Chris-Pin Martin Movies

Mutated spiders, mad geniuses, childlike mental patients, gold-digging blondes, and vengeful little people are only part of the madness in this legendary bit of oddball science fiction. Grant (Robert Knapp) and Doreen (Mary Hill) wander into a shack in the wastelands of Mexico's Muerto Desert, where the sunburned and dehydrated pair tell their tale to a surveyor for an American petroleum firm. Grant was working as a pilot for millionaire businessman Jan Van Croft (Nico Lek), who was to marry the much younger Doreen when engine trouble stranded them in a Mexican border town. Jan and Doreen were killing time in a roadhouse when they were joined by the eccentric Dr. Leland Masterson (Harmon Stevens), who had recently escaped from a mental hospital. Before Masterson's nurse, George (George Barrows), can lure his patient back to the hospital, Masterson pulls a gun and shoots entertainer Tarantella (Tandra Quinn) while she performs a wild dance routine; Masterson then takes Jan and Doreen hostage and demands that Grant fly them away. Further engine trouble strands the traveling party on a mesa, where they discover a handful of strange, tiny men and statuesque women. In time, we discover that Masterson knows the story behind the Mesa's unusual residents -- they're the products of a series of experiments by Dr. Aranya (Jackie Coogan), whose research into the pituitary glands of spiders has produced unusual results. The only screen credit for screenwriter and co-director Herbert Tevos (who helmed the project with Southern exploitation icon Ron Ormond), Mesa of Lost Women also features a memorably irritating guitar-and-piano score and a brief appearance by Dolores Fuller, best known for her work with one-time beau Edward D. Wood Jr. ~ Mark Deming, All Movie Guide

Mona Freeman plays Bonnie Lee, who is--surprise!--not the Lady from Texas in this well-constructed Universal western. A lowly kitchen helper at a large ranch, Bonnie seeks the aid of self-styled do-gooder Dan Mason (Howard Duff). It seems that Bonnie's elderly friend Miss Birdie (Josephine Hull) is in danger of being victimized by villains Cyril and Mabel Guthrie (Craig Stevens, Barbara Knudson). Mason is reluctant to help out until he gets to know Miss Birdie, a feisty Civil War widow who refuses to believe that her husband has been dead these 20 years. Guthrie tries to have Miss Birdie declared incompetent so that he can claim her land, but Mason isn't about to let that happen. Thus it is that Josephine Hull, fresh from her Oscar win for Harvey, is the titular Lady From Texas, even though she's contractually consigned to third billing. ~ Hal Erickson, All Movie Guide

Marking the screen debut of Rex Allen, the last of the Singing Cowboys, The Arizona Cowboy featured a mildly entertaining though hardly innovative story of a rodeo cowboy who learns that his father (John Elliott) is falsely accused of stealing 50,000 dollars from his employer, the Dusty Acres Irrigation Company. Rex goes undercover as Arizona Jones -- with the assistance of I.Q. Barton (comedy relief Gordon Jones) and the irrepressible "Cactus" Kate (Minerva Urecal) -- and soon unmasks the villain who first framed then kidnapped his dad. In-between rescuing his father and romancing leading lady Teala Loring, Allen found time to sing "Arizona Waltz" and "I Was Born in Arizona," both of which he had written himself. A star performer on the famous National Barn Dance radio program from 1945 to 1949, Arizona-born Rex Allen was Republic Pictures' final musical Western star. Allen, in fact, arrived at a time when B-Westerns in general and Singing Cowboys in particular were becoming a losing proposition due to the competition from television. As Allen himself remembered to writer Samuel M. Sherman: "I came in late. They forgot to tell me the whole thing was over when I started." Despite this handicap, Allen managed to stay afloat until 1954. He later starred in the TV series Frontier Doctor and narrated for Walt Disney. ~ Hans J. Wollstein, All Movie Guide

The Fugitive was shot on location in Mexico by that country's premiere cinematographer, Gabriel Figueroa. Henry Fonda plays a Christ-like priest in an unnamed Latin-American country where religion has been outlawed. Though incognito in a backwater village, Fonda cannot help but seem more spiritual and mystical than those around him. Meanwhile, another fugitive, homicidal-bandit Ward Bond, stumbles into the village. Bond and the beautiful Dolores del Rio, whose illegitimate child has been secretly baptized by Fonda, conspire to help the priest escape. Once Fonda is on safe ground, he is implored by police spy J. Carroll Naish to return to the village, ostensibly because Bond is dying and wishes to have last rites. Fonda is captured and sentenced to death, but is willing to forgive the repentant Naish for betraying him. The priest dies a martyr, and the outpouring of public grief proves to the authorities that simply outlawing religion will never subjugate the hearts and minds of the people. ~ Hal Erickson, All Movie Guide

