Vera Marshe Movies

Minerva Doubleday (Phyllis Love) hires Paul Drake (William Hopper) to act as courier in the sale of her Uncle Homer's (Will Kuluva) rare Confederate half-dollar, which is supposedly worth $50,000. But what follows is a maelstrom of theft, embezzlement, blackmail, and finally murder, with George Parsons (Hunt Powers) as the victim. Lucky for accused killer Minerva that Paul Drake is a close associate of lawyer Perry Mason (Raymond Burr). ~ Hal Erickson, Rovi

The plot gets under way when artist Jack Culross (Britt Lomond) fakes his own suicide so that his paintings will increase in value. Upon discovering that her husband is still alive, Culross' wife Edna (Lori March) tracks him down and angrily confronts him. Not long afterward, Culross is found dead for real, and Edna is charged with the crime. Perry Mason (Raymond Burr) must find out who else knew of Culross' phony suicide--and who else hated him enough to kill him. With this episode, Wesley Lau becomes a regular as Lt. Anderson, though in many episodes he is still billed among the supporting players. ~ Hal Erickson, Rovi

The much-despised Allan Sheridan (William J. Campbell) is going to need the $162,000 he is due to inherit: deeply in debt to several people, Sheridan had better pay up in a hurry if he doesn't want his list of enemies to increase. As it turns out, one enemy is more than enough to bludgeon Sheridan to death with an ashtray. Perry Mason (Raymond Burr) enters the scene to defend the chief suspect, Sheridan's cousin Sarette (Lurene Tuttle) (who curiously was identified as the victim's aunt in the original TV Guide synopsis!) ~ Hal Erickson, Rovi

A frantic woman named Harriet Hopper (Vera Marshe) bursts into the offices of the "Daily Planet" demanding to speak to Superman--and makes a beeline to the office of Clark Kent (George Reeves! How has Harriet managed to tumble to Clark's secret identity? Well, it seems that her nephew Alan (played by Billy Gray of Father Knows Best fame) is a camera bug, and has managed to snap an infra-red photo of Clark changing into his Superman outfit. Though Kent manages to alibi his way out of this sticky situation, young Alan is not yet out of the woods: He has also taken a picture of a dangerous criminal named Burnside (John Eldredge) faking his own death in order to defraud an insurance company. ~ Hal Erickson, Rovi

Despite its title, Western Pacific Agent is a contemporary crime melodrama. Kent Taylor stars as a railroad detective, assigned to track down an elusive robber-murderer. The audience knows from the outset who the culprit is (hotheaded Mickey Knox, who delivers an astonishingly vicious performance), but the plot requires the detective to methodically piece together the evidence before making his final move. Helping him solve the crime is the sister (Sheila Ryan) of a slain paymaster (Robert Lowery). The whole story is narrated in flashback by an uncredited Jason Robards Sr. One of the most brutal films of its era, Western Pacific Agent spares the audience nothing: at one point, the villain beats up his own father! ~ Hal Erickson, Rovi

Gene Autry sings, fights, and sings some more in the Cinecolor "special" The Big Sombrero. Autry comes to the aid of senorita Estrellita Estrada (Elena Verdugo), who is slated to marry villainous James Garland (Stephen Dunne). The caddish Garland intends to sell Estrellita's ranch for a huge profit once he's tied the matrimonial bonds. Interspersed throughout the action highlights are scenes of an ongoing fiesta, with music, dancing and pageantry aplenty. Like all of Gene Autry's personal productions, Big Sombrero benefits from tasty production values and a surfeit of thrills. ~ Hal Erickson, Rovi

In this romantic comedy, a wealthy heiress marries hastily and realizes her mistake on her honeymoon in New York. Though it is her wedding night, she decides not to consummate the union and so ends up hiding in the room of a fellow whose airplane cargo company is facing financial ruin. He assumes that the frightened girl is poor and homeless and so takes her in. She then overdoses on sleeping pills and cannot wake up. The fellow is forced to take her back to California. The flight back is tumultuous as she, a fugitive criminal, two enamored newlyweds, a cigar smoking chimp, a corpse, and a shipment of lobsters are aboard the plane. Mayhem really ensues when the plane crashes in a farmer's field. By this time, the woman and the fellow have fallen in love. ~ Sandra Brennan, Rovi

Bearing traces of such earlier hits as My Favorite Blonde and The Ghost Breakers, Where There's Life is one of the best of Bob Hope's postwar vehicles. The inimitable Mr. Hope is cast as New York radio personality Michael Valentine, who's poised to marry his long-time fiancee Hazel O'Brien (Vera Marshe). But destiny takes a hand when, in the far-off kingdom of Barovia, King Hubertus II (William Edmunds) is felled by an assassin's bullet. To avoid a revolution, the King's cabinet hurriedly searches for Hubertus' sole heir -- who, according to all reliable sources, is one Michael Valentine. Gorgeous General Katrina Grimovich (Signe Hasso) is dispatched to New York to bring Valentine back to Barovia, while a group of insurrectionists, headed by Krivoc (George Coulouris) and Stertorius (George Zucco), conspire to kill Valentine before he can ever leave American soil. When Valentine is apprised of his royal lineage, he assumes that he's the victim of a practical joke perpetrated by his announcer Joe Snyder (George Zucco). Once he's convinced that it's no joke, Valentine and Katrina scurry about the streets of Manhattan, dodging potential assassins at every turn -- not to mention keeping out of the way of Hazel's muscle-bound policeman brother Victor (William Bendix), who assumes that Valentine is merely trying to weasel out of his wedding. Full of bright dialogue and hilarious gag situations, Where There's Life is vintage Bob Hope. ~ Hal Erickson, Rovi

