Alphonse Martell Movies

Lawyer Dean Martin's gambling habit is beginning to get on the nerves of his wife Lana Turner. To keep the money in the family, Lana talks Dino's law partner Eddie Albert into acting as Martin's bookie. Not only does this plan not work, but it also rouses the ire of Runyonesque gangster Walter Matthau. In the cutest of the film's cute twist, Lana saves herself and her husband by solving Matthau's financial and domestic problems. A minor but efficiently assembled star comedy, Who's Got the Action benefits from tasty production values and a knockout supporting cast, including Paul Ford, John McGiver, Nita Talbot, Ned Glass, and fabled pin-up girl June Wilkinson. ~ Hal Erickson, All Movie Guide

Cole Porter's Gay Paree musical about the introduction in Montmartre in 1896 of the notorious Can-Can dance, is brought to the screen, filtered through a Rat Pack sensibility. Shirley MacLaine stars as Simone Pistache, the perky and vivacious owner of a Parisian cafe, who, aided by her swingin' boyfriend Francois Dumais (Frank Sinatra), is trying to keep her establishment from being closed down by the Paris authorities because of Simone's insistence on treating her patrons to the Can-Can, the salacious dance outlawed by French law. Maurice Chevalier is a kindly French judge who graciously looked the other way, but another hard-nosed judge, Philippe Forrestier (Louis Jordan), turns up the heat on Simone to close her cafe. That is, until Simone turns up the heat on him, and Phillippe falls hard for Simone. ~ Paul Brenner, All Movie Guide

After several years of domestic squabbles, the marriage of Nina and Robert Tracy (Judy Holliday, Jack Lemmon) goes "phffft"! Upon receiving their divorce papers, Nina and Robert are certain that they'll remain friends, no matter how many new lovers they pick up along the way. Nina dallies briefly with bombastic Charlie Newton (Jack Carson), while Robert has a fling with the luscious Janis (Kim Novak). These romantic episodes only serve to make Nina and Robert realize how much they're still in love with each other. According to costar Jack Lemmon, the original title of this film was Phfffft!, but after an all-night bull session at Columbia Pictures it was decided to take out one of the "F"s. ~ Hal Erickson, All Movie Guide

Treasure of the Golden Condor is a Technicolor remake of 1942's Son of Fury; both films were based on the same novel by Edison Marshall. Cornel Wilde stars in the old Tyrone Power role as Jean-Paul, a Frenchman cheated of his birthright by his duplicitous uncle (George Macready). Retreating to South America with lovable reprobate MacDougal (Finlay Currie), Jean-Paul searches for buried treasure in the jungles of Guatemala. He also romances MacDougal's comely daughter Clara (Constance Smith). Eventually, Jean-Paul must bid Clara goodbye and return to France, there to settle accounts with his uncle. Clara prays for the day that Jean-Paul will come back for her and as the closing music swells . . . . ~ Hal Erickson, All Movie Guide

Clemson Reade (Cary Grant) is the kind of man who wants to marry an old-fashioned girl, one who will stay home and take care of her husband. However, he's fallen in love with Priscilla "Effie" Effington (Deborah Kerr), who has an exciting career with the State Department that she has no intention of giving up. Clemson has the poor timing of proposing marriage to Effie just as she's in the middle of trying to resolve a major political crisis with the Middle Eastern nation of Bukistan; the United States wants to stay on Bukistan's good side, thanks to their plentiful reserves of oil. Tired of waiting for Effie, Clemson decides that he needs to find a potential bride who will follow his lead instead of her own, and he soon meets Princess Tarji (Betta Saint John), daughter of the King of Bukistan, who has spent her life learning to faithfully serve her man. Clemson half-seriously sends a telegram proposing marriage to Tarji, which touches off a political tempest in a teapot when Tarji responds by visiting the United States. The State Department decides that someone should look after Tarji while she's in America, and who should be given the assignment but Effie; to Clemson's chagrin, Effie uses her time with Tarji to enlighten her about the more liberated status of women in the West. By the way, don't bother looking for Bukistan in your atlas, the country doesn't really exist. ~ Mark Deming, All Movie Guide

