Dewey Martin Movies

Having portrayed a career criminal who embarked upon a robbery spree for the sake of her young son in an earlier FBI episode, Penny Fuller essays a similar role herein as female crime boss Della Marot. In an abrupt about-face, Della informs her fiancee that she's going to quit the rackets in order to be a "real mom" to her young daughter. But she may not get the chance: Not only is the FBI breathing down Della's neck, but she also faces the wrath of her former Mob associates. Featured as Della's preteen daughter Cindy is Erin Moran of Happy Days fame. ~ Hal Erickson, Rovi

This made-for-television feature (which premiered on the ABC Movie Of The Week) attracted slightly more interest than usual, due in part to the presence an unusually recognizable supporting cast (including several players, such as Joseph Cotten, Keenan Wynn and Dewey Martin, who'd had real film careers, going back to the 1940's), and Star Trek's Leonard Nimoy in the lead. Nimoy plays Commander Phil Kettenring, the captain of the nuclear submarine Wayne, which has been assigned a critical, top-secret mission involving a less than completely cooperative scientist (Malachi Throne). What Kettenring doesn't know is that the Eastern bloc enemy (this being the middle of the Cold War) is already on to the mission. They've not only got a fairly clever trap set for the sub in mid-ocean, but have also infiltrated the crew at key points. As the Wayne's and her commander's problems mount, the crew begins to lose confidence in Kettenring, threatening not only the mission, but the safety of the sub. ~ Bruce Eder, Rovi

In Volume 48 of a collection culled from the 1963-1965 science fiction anthology television series, the lives of a pilot and his wife are saved thanks to a fluctuation of time. ~ Jason Ankeny, Rovi

The Longest Day is a mammoth, all-star re-creation of the D-Day invasion, personally orchestrated by Darryl F. Zanuck. Whenever possible, the original locations were utilized, and an all-star international cast impersonates the people involved, from high-ranking officials to ordinary GIs. Each actor speaks in his or her native language with subtitles translating for the benefit of the audience (alternate "takes" were made of each scene with the foreign actors speaking English, but these were seen only during the first network telecast of the film in 1972). The stars are listed alphabetically, with the exception of John Wayne, who as Lt. Colonel Vandervoort gets separate billing. Others in the huge cast include Eddie Albert, Jean-Louis Barrault, Richard Burton, Red Buttons, Sean Connery, Henry Fonda, Gert Frobe, Curt Jurgens, Peter Lawford, Robert Mitchum, Kenneth More, Edmond O'Brien, Robert Ryan, Jean Servais, Rod Steiger and Robert Wagner. Paul Anka, who wrote the film's title song, shows up as an Army private. Scenes include the Allies parachuting into Ste. Mere Englise, where the paratroopers were mowed down by German bullets; a real-life sequence wherein the German and Allied troops unwittingly march side by side in the dark of night; and a spectacular three-minute overhead shot of the troops fighting and dying in the streets of Quistreham. The last major black-and-white road-show attraction, The Longest Day made millions, enough to recoup some of the cost of 20th Century Fox's concurrently produced Cleopatra. ~ Hal Erickson, Rovi

In the concluding episode of Walt Disney's four-part miniseries based on the life of frontiersman Daniel Boone, several members of Boone's wagon train are angered when Daniel (Dewey Martin) orders them to lighten their loads so they can negotiate the mountains and have turned back to North Carolina. Only a tiny band of faithful followers remain with Daniel and his family as they begin the last leg of the arduous journey to Kentucky. Alas, once again the wagoneers are attacked by vengeance-seeking Indian chief Crowfeather (Dean Fredericks), who has a personal score to settle with Daniel. "The Promised Land" originally aired as part of the Walt Disney Presents anthology. ~ Hal Erickson, Rovi

In the first episode of Walt Disney's four-part miniseries based on the life of frontiersman Daniel Boone, a fast-talking salesman convinces Daniel (Dewey Martin), a North Carolina farmer, to pull up stakes and move to the "promised land" of Kentucky. Daniel, his wife Rebecca (Mala Powers), and their friends are assured that if they travel along the "Warrior's Path", a secret Indian trail, their journey will be a safe one. Unfortunately, the Indians they encounter along the way aren't of the friendly variety. "The Warrior's Path" originally aired as part of the Walt Disney Presents anthology. ~ Hal Erickson, Rovi

Dean Martin's first solo film after his split with Jerry Lewis was very nearly his last. Dino plays Ray Hunter, a Conrad Hiltonesque playboy hotelier at large in Rome. Taking charge of his latest acquisition -- a huge hotel with the titular 10,000 bedrooms -- Hunter finds himself being pursued by the daughters of wealthy Vittori Martelli (Walter Slezak). For a while, it looks as though the youngest daughter Nina (Anna Maria Alberghetti) has the inside track, but big-hearted Ray, realizing that Nina would be happier with a boy her own age, settles for older sister Maria (Eva Bartok). The poor box-office take for this old-fashioned musical comedy seemed at the time to foretell the end of Dean Martin's film career, but he was rescued by his well-received appearance in The Young Lions. The funniest aspect of Ten Thousand Bedrooms was its promotional trailer, narrated by Teddi Thurman, then famous as the sultry weather girl on the weekend radio series Monitor. ~ Hal Erickson, Rovi

