusing rite of passage wherein Jasper becomes engaged to gnomette Shy Violet (Cami Sebring), leading to a happy ending for all concerned. The film's title refers to D. J. Mulroney's precious 1930 Rolls Royce, which is "adopted" by the gnome population. Gnome-Mobile is a virtual inventory of Disney's most beloved trademarks, ranging from excellent miniature and special-effects work (including the producer's newest innovation, audio-animatronics) to a zany slapstick car chase. Walt Disney did receive a producer credit on this film, which was actually made in 1966 - the year of his death - and released nationally in 1967. ~ Hal Erickson, All Movie Guide
- Starring:
- Walter Brennan, Tom Lowell, (more)
- 1950
Comprised of eight unrelated episodes of inconsistent quality, this anthology piece of American propaganda features some of MGM Studios' best directors, screenwriters and actors; it is narrated by Louis Calhern. Stories are framed by the lecture of a university professor. In one tale a Boston resident becomes angry when the census forgets to record her presence. Another sketch chronicles the achievements of African Americans while still another pays tongue-in-cheek tribute to Texas. ~ Sandra Brennan, All Movie Guide
- Starring:
- Ethel Barrymore, Gary Cooper, (more)
MGM's Three Little Words is a "twin" musical biopic, covering the lives and careers of songwriters Bert Kalmar and Harry Ruby. Fred Astaire plays Kalmar, a frustrated magician, while Red Skelton is cast as Ruby, a wannabe baseball player. After "meeting cute" during a disastrous vaudeville show, the oil-and-water Bert and Harry become a popular songwriting team, dashing off such favorites as Who's Sorry Now?, Nevertheless, So Long Oo-Long, I Wanna be Loved by You, All Alone Monday and the title song (the film unfortunately skimps on Kalmar and Ruby's Gilbert-and-Sullivan style novelty ditties, with the exception of Hooray for Captain Spaulding, Groucho Marx' signature tune in Animal Crackers). Adhering more to MGM formula than the facts, the script contrives to have Kalmar and Ruby split up over a trivial misunderstanding, only to be reunited by their wives for an "all is forgiven" radio broadcast hosted by bandleader Phil Regan. Vera-Ellen co-stars as Kalmar's vaudevillian wife Jessie Brown, while Arlene Dahl portrays Ruby's movie-star spouse Eileen Percy. Gloria DeHaven is seen as her own mother, Mrs. Carter DeHaven; and Debbie Reynolds plays "boop-a-doop" girl Helen Kane, her singing voice dubbed in by Ms. Kane herself. Though not quite as humorous as the subject matter would seem to dictate (Red Skelton gets his biggest laughs in the scenes wherein he, as Harry Ruby, participates in spring training with his favorite baseball club) Three Little Words is an excellent example of MGM's musical unit at the height of its powers. ~ Hal Erickson, All Movie Guide
- Starring:
- Fred Astaire, Red Skelton, (more)
- 1949
An unusually disturbing noir from a director better known for more mainstream fare like High Noon and From Here to Eternity, Act of Violence focuses on a WWII veteran haunted by his past. A film that was close to the director's heart, he said that it represented "the first time that I felt confident that I knew what I was doing and why I was doing it." Van Heflin stars as Frank Enley, a contractor living a peaceful life in a small California town, when Joe Parkson, a man who served in the army with him, arrives in the area, intent on killing him. He follows Frank to a lake where he's fishing but is unable to kill him. When a lakeside bartender tells Frank that a man with a limp is looking for him, Frank is frightened, realizing why he has come. He tells his wife, Edith (Janet Leigh), that Joe is a man who spent time with in a Nazi POW camp, who is now mentally ill, and that he intends to avoid him. When Frank goes to Los Angeles for a business convention, Joe arrives at his house and tells his wife that her husband is responsible for his injury and for the deaths of a number of men. Fearing for her husband's life, Edith heads for L.A. with Joe not far behind. ~ Michael Costello, All Movie Guide
- Starring:
- Van Heflin, Robert Ryan, (more)
- 1948