Cole Porter's Broadway musical Mexican Hayride was optioned by Universal in the mid-1940s, then remained in "development hell" until 1948. By the time the property made it to the screen, the entire Porter score had been removed, and the play's original star Bobby Clark was replaced by Bud Abbott and Lou Costello. The story takes place South of the Border, where American fugitive from justice Joe Bascom (Costello) searches for con man Harry Lambert (Abbott), for whom Bascom had been a fall guy. Also in Mexico is Joe's hometown-sweetheart Mary (Virginia Grey), now known as Montana, the country's foremost female bullfighter. Joe catches up with Harry at the bull arena, where Montana is about to choose the "Amigo Americano" in a publicity scheme cooked up by Harry. When she spots Joe in the crowd, Montana (angry at our tubby hero for bilking her out of her life savings -- it was actually Harry's doing), furiously throws her hat at him. When Joe catches the hat, he's elected Amigo Americano and extended every hospitality that Mexico can afford. Sensing yet another opportunity to make a dishonest dollar, Harry exploits Joe's newfound celebrity to promote a phony gold-mining scheme. The gorgeous Dagmar (Luba Malina), Harry's partner in crime, romances Joe to secure his cooperation. Somehow all of this ends up back in the bull ring, with poor Joe facing a very belligerent "el toro." A bit too plot-heavy for Abbott & Costello, Mexican Hayride still has several choice moments, including a priceless verbal exchange involving gold ore ("gold or what?") and a "Mother Lode." ~ Hal Erickson, All Movie Guide

James Thurber wasn't too happy with the Sam Goldwyn film adaptation of his 1939 short story The Secret Life of Walter Mitty, but the Technicolor musical comedy proved to be a cash cow at the box office. Danny Kaye stars as Walter, a milquetoast proofreader for a magazine publishing firm. Walter is constitutionally incapable of standing up for himself, which is why his mother (Fay Bainter) has been able to arrange a frightful marriage between her son and the beautiful but overbearing Gertrude Griswold (Ann Rutherford). As he muses over the lurid covers of the magazines put out by his firm, Walter retreats into his fantasy world, where he is heroic, poised, self-assured, and the master of his fate. Glancing at the cover of a western periodical, Walter fancies himself the two-gun "Perth Amboy Kid"; a war magazine prompts Walter to envision himself as a fearless RAF pilot; and so on. Throughout all his imaginary adventures, a gorgeous mystery woman weaves in an out of the proceedings. Imagine Walter's surprise when his dream girl shows up in the flesh in the person of Rosalind van Horn (Virginia Mayo). The girl is being pursued by a gang of jewel thieves headed by Dr. Hugo Hollingshead (Boris Karloff), a clever psychiatrist who manages to convince Walter that he's simply imagining things again, and that Rosalind never existed. At long last, Walter vows to live his life in the "now" rather than in the recesses of his mind: he rescues Rosalind from the gang's clutches, tells his mother and Gertrude where to get off, and fast-talks his way into a better position with the publishing firm. Substituting the usual Danny Kaye zaniness for James Thurber's whimsy, Secret Life of Walter Mitty works best during the production numbers, especially Kaye's signature tune "Anatole of Paris." ~ Hal Erickson, All Movie Guide

Gilbert Roland made his penultimate appearance as the Cisco Kid in Monogram's Robin Hood of Monterrey. Roland is joined in his exploits by Chris-Pin Martin as Pancho. The film's 56 minutes is a near-nonstop anschluss of fistfights and gunplay, occasionally punctuated by Cisco's poetic wooing of whatever senorita happens to be around. The bad guys are headed by veterans Jack LaRue and Evelyn Brent; the last-named performer had by this time made western villainesses her particular specialty. After Robin Hood of Monterey and King of the Bandits, Gilbert Roland relinquished the Cisco Kid mantle to Duncan Renaldo. ~ Hal Erickson, All Movie Guide

Pat O'Brien makes the casual acquaintance of fellow American Ruth Warrick while on vacation in Mexico City. What Warrick doesn't know is that O'Brien is a treasury agent, out to get expatriate counterfeiters Alan Hale and Edgar Buchanan. What O'Brien doesn't know is that Warrick is also out to get Hale, whom she holds responsible for her father's death. After a lengthy period of cross purposes, hero and heroine team up to catch the crooks. Perilous Holiday puts Pat O'Brien through his standard paces, and provides an offbeat role for the usually aristocratic Ruth Warrick. ~ Hal Erickson, All Movie Guide