When he was first offered the film version of the best-selling Frederick Wakeman novel The Hucksters, Clark Gable turned it down, characterizing the book as "filthy and not entertainment." He finally agreed to star in the film after screenwriter Luther Davis' extensive laundering job. Gable plays Vic Norman, a radio advertising executive just returned from World War II. His wartime experiences have soured him on the phony aspects of his profession; nonetheless, he takes a job with the biggest and phoniest agency in town, headed by the glad-handing Kimberly (Adolphe Menjou). At Kimberly's recommendation, Vic takes over the Beautee Soap account, which brings him in close quarter's with Beautee's boorish head man Evans (Sidney Greenstreet). At their first meeting, Evans unexpectedly spits on his highly polished conference table. "Gentlemen," he growls, summing up his philosophy on advertising, "You have just seen me do a disgusting thing. But you will always remember it!" (Evans was based on George Washington Hill, the colorfully crude president of the American Tobacco Company). Vic's first assignment for Evans is to round up 25 high society women to sign testimonials for Beautee Soap. The least cooperative of the bunch is young widow Mrs. Dorrance (Deborah Kerr, in her American film debut), the stepdaughter of an American war hero. Attracted to Vic, Mrs. Dorrance signs the agreement, but breaks off her personal relationship with Vic when it appears as though he's making unsolicited advances towards her. The ever-demanding Evans then insists that Vic sign up two-bit comedian Buddy Hare (Keenan Wynn) for a radio program. Becoming more and more corrupt with each passing day, Vic obtains Hare's service at a rock-bottom price by blackmailing the comedian's agent (Edward Arnold), Vic's onetime close friend. A demo record is made of Hare and of nightclub singer Jean Ogilvie (Ava Gardner), who is in love with Vic but who eventually gives him up because of his apparent lack of scruples. Returning to the Beautee Soap headquarters, Vic watches dumbstruck as Evans smashes the demo record--then laughs uproariously, telling Vic that the contract is his, along with a $25,000 bonus. By this time, Vic is so disgusted with himself and with Evans' childish baiting tactics that he tells off the soap mogul in no uncertain terms, ending his tirade by dousing Evans with a pitcher of water. Having regained his integrity, Vic is now worthy of the love of Mrs. Dorrance, who has forgiven him his earlier misdeeds. As the film ends, she encourages Vic to use his advertising talents for something clean and honest (and, undoubtedly, starve to death in the process!) To mollify Madison Avenue, screenwriter Davis narrowed the attack on advertisers to one single radio sponsor; to please Gable, Mrs. Dorrance was changed from a still-married woman to a widow, while Vic Rodman is transformed from a "huckster" to an idealist who Does the Right Thing at the end. The Hucksters is one of Clark Gable's best postwar films, as well as one of the finest Hollywood satires of the rarefied world of advertising. ~ Hal Erickson, Rovi

This neat, fast-paced perfectly cast film noir reflects the hard-boiled, grim wit of the author of its screenplay, Raymond Chandler. Johnny Morrison (Alan Ladd) returns from the war to find his wife Helen (Doris Dowling) having a party and in the arms of another man. Johnny and Helen have a terrible fight, and later Helen is found dead. Johnny must prove his innocence and he enlists the aid of Joyce Haywood (Veronica Lake), the ex-wife of Helen's lover. Pursued by the cops, and never sure if he is being set-up for the murder, Johnny finally solves the murder and clears his name. Alan Ladd is at his hard-boiled, no-nonsense best as Johnny and Veronica Lake is, as always, the perfect noir femme-fatale, mysterious and alluring. Nicely directed by George Marshall, the film moves with great pace to an exciting, satisfying conclusion. The screenplay, the only one written by Chandler directly for the screen, was nominated for an Academy Award. ~ Linda Rasmussen, Rovi

Robert Young stars as a WW2 pilot named Hank, who accompanies his pal Jerry (Bill Williams, in his film debut) on a furlough. Jerry introduces his girlfriend Helen (Laraine Day) to Hank, a notorious and unrepentent womanizer. In a twinkling, Hank tries to steal Helen away from Jerry-but succeeds only after proving that he's a nice guy after all. Ann Harding, one of RKO Radio's leading star of the early 1930s, returns to her old studio to play Helen's all-knowing mother. Those Endearing Young Charms is based on a Broadway play by Edward Chodorov, originally purchased for the screen by independent producer Sam Goldwyn. ~ Hal Erickson, Rovi