Helen Martin Movies

Warren Beatty directed, co-produced (with Pieter Jan Brugge), co-scripted (with Jeremy Pikser), and stars in this political satire, a comedy drama about a U.S. senator who decides to start speaking the truth. Despondent California senator Jay Bulworth (Beatty), up for re-election, is disillusioned by the usual campaign banalities; his marriage to Constance (Christine Baranski) seems equally hollow. In the midst of a nervous breakdown, Bulworth goes without sleep or food for three days and takes out a ten-million-dollar insurance policy on himself while arranging his own assassination. Drinking during a return to Los Angeles, Bulworth is scheduled to speak at an African-American church in South Central L.A. Once there, he tosses aside his prepared speech, startling both the audience and his campaign manager, Murphy (Oliver Platt), by improvising truthful remarks instead of the familiar rhetoric. These loose-cannon salvos gain the attention of an attractive young woman, Nina (Halle Berry). Bulworth finds an exhilaration with this new freestyle approach, and after shocking a gathering in Beverly Hills with further fulminations, Bulworth invites Nina and her girlfriends into his limo. During a spaced-out sojourn at one of South Central's more frenzied after-hours clubs, Bulworth gains respect for hip-hop culture.

Still reeling from insights gained by this nightlife, he arrives the next day for a fundraising function at the Beverly Wilshire, startling everyone with a diatribe delivered in the intonations of a rap artist. His interest in Nina and his new optimistic outlook on life give Bulworth a sense of elation and a will to live. He phones to call off the hit, but the gears have been set in motion. After an assumed hitman turns up during a church appearance, Bulworth flees, and Nina offers him a safe-house hideout at the home of her family, veterans of the civil rights movement. Here Bulworth goes through the final steps in his transformation -- making a Kennedy-styled connection with the disenfranchised as he tunes in to forgotten memories of the '60s. Outfitted in homeboy clothing, the born-again Bulworth heads for a TV station to unleash even more caustic comments on the American political scene. ~ Bhob Stewart, Rovi

Much as Keenen Ivory Wayans' I'm Gonna Git You Sucka parodied the basic elements of 70's blaxploitation pictures, this film written by and starring his younger brothers Marlon Wayans and Shawn Wayans pokes fun at the gritty "reality check" films of the 1990's, such as Boyz N The Hood, Menace II Society and New Jack City. When Ashtray (Shawn Wayans) moves to South Central L.A. to live with his father (who appears to be the same age he is) and grandmother (who likes to talk tough and smoke reefer), he falls in with his gang-banging cousin Loc Dog (Marlon Wayans), who along with the requisite pistols and Uzi carries a thermo-nuclear warhead for self-defense. Will Ashtray keep living the straight life or will he join up with Loc Dog's gangsta homeboys? And is his romance with self-styled poet Dashiki (Tracey Cherelle Jones) going to go anywhere? Big brother Keenen has a small role as a mailman. ~ Mark Deming, Rovi

Bill Duke directs this quirky film adaptation of Chester Himes' crime novel -- a heavily plotted gangster tale with a sweet love story hidden underneath. The film begins in Natchez, Mississippi in 1956. During a police shoot-out with the mob leader Slim's (Badja Djola) gang, Slim's moll Imabelle (Robin Givens) takes off with a cadre of stolen gold. As a result, Imabelle is chased by Slim's mob from Mississippi to New York. By the time she reaches Harlem, she is broke and has to figure out a way to ditch the trunk full of gold. She finds herself at the annual Undertaker's Ball, where she sees the big and dumb Jackson (Forest Whitaker), a bumbling undertaker's assistant. She spots Jackson as a mark that she can use as a cover and latches onto him immediately. She moves in with him to hide out, but Imabelle becomes taken with his innocence. For his part, Jackson falls head over heels in love with her. But the Mississippi mob catches up with her and takes her away. Jackson calls in his street-wise brother Goldy (Gregory Hines) to help him rescue Imabelle. Jackson fears that Imabelle has been kidnapped. But Goldy knows better -- he still agrees to help him but Goldy wants the gold for himself. ~ Paul Brenner, Rovi

Robin Harris, Christopher Reid's foul-mouthed and irascible father from the original House Party film, died in the interim, but he has a university named after him in this follow-the-dots sequel. Kid (Christopher Reid) has finally made it to college in House Party 2, but not without problems. Sent to Harris University on a scholarship check given to him by his local church congregation, he finds himself broke before he can even buy the books for his college courses. He can thank his old pal Play (Christopher Martin) for his financial straits, since Play borrowed the money to pay a phony music producer named Shelia (Iman), who has headed off to parts unknown. Kid tries to pay for tuition by working in the college cafeteria but is thrown out because he is not considered a student. Problems compound when his girlfriend Sidney (Tisha Campbell) spends more time studying than with him. He also receives lectures on political correctness from her strident roommate Zora (Queen Latifah). Still, Kid's main concern is finding the money for college. Finally Kid agrees to go along with Play's scheme -- to hold a surreptitious late-night pajama party in the faculty hall to raise funds to pay for Kid's education. ~ Paul Brenner, Rovi

In the conclusion of a two-part story set in Lake Tahoe, Jesse (John Stamos) has proposed marriage to Becky (Lisa Loughlin), and she has accepted. To make sure that neither he nor Becky will change their minds, Jesse insists upon being wed within the hour, and without informing the rest of the Tanner household. But DJ (Candace Cameron) and Steph (Jodie Sweetin) find out what's afoot, whereupon the family does its darnedest to persuade Jesse and Becky to think things over before jumping head-first into the sea of matrimony. This is the final episode of Full House's second season. ~ Hal Erickson, Rovi