In this dark crime drama, the trouble begins when a San Francisco bookie attempts to lead an honest life by marrying a comely widow. In preparation for his nuptials, the fellow stays on the straight and narrow, but when he learns that one of his cohorts has been murdered by an East Coast gang that is trying to horn in on West Coast territory, he reenters the underworld. A boyhood friend who became a cop tries to convince him to team up with the police, but the vengeful bookie remains determined to things his way. It proves to be a tragic mistake and shows the bookie that those closest to him are not what they seem. ~ Sandra Brennan, All Movie Guide
- Starring:
- George Raft, William Bendix, (more)
- 1947
Usually associated with erudite, urbane comedies, the legendary screen team of Katharine Hepburn and Spencer Tracy goes intensely dramatic in the expensive western Sea of Grass. Tracy plays cattle baron Colonel James Brewton, who staunchly opposes opening the western frontier to homesteaders. Standing steadfastly beside Brewton-at least at the beginning--is his headstrong wife Lutie (Hepburn). Eventually disillusioned by the stern implacability of her husband, Lutie leaves Brewton and goes off to Denver, where she falls in love with liberal attorney Brice Chamberlain (Melvyn Douglas), the champion of the homesteaders' cause. Upon giving birth to Chamberlain's son, Lutie confesses her indiscretion to Brewton, who takes the news with commendable restraint, even offering to accept the baby as his own. Unfortunately, the Brewtons' standing in the community is weakened by the revelation of Lutie's infidelity, causing her to leave her husband for a second time. Years later, Lutie's grown-up boy Brock (Robert Walker) drifts to the wrong side of the law, leading to his death at the hands of a posse. Though it hardly seems possible under the circumstances, Brewton and Lutie are at long last reconciled through the intervention of their daughter Sara Beth (Phyllis Thaxter). Elaborately produced in the traditional MGM manner and adroitly directed by Elia Kazan, Sea of Grass is still one of the lesser Tracy-Hepburns. ~ Hal Erickson, All Movie Guide
- Starring:
- Spencer Tracy, Katharine Hepburn, (more)
- 1943
The 80-star cast of Forever and a Day would certainly not have been feasible had not most of the actors and production people turned over their salaries to British war relief -- a point driven home during the lengthy opening credits by an unseen narrator. The true star of the film is a stately old manor house in London, built in 1804 by a British admiral (C. Aubrey Smith) and blitzed in 1940 by one Adolf Hitler. Through the portals of this house pass a vast array of Britons, from high-born to low. The earliest scenes involve gay blade Lt. William Trimble (Ray Milland), wronged country-girl Susan (Anna Neagle), and wicked landowner Ambrose Pomfret (Claude Rains). We move on to a comic interlude involving dotty Mr. Simpson (Reginald Owen), eternally drunken butler Bellamy (Charles Laughton), and cockney plumbers Mr. Dabb (Cedric Hardwicke) and Wilkins (Buster Keaton). Maidservant Jenny (Ida Lupino) takes over the plot during the Boer War era, while the World War I sequence finds the house converted into a way-station for soldiers (including Robert Cummings) and anxious families (including Roland Young and Gladys Cooper). Finally we arrive in 1940, with American Gates Pomfret (Kent Smith) and lady-of-the-house Lesley Trimble (Ruth Warrick) surveying the bombed-out manor, and exulting over the fact that the portrait of the home's founder, Adm. Eustace Trimble (Smith), has remained intact -- symbolic proof of England's durability in its darkest hours. The huge cast includes Dame May Whitty, Edward Everett Horton, Wendy Barrie, Merle Oberon, Nigel Bruce, Richard Haydn, Donald Crisp, and a host of others -- some appearing in sizeable roles, others (like Arthur Treacher and Patric Knowles) willingly accepting one-scene bits, simply to participate in the undertaking. Seven directors and 21 writers were also swept up in the project. Forever and a Day was supposed to have been withdrawn from circulation after the war and its prints destroyed so that no one could profit from what was supposed to have been an act of industry charity. Happily for future generations, prints have survived and are now safely preserved. ~ Hal Erickson, All Movie Guide
- Starring:
