Joel Marston Movies

Hurriedly assembled to capitalize on the Paramount feature of the same name, Magna Pictures' Harlow was shot in less than two weeks, utilizing a glorified TV-kinescope process called Electronovision. Carol Lynley is physically an excellent choice to play 1930s Hollywood "platinum blonde" Jean Harlow, though she has little of Harlow's casual charisma. Pushed into a movie career by Mama Jean (Ginger Rogers) in order to support her dysfunctional family, Jean rises from 2-reel comedies to big-budget features in the space of a year. Though one of the highest-priced stars at MGM, Jean's fortune is rapidly depleted by her high-living (and, it is hinted, incestuous) stepfather Marino Bello (Barry Sullivan). Seeking happiness and security, Jean marries producer Paul Bern (Hurd Hatfield), only to have him commit suicide due to his impotence. Just when her misery is about to be ended by her marriage to movie star William Mansfield (Efrem Zimbalist Jr.)--a thinly disguised William Powell, who refused to allow his name or likeness to be used--Jean dies of uremia at the age of 26. If you can get past those miserable Laurel & Hardy imitators at the beginning of Harlow, you might be able to survive the rest of the picture, which gives a whole new meaning to the word "cheap." Watch for boxing champ Sonny Liston in a one-scene bit. ~ Hal Erickson, Rovi

Featuring footage from two real forest fires seamlessly edited into the story's nail-biting climax, this thrilling crime drama chronicles the redemption of three young punks who are captured by a local sheriff while robbing an Oregon gas station. Unfortunately, during the arrest, the propitious lawman neglects to check the female crook for weapons and she whips out a gun. The three delinquents then take him hostage. They then head for the forest to spend the night. The female tries unsuccessfully to seduce the cop. The next morning one of the guys wants to kill him, but instead dies himself. Meanwhile a search and rescue team looks for the missing sheriff. They crooks are captured and the young boy claims that the cop raped the young girl. A heated argument ensues. The fire begins when the young boy throws a lit cigarette upon the ground. As a result of his thoughtlessness, a town is endangered and must somehow be evacuated before a terrible disaster ensues. ~ Sandra Brennan, Rovi

In this drama, a Korean war veteran, a victim of brainwashing while he was a POW, finally goes back to his home in Washington, DC, where he resumes his job at a public relations-opinion research firm. He soon discovers that his company is being run by communists after his partner mysteriously died. Now pro-communist propaganda seems to be their primary business. To stop them, the vet begins cooperating in a full-scale Senate investigation. ~ Sandra Brennan, Rovi

The Disembodied is a voodoo melodrama set in a Hollywood-backlot jungle. The villain of the piece is Tonda (Allison Hayes), the craven wife of jungle doctor Metz (John Wengraf). Whenever she can't get what she wants, Tonda resorts to voodoo to confound and destroy her enemies. Naturally, she receives her comeuppance in a particularly untidy fashion. Top billing is bestowed upon Paul Burke, who after achieving stardom in TV's Naked City and 12 O'Clock High tended to remove Disembodied from his resume. The film was originally released on a double bill with From Hell it Came. ~ Hal Erickson, Rovi

Battle Taxi is set during the height of the Korean War. Sterling Hayden plays an officer of the Helicopter Air Rescue Service, whose job it is to save wounded or stranded soldiers from hostile territory. Arthur Franz costars as a lieutenant assigned to the copter service, who at first resents his position but eventually realizes his importance in the scheme of things. The film sticks to basics, eschewing any and all romantic subplots -- in fact, there isn't a single female character in the picture! ~ Hal Erickson, Rovi

Sir James Barrie's whimsical play Rosalind was updated and urbanized as the 1953 film Forever Female. Ginger Rogers plays a veteran Broadway star who has optioned a play written by William Holden. Though on the less sunny side of 40, Rogers expects to play the leading role, that of a 19 year old girl. Producer Paul Douglas--who also happens to be Rogers' husband--insists that Holden alter the age of the main character. Meanwhile, iron-willed ingenue Patricia Crowley, who is far more suited to the part than Rogers, begins her own campaign to win the role. Far more enjoyable than the plot mechanics of Forever Female are the sly showbiz inside jokes, courtesy of screenwriters Julius and Philip Epstein. It's also fun to tick off the familiar faces in the supporting cast, including George Reeves as a stuffy suitor, future Mrs. Bing Crosby Katherine Grant as an auditioning actress, and Gunsmoke and Dragnet villain Vic Perrin as an effeminate set designer. ~ Hal Erickson, Rovi

Director Leslie Selander invests the Allied Artists "special" Fighter Attack with the same energy that he'd previously applied to his many westerns. Set during World War II, the film concerns an effort to destroy a Nazi supply depot. Though he's flown enough missions to be sent home, squadron leader Steve (Sterling Hayden) insists upon leading the offensive--and, on cue, is shot down behind enemy lines. Rescued by resistance fighters (Joy Page and J. Carroll Naish), Steve becomes the "inside man" for his squadron, laying the groundwork for the destruction of the German supplies. Fighter Attack was pleasingly filmed in the two-color Cinecolor process, as were many Monogram/Allied Artists "A"s of the period. ~ Hal Erickson, Rovi

Rex Allen, his horse Koko, and his sidekick Slim Pickens play themselves in Old Oklahoma Plains. Set in the 1920s, the film finds Allen trying to convince local ranchers to allow the army room for their tank maneuvers. Rabble-rouser Roy Barcroft, certain that the tank will make horses obsolete, organizes mob resistance against the military. At first glance, the film's finale -- a race between tanks and mounted cavalry -- seems like a novelty. At closer glance, however, most of the climactic sequence consists of stock footage lifted from the 1938 Republic production Army Girl. ~ Hal Erickson, Rovi

Singer Frances Langford stars as herself in Purple Heart Diary. The film is a reenactment of Langford's USO tours during WW II, as reported in the singer's newspaper columns for the Hearst syndicate. Also appearing as themselves are two of Langford's fellow troupers, singer Tony Romano and comic pianist Ben Lessy. Since Langford couldn't very well participate in a fictional wartime romance (her actual love life was public domain thanks to the various Hollywood columnists of the era), the love interest is handled by Aline Towne and Brett King, cast respectively as an army nurse and a crippled ex-football jock. The musical sequences in Purple Heart Diary play a lot more credibly than the melodramatic "courage under fire" setpieces. ~ Hal Erickson, Rovi

James Cagney delivers a vibrant performance as a down-on-his-luck Broadway musical director in The West Point Story, featuring songs by Sammy Cahn and Jule Styne. Cagney plays out-of-work director Elwin "Bix" Bixby, who reluctantly accepts a job from producer Harry Eberhart (Roland Winters) to stage a show at West Point written by Harry's nephew Tom Fletcher (Gordon MacRae). Harry thinks Tom's show could be a Broadway success if he would only quit West Point. Bix travels to West Point, with his girlfriend, Eve (Virginia Mayo), in tow, to whip the show into shape. But Bix is frustrated by the academy's rules, which interrupt his rehearsal schedule. In frustration, Bix hits a cadet. In order to continue to work on the show, Bix must become a cadet himself, and deal with the attendant hazing that entails. When the one of the show's stars, Jan Wilson (Doris Day), is brought out to work on the production, Tom falls in love with her and goes AWOL to return with her to Hollywood. Bix, in order to save Tom's military career, has to go to Hollywood and bring Tom back to West Point. ~ Paul Brenner, Rovi