Alwyn Hight Kushner Movies

Wesley Snipes stars in this pulse-pounding thriller set in the former Soviet Union. A once high-ranking Soviet military leader has resurfaced in Chechnya, where he has been consolidating his power with remarkable success. United States intelligence discovers he's been able to construct a thermonuclear weapon from materials scavenged from an abandoned nuclear power plant, and he and his soldiers have taken a handful of powerful citizens hostage. In hopes of preventing a global catastrophe, the military brings in Painter (Wesley Snipes), a special agent known as "the Marksman" for his talent in focusing in on the key elements of a crisis and resolving it. Painter and his crew attempt to get inside the nuclear plant-turned-terrorist base and rescue the hostages before U.S. forces begin staging a full-scale attack. But Painter's plan soon backfires when the military's operations don't go as planned, leaving him to wonder who set him up -- and why. The Marksman also stars Tim Abell and William Hope. ~ Mark Deming, All Movie Guide

Released back into society after being locked away in an insane asylum for twelve years, a fragile former patient is haunted by suspicions that she and her two best friends murdered a young boy when they were just children. As a young girl, Dana (Lydia Leonard) played a fateful game of Truth or Dare with her best friends Nathalie (Jaime King) and Paige (Annabelle Wallace). Reunited with her two best friends shortly after her release, Dana once again plays the game that led to her breakdown and loses her ability to discern reality from fiction. ~ Jason Buchanan, All Movie Guide

At times, it seems video surveillance is omnipresent in America, and Adam Rifkin (Underdog) spends the better part of two hours asserting just that in his fiction feature Look. This motion picture gains a historical footnote as the first U.S. mainstream movie to depict events solely through the "eyes" of surveillance video cameras. The preponderance of action unfurls in San Fernando Valley offices, stores, and shopping malls, where we witness security-camera footage of character interactions and events that would likely never occur if the perpetrators knew they were being "watched." In one subplot, Marty (Ben Weber), a beleaguered insurance salesman alienated by his co-workers, makes brazenly sexual passes at his female colleagues, secretly hatching a darker plan of his own on the side. Meanwhile, in another locale -- that of a department store at the Northridge Fashion Center shopping mall -- a chauvinistic floor manager named Tony takes full-scale sexual advantage of each of his female co-workers, letting all his inhibitions fly out the window in the "secrecy" of the back room. And in the same store, two minors, Holly (Heather Hogan) and Sherri (Spencer Redford), shop for seductive apparel in a twisted plot to seduce and presumably blackmail a high-school instructor. On a darker note, Rifkin follows convenience-store employees attempting to "bring down" a cadre of serial murderers tagged as "The Candid Camera Killers," whose doings attract the attention of police cameras. Other perspectives included in the film include those of ATM cameras, robot security cameras, and all sorts of other surveillance devices of varying ingenuity, all of which catch shocking behavior and are used to follow a myriad of substories. ~ Nathan Southern, All Movie Guide