This satirical look at the ambivalent relationship between Hollywood power brokers and African-American performers marked the writing, producing, and directing debut of Robert Townsend. The filmmaker also stars as Bobby Taylor, a struggling actor looking for his big break despite his family's and co-workers' reservations about his chosen career path. While working a day job flipping burgers, Bobby heads out to insulting cattle calls where white casting agents pass judgement on whether he seems "black enough." Meanwhile, he imagines himself playing Sam Spade, Rambo, and other movie heroes rather than the stereotypical roles actually available to him. When Bobby actually does win one such pimp-daddy part, however, he is forced to choose between accepting work that opens doors, but ultimately demeans him and returning to obscurity with his principles intact. Hollywood Shuffle's enormous supporting cast includes a wealth of black actors, from then-unknowns such as Damon Wayans to veterans such as 227 star Helen Martin. Self-financed and filmed on scraps of hand-me-down celluloid, the film helped establish actor Townsend as a director of note and also kick-started the career of co-screenwriter and co-star Keenen Ivory Wayans, who would cast Townsend in his own directorial debut the following year. ~ Brian J. Dillard, Rovi

Stars Kirk Douglas and Elizabeth Montgomery manage to rise above the melodramatic trappings of Amos. Douglas plays the title character, a fiercely independent senior-citizen baseball coach, forced to live in a retirement home after an auto accident. During his stay, Amos conducts a battle of wills with overbearing head nurse Daisy Dawes (Montgomery). This Cuckoo's Nest-derived setup has an added wrinkle: Amos suspects, quite rightly as it turns out, that Dawes has been systematically murdering her more troublesome charges. Made for TV by Douglas' own Bryna Productions, Amos first aired September 29, 1985 ~ Hal Erickson, Rovi

George Jefferson (Sherman Hemsley) is offended when his wife, Louise (Isabel Sanford), turns down an opportunity for the Jeffersons to host a marriage-enrichment seminar for newlyweds. He is also upset that the hosting chores have gone to his friendly rival, Tom Willis (Franklin Cover), and Tom's wife, Helen (Roxie Roker). But when Tom falls ill, George is given the opportunity to take his place -- whereupon he offers a stream of marital "advice" that nearly knocks Louise for a loop. ~ Hal Erickson, Rovi

The humor in this Chevy Chase comedy lies solely in the eyes of the beholder. The comic plays Eddie Muntz, an arms dealer looking to make a big sale of war planes to a South American dictator. In order to do so, his girlfriend (Sigourney Weaver) has to sleep with the dictator and his friend (Gregory Hines) has to be convinced to do one more killing. Eddie's archenemy is Stryker (Vince Edwards) who wants to make that deal himself and will stop at nothing to obtain his ends. ~ Eleanor Mannikka, Rovi

Based on a true story, Dummy stars LeVar Burton as Donald Lang, a deaf-mute teenager accused of killing a prostitute. Paul Sorvino co-stars as Lowell Myers, the hearing-impaired public defender who takes Burton's case. The court, deciding that Lang is incompetent to stand trial, orders the boy to be shunted away to a mental institution. Doggedly following the evidence trail, Myers argues for "due process" in the treatment of his client. While the film's ending is upbeat, real life does not always turn out so well, as the ironic closing title (which details what has happened to Burton's character since this case was resolved) demonstrates. Initially telecast May 27, 1979, Dummy was adapted by Ernest Tidyman from his own book. ~ Hal Erickson, Rovi

Obviously inspired by The Wiz, Cindy is a musical adaptation of "Cinderella" with an African-American cast. In 1943 Harlem, Cindy (Charlaine Woodard), fresh from the south, is treated harshly by her stepmother (Mae Mercer) and nasty stepsisters (Nell-Ruth Carter, Alaina Reed). In a departure from most Cinderella stories, Cindy's dad (Scoey Mitchell) is around to provide comfort but not much help against the barrage of her new mother and step-siblings. While taking a precious night off at the Sugar Hill Ball, Cindy is swept off her feet by handsome marine Joe Prince (Clifton Davis). Substituting for the glass slipper in Cindy is a dirty sneaker, but the end result is the same. ~ Hal Erickson, Rovi

Fred Sanford (Redd Foxx) becomes a "Gray Fox" when stereo salesman Honest Al refuses to extend credit to anyone over the age of 65. Before long, Fred's activism catches on with others his age (and even older). This still-timely episode reaches a riotous denouement as Fred leads a contingent of oldsters on a protest march. ~ Hal Erickson, Rovi

Adapted from Alice Childress' inspirational novel of the same name, director Ralph Nelson's sentimental addiction drama tells the story of an intelligent yet alienated ghetto youth seduced into the world of hard drugs. Unable to stand being in the same apartment as his gruff but caring foster-father Butler (Paul Winfield), inner-city high school student Benjie (Larry B. Scott) opts to pass the time smoking grass and drinking with his good friend Jimmy Lee (Kenneth Green) and small-time drug dealer Carwell (Erin Blunt). Before long Benjie is hooked, and hanging out with local pusher Tiger (Kevin Hooks) in order to get the hard stuff. Increasingly alienated from both his foster-father and his grandmother (Helen Martin), young Benjie must rely on the assistance of a caring social worker (Claire Brennan) in order to stay clean and get back on his feet. ~ Jason Buchanan, Rovi