Dreamboat stars Clifton Webb as Thornton Sayre, the perfectionist professor of literature at a sedate Midwestern university. Widowed and with a pretty daughter (Anne Francis), Sayre has given no clue to his previous life before becoming a teacher. But thanks to television, everyone discovers that Sayre is actually Bruce Blair, a former silent screen star known as "America's Dreamboat." Sayre's onetime leading lady (Ginger Rogers) has made a comeback hosting screenings of her old films on TV, and the result is acute embarrassment for both the professor and his college. Sayre takes the case all the way to court, where he wangles a compromise agreement: he will permit his films to be televised as long as they're not "doctored" to accommodate commercial endorsements (this was based on a real-life lawsuit involving cowboy Gene Autry -- which Autry lost). The ensuing publicity costs Sayre his college job, but the renewal of interest in his old films results in a new movie contract. Although silent movies and singing commercials are easy satirical targets, Dreamboat still delivers the laughs, and it's fun to see Clifton Webb camping it up as a "Doug Fairbanks" type. ~ Hal Erickson, All Movie Guide

The third and (to date) last film version of the Edna Ferber/Jerome Kern/Oscar Hammerstein II musical Show Boat falls just short of greatness but is still a whale of a show. Howard Keel and Kathryn Grayson are in fine fettle as irresponsible gambler Gaylord Ravenal and showboat ingenue Magnolia Hawks. The plot adheres closely to the Broadway original making several welcome improvements in the final act (which was always a bit shaky). Magnolia, daughter of showboat impresario Captain Andy (Joe E. Brown) and Parthy Hawkes (Agnes Moorehead), falls head over heels in love with the raffish Ravenal. When the show's leading lady, Julie (Ava Gardner), and leading man, Steve (Robert Sterling), are forced to leave when Julie's mulatto heritage is revealed by disgruntled suitor Pete (Leif Erickson), Magnolia and Gaylord step into the vacant stage roles and score a hit. Eventually, the two are married and for several months are quite happy. After incurring serious gambling losses, however, Gaylord walks out of Magnolia's life never realizing that his wife is expecting a baby. With the help of her former showboat colleagues Ellie and Frank Schultz (Marge and Gower Champion) and a behind-the-scenes assist from the tragic Julie, Magnolia secures work as a Cabaret singer in Chicago. Her new year's eve debut threatens to be a bust until her father Captain Andy quells the rowdy crowd and guides his daughter through a lovely rendition of After the Ball (a Charles K. Harris tune that pops up in every stage version of Show Boat). Magnolia returns to her family, with her daughter Kim in tow. Upon learning from Julie that he has a daughter, Gaylord returns to Magnolia and Kim, setting the stage for a joyous ending.

Virtually all of the Kern-Hammerstein songs are retained for this version of Show Boat (though none of the songs specially written for the 1936 film version are heard). These cannot be faulted, nor can MGM's sumptuous production values. Still, the 1951 Show Boat leaves one a bit cold. Perhaps it was the removal of the racial themes that gave the original so much substance (as black stevedore Joe, William Warfield exists only to sing a toned-down version Ol' Man River while Joe's wife Queenie is virtually written out of the proceedings). Also, MGM reneged on its original decision to cast Lena Horne as Julie; the role was recast with Ava Gardner and rewritten with an excess of gooey sentiment). Or perhaps it was the production's factory-like slickness; typical of the film's smoothing out of the original property's rough edges was the casting of Marge and Gower Champion, who are just too darn good to be convincing as the doggedly mediocre entertainers Frank and Ellie. Even so, Show Boat does have Howard Keel and Kathryn Grayson at their peak, not to mention the peerless Joe E. Brown as Captain Andy. And the film was a financial success, enabling MGM to bankroll such future musical triumphs as Singin' in the Rain and Seven Brides for Seven Brothers. ~ Hal Erickson, All Movie Guide