In his final epic Western, Errol Flynn plays cattleman Clay Hardin, who, on a trek south of the border, has discovered that San Antonio saloon proprietor Roy Stuart (Paul Kelly) is actually a cattle rustler of major proportions. Determined to bring Stuart to justice, Clay runs into difficulties when he mistakes feted chanteuse Jeanne Starr (Alexis Smith) for being on the saloon owner's payroll. Meanwhile, Stuart's French-accented partner, and enemy, Legare (Victor Francen), uses the taut situation to benefit himself. Then Clay's longtime friend, Charlie Bell (John Litel), is brutally slain and Jeanne's manager, Sacha Bozic (S.Z. Sakall) is forced to skip town, Bozic, unbeknownst to Clay, having witnessed the murder. The real killer is eventually forced to confess and San Antonio erupts in a climactic gun battle that culminates in a shootout at the historic Alamo. With Hungarian actor Sakall providing some much-needed comedy relief, Alexis Smith, Doodles Weaver, and a chorus perform a few songs, including: Ray Heindorf, M.K. Jerome, and Ted Koehler's "Some Sunday Morning"; "Put Your Little Foot Right Out," by Larry Spier; and Jack Scholl and Charles Kisco's "Somewhere in Monterey." According to some reports, both Raoul Walsh and Robert Florey directed a few additional scenes. ~ Hans J. Wollstein, All Movie Guide

Not to be confused with the 1971 film of the same name, this World War II espionage drama was the second to last film from German director Lothar Mendes and stars Edward G. Robinson as oil tanker captain Bart Manson. When Manson rescues the survivors of a torpedoed ship in the Gulf of Mexico, he meets the beautiful Kathy Hall (Lynn Bari) and the two fall in love. But when Manson's ship sinks under suspicious circumstances, Hall becomes the prime suspect due to her mysterious past and identity. Believing his beloved to be innocent of the crime, Manson sets out to uncover who the real culprit is. Tampico also stars Victor McLaglen and Robert Bailey. ~ Matthew Tobey, All Movie Guide

The general perception of the Technicolor costume adventure movies that Maria Montez and Jon Hall made for Universal in the early 1940's is that they were pure escapist entertainment, intended to make people forget for an hour or so about the Second World War and the general world situation. And generally that is true about them -- they were mostly no "about" much more than having fun for 90 minutes or so amid pretty sets with lots of action and some pretty women in exotic outfits. But watching Ali Baba and the Forty Thieves, one has to wonder if even here the screenwriter, Edmund L. Hartmann, was able to totally get away from the day-to-day reality around him. The opening Mongol invasion of Bagdad and the murder of the old Caliph (Moroni Olsen) while trying to set up a government-in-exile without thinking of the German and Japanese conquests and occupations of various nations that would have been going on at the time; additionally, the fact that the old Caliph is murdered with the help of a traitor in his own noble ranks -- a "quisling" in the term coined during World War II -- wouldn't have been missed by audiences at the time. Further, the screenplay very specifically paints the forty thieves as heroes who have gone from being criminals to an active resistance force against the occupying Mongols -- indeed, at the denouement, their invasion of the palace is greeted as a day of liberation by the people of Bagdad. The movie walks a strange tightrope, casting about veiled topical references of that sort, even as is otherwise sufficiently tongue-in-cheek to cast Andy Devine as a desert bandit. Obviously, Ali Baba And The Forty Thieves was sold as -- and mostly intended as -- light entertainment, but just below that glitzy Technicolor surface were some fascinating allusions to the real world. None of this stops Ali Baba And The Forty Thieves from being immense fun -- it is, even if the "fun" isn't totally escapist in nature -- and it's great to look at as well, even 60 years on; Universal has apparently kept preservation-quality source materials on this and Hall and Montez's other Technicolor costume romps. And this particular entry in that group of movies also contains one very instructive clue to the morays and censorship of the time in one scene, in which the hero meets the heroine bathing at an oasis -- the makers seem to have been forced to insert a particular shot that is there for no other reason then to make it clear that she is not totally naked when he sees her. ~ Bruce Eder, All Movie Guide

This Western is set in the Arizona town and centers on former gunslinger Wyatt Earp who has been recently deputized and is helping the sheriff round up all the criminals. Earp becomes a lawman after he sees an outlaw accidentally kill a child during a showdown. Earp's brothers and Doc Holliday help him take on the outlaw and his gang. More trouble ensues when the sheriff is involved with the gang. Earp manages to get them on robbery charges and the situation finally culminates at the infamous O.K. Corral. ~ Sandra Brennan, All Movie Guide