Punky Meadows Movies
- 1984
Consensus opinion is that Paul Morrissey directed L'Amour on his own, despite Andy Warhol's name on the credits. This film has much more of a story than the other Andy Warhol Factory productions, but it takes the same casual approach to nudity and sex. In the story, two female tourists (Donna Jordan and Jane Forth) seek out Michael (Michael Sklar) a wealthy American resident, who has been living with a handsome French boy (Max Delys). Everyone tries, with varying success, to seduce everyone else, though the two men have only an implied relationship. Eventually, Michael decides to marry one of the girls and return to the U.S. ~ Clarke Fountain, Rovi
Foxes details the exploits of four teenage San Fernando Valley girls as they drink, dope and sleep their way into oblivion. Jeanie (Jodie Foster, in a standout performance), the most grounded of the quartet, deals with her burned-out working-student-mother (Sally Kellerman, also excellent) while playing mother to her cohorts; Annie (Cherie Currie), a promiscuous drug-vacuum, attempts to dodge her psychotic police officer-father while partying round the clock; Madge (Marilyn Kagan), an overweight tag-along, who tries desperately to fit in with her wilder friends; and Deirdre (Kandice Stroh); an insecure liar and also-ran. While the performances (particularly the aforementioned) are good, and the direction is solid, the script doesn't seem to go anywhere; maybe that's the point, though, since neither do the characters in their vacuous, instant-gratification-based existences. ~ Jeremy Beday, Rovi
- Starring:
- Jodie Foster, Scott Baio, (more)
- 1980
After 1970's Diary of a Mad Housewife, actress Carrie Snodgress found her career moving in frets and starts rather than barrelling ahead. By 1979, Snodgress was making do with gothic horrors like The Attic. In a variation on a theme previously explored in The Barretts of Wimpole Street and The Heiress, Snodgress plays a shy, withdrawn young woman who is totally dominated by her tyrannical father Ray Milland. At father's insistence, she remains sequestered in her attic room, denied contact with any men. When she finally breaks free, a spectacularly bloody denouement is the result. ~ Hal Erickson, Rovi
Rating Systems
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