Convicted stars Glenn Ford as a hotheaded young man convicted of manslaughter. Broderick Crawford plays a sympathetic warden (formerly a tough DA) who tries to help Ford adjust to prison life, eventually giving the lad responsibilities in the warden's office. Ford witnesses the killing of a stoolie by another convict (Millard Mitchell), but adheres to the prison "code" and refuses to talk, even though it means he will be accused of the killing. Mortally wounded by a guard in a subsequent fracas, the real murderer confesses and Ford escapes the electric chair--into the arms of the warden's daughter (Dorothy Malone), with whom he has fallen in love. Convicted was the third film version of Martin Flavin's 1929 stage play The Criminal Code. ~ Hal Erickson, All Movie Guide

In this revised adaptation of Oscar Wilde's famous comedy of manners, Lady Windermere's Fan, the middle-aged but still beautiful Mrs. Erlynne (Madeleine Carroll), well-known for her romantic adventures, has cast her eye upon Lord Windermere (Richard Greene), who is married to Lady Windermere (Jeanne Crain), a woman young and beautiful but socially conservative and harsh in her judgements of others. Lord Windermere is just as interested in Mrs. Erlynne as she is in him, and soon he's giving her money to live in the lavish manner to which she's accustomed. When Lady Windermere discovers this, she takes up with handsome rogue Lord Darlington (George Sanders), who makes no secret of his interest in her. When Mrs. Erlynne hears of Lady Windermere's indiscretion, she urges the younger woman not to make the tragic mistakes she has made and reveals a long-hidden secret: she is actually Lady Windermere's mother. The legendary Dorothy Parker co-wrote the screenplay for The Fan, which proved to be the last film for co-star Madeleine Carroll. ~ Mark Deming, All Movie Guide

Eight-year-old Beau Bridges essayed his first leading role in Zamba. Bridges plays a young boy who, with his mother (June Vincent), is stranded in the middle of the African jungle. Through circumstances beyond their control, mother and son are separated. She manages to reach civilization and organize a searching party for her son. Meanwhile, the boy is adopted by a friendly gorilla named Zamba (actually veteran stuntman Ray Corrigan in an ape suit). Comedy relief is provided by George O'Hanlon, taking a break from his "Joe McDoakes" short subjects. One wonders if clips from Zamba will resurface when Beau Bridges receives his AFI Lifetime Achievement Award in the year 2019. ~ Hal Erickson, All Movie Guide

After suffering nobly in several heavyweight MGM dramas, Greer Garson and Walter Pidgeon begged the studio to cast them together in a comedy. Though not an all-out laff riot, Julia Misbehaves strives hard to please. Garson plays an ever-in-debt British music-hall performer who relies on the largess of her friends to keep the wolf from the door. Pidgeon portrays Garson's ex-husband, who for the past 20 years has lived in Paris with their daughter Elizabeth Taylor. When Taylor becomes engaged, she sends Garson a wedding invitation. Broke again, Garson hastily joins an acrobatic act to earn steerage money, and charms British nobleman Nigel Bruce into giving her enough cash for a wedding present. Once she arrives in Paris, Garson sticks her nose into everyone's affairs, much to the dismay of the uptight Pidgeon. Garson even advises daughter Taylor to marry someone other than her betrothed. Despite her screwball behavior, Pidgeon can't help falling in love with Garson all over again--but it takes a zany sequence in and around a mountain chalet to knot together the many loose plotlines. Julia Misbehaves was adapted from The Nutmeg Tree, a novel by Margery Sharp. ~ Hal Erickson, All Movie Guide

Monogram's French Leave received an inordinate amount of press coverage because of its teaming of two former child stars. Jackie Cooper and Jackie Coogan play a couple of amorous merchant seamen on the loose in a small French village. Hoping to score with the local mademoiselles, the two Jackies become sidetracked with black market activities. The boys bend a few laws along the way, but everything turns out just fine. It was French Leave that convinced Jackie Cooper to seek out acting lessons rather than coast on his past fame; as for Jackie Coogan, he wouldn't truly make a comeback until losing his hair and re-emerging as a cantankerous character actor on such TV series as The Addams Family. ~ Hal Erickson, All Movie Guide