- Merle Oberon, Brian Aherne, (more)
- 1943
The world of horse racing provides the framework for this drama. The story centers around a young aspiring jockey who becomes the student of a corrupt ex-jock, who not only teaches him how to race, he teaches him the subtleties of cheating. The student ends up teaching the teacher a thing or two about honesty, and both of them go straight. The young jockey runs the final big race fair and square. ~ Sandra Brennan, All Movie Guide
- Starring:
- Frank Craven, William Gargan, (more)
- 1942
If you're wondering what Citizen Kane might have looked like had it been produced by MGM, we submit for your approval Keeper of the Flame. War correspondent Spencer Tracy is assigned to write the life story of a recently deceased super-patriot. One would suppose that the much-beloved decedent's life would be an open book, yet his widow Katharine Hepburn refuses to release any details concerning her late husband. Tracy gains Hepburn's confidence, and she agrees to help him with his article. Several curious incidents lead Tracy to believe that Hepburn was in some way responsible for her husband's death. While this is not entirely the case, Tracy stumbles upon a truth that has been carefully hidden from the public by the dead man's "damage control" people. Adapted by Donald Ogden Stewart from a novel by I. A. R. Wylie, Keeper of the Flame is perhaps the most dour of the Tracy/Hepburn vehicles; those expecting the usual battle-of-the-sexes repartee between the two stars would be better off with Adam's Rib or Pat and Mike. ~ Hal Erickson, All Movie Guide
- Starring:
- Spencer Tracy, Katharine Hepburn, (more)
Adapted by Lillian Hellman from Sidney Kingsley's Broadway play, Dead End concerns itself with several denizens of New York's East River district. Here the elite and the slum-dwellers rub shoulders due to the close proximity of the riverfront tenements with the East Side luxury hotels. Slum girl Drina Gordon (Sylvia Sidney) tries to prevent her younger brother Tommy (Billy Halop) from wasting his life as a member of the local street gang. Tommy and the other kids idolize Baby Face Martin (Humphrey Bogart), a onetime East- sider who has hit the "big time" as a notorious gangster. Dodging the cops, Martin makes a sentimental journey to the neighborhood to visit his mother (Marjorie Main) and his old girlfriend Francie (Clare Trevor). But Martin's mother coldly tells him to get lost, while Francie reveals herself to be a consumptive prostitute. Despite his depressed state, Martin is still admired by the local kids; this displeases sign painter Dave Connell (Joel McCrea), who hopes to escape the slums via his romance with wealthy Kay Burton (Wendy Barrie). Attempting to kidnap a rich boy who'd earlier been beaten up by the street kids, Martin is prevented from making the snatch by Dave, who shoots Martin down. Receiving a large reward, Dave decides to give the money to Drina so that she can afford a lawyer to defend her brother Tommy, who has wrongfully been accused of masterminding the beating of the rich kid. His outlook on life altered by this unselfish act, Dave gives up his mercenary romance with Kay Burton, choosing instead the poverty-stricken Drina. The film introduces the Dead End Kids--Billy Halop, Leo Gorcey, Gabe Dell, Huntz Hall, Bernard Punsley and Bobby Jordan--all of whom were veterans of the Broadway version of Dead End and would be metamorphosed into the East Side Kids and The Bowery Boys. ~ Hal Erickson, All Movie Guide
- Starring:
- Sylvia Sidney, Joel McCrea, (more)
- 1935
This better-than-average Buck Jones western stars Jones as Buck Saunders, shunned by his community because it is believed that his father was a rustler. After a long absence, Buck returns home, only to discover that he's still regarded as a pariah. By now, however, our hero has the intestinal fortitude to dig up the facts and prove his father's innocence -- and to round up the guilty parties and toss them all in the jug. In the process, he wins back the love of his childhood sweetheart, Muriel Fergus (Muriel Evans). The Throwback was the vanguard of a string of top-rank Buck Jones westerns for Universal, a string broken only when he left the studio in 1937. ~ Hal Erickson, All Movie Guide
- Starring:
- Buck Jones, Muriel Evans, (more)