Ernest Hemingway's story inspired this television film starring a young Paul Newman hitchhiking across the country and his encounters with interesting people. ~ Rovi

"Nobody knew how a Pharaoh talked!" That's how producer/director Howard Hawks explained some of the sillier dialogue exchanges in the William Faulkner-Harry Kurnitz-Harold Jack Bloom script for Hawks' Land of the Pharaohs. Extravagantly produced with a cast of seeming millions (actually there were some 10,000 extras), the film speculates on the circumstances surrounding the construction of the Great Pyramids of Egypt. Jack Hawkins plays the Pharaoh, who orders enslaved architect James Robertson Justice to build a magnificent, thief-proof tomb for him. At first, the people of Egypt willingly pitch in to construct the huge pyramid. But as the years roll by and the work shows no signs of abating, the Pharaoh begins relying upon forced labor from lands he has conquered. He also plunders the coffers of his neighboring countries. Cyprus can't pony up the necessary gold, so the country sends luscious Joan Collins (complete with a jewel in her navel) as a "present" for the Pharaoh. Fascinated by the spitfire Collins, the Pharaoh makes her his second wife. What he doesn't know is that Collins is just as much a predator as she would be in the TV series Dynasty. Hoping to gain all of the Pharaoh's kingdom and the riches therein, she stage-manages her husband's death. After the funeral procession, the Pharaoh is sealed in his tomb by a series of sand-operated weights, levers and pulleys (this speculation as to how the Pyramids were closed is the most fascinating part of the film). Collins watches in barely controlled glee; she isn't yet privy to the Egyptian custom of entombing the Pharaoh's widow alive, along with her husband's body--but she soon will be. ~ Hal Erickson, Rovi

The horrors suffered by American prisoners of war at the hands of the North Koreans during the Korean war provide the basis of this drama. Allegedly based on the true stories of those who survived the tortures, it centers on an intelligence officer (Ronald Reagan) who is sent into a POW camp to investigate conditions. When he learns that inmates are routinely tortured and brainwashed, he allows himself to undergo the same. He fools the enemy into believing that he has successfully been indoctrinated into Communist philosophies as does another soldier. Meanwhile, another soldier affects a more direct means of combatting the enemy. ~ Sandra Brennan, Rovi

The Big Sky is based on a popular novel by A.B. Guthrie. Kirk Douglas and Dewey Martin play a pair of Kentucky frontiersmen who embark upon the first keelboat trip up the Missouri River way back in 1830. Joining Douglas and Martin are Martin's grizzled old uncle Arthur Hunnicutt and garrulous Frenchman Steven Geray. Running afoul of various Indian tribes, Douglas nonetheless romances Sioux princess Elizabeth Threatt (their off-screen relationship was on the kinky side, as an embarrassed Douglas reveals in his autobiography). Director Howard Hawks leavens the Boys' Own Adventure atmosphere of the film with a few isolated comic sequences, including a sidesplitting scene in which Douglas' gangrenous finger is cut off. Produced for RKO Radio by Hawks' own Winchester Pictures, The Big Sky was released at 141 minutes, though the TV print runs 122 minutes. ~ Hal Erickson, Rovi

The scene is a distant Arctic research station, where a UFO has crashed. The investigating scientists discover that the circular craft has melted its way into the ice, which has frozen up again. While attempting to recover the ship, Captain Patrick Hendry (Kenneth Tobey) accidentally explodes the vessel, but the pilot -- at least, what seems to be the pilot -- remains frozen in a block of ice. The body is taken to base headquarters, where it is inadvertently thawed out by an electric blanket. The alien attacks the soldier guarding him and escapes into the snowy wastes. An attack dog rips off the alien's arm, whereupon Dr. Carrington (Robert Cornthwaite) discerns that "The Thing" (played by future Gunsmoke star James Arness!) is not animal but a member of the carrot family, subsisting on blood. While the misguided Carrington attempts to spawn baby "Things" with the severed arm, the parent creature wreaks murderous havoc all over the base. Female scientist Nikki (Margaret Sheridan) suggests that the best way to destroy a vegetable is to cook it. Over the protests of Carrington, who wants to reason with the "visitor" (a very foolhardy notion, as it turns out), the soldiers devise a devious method for stopping The Thing once and for all. This oversimplification of The Thing does not do full justice to the overall mood and tension of the piece, nor does it convey the lifelike "business as usual" approach taken by the residents of the military base in dealing with something beyond their understanding. A superior blend of science fiction, horror, naturalistic dialogue, and flesh-and-blood characterizations, The Thing is a model of its kind. ~ Hal Erickson, Rovi