Marion Marshall Movies

Blake Edwards directed this big-screen adaptation of the once-popular TV detective series Peter Gunn, which Edwards helped create. Peter Gunn (Craig Stevens) is a tough but polished private eye who fights crime with the help of friendly advice from an inside source at the police department, Lt. Jacoby (Edward Asner), no-nonsense nightclub owner Mother (Helen Traubel), and Gunn's best girl, Edie (Laura Devon). When a top crime boss is assassinated, Gunn is called in to investigate. Fusco (Albert Paulson) is a mobster poised to take over the city's criminal empire, and Daisy Jane (Marion Marshall) is a madame who thinks that Fusco pulled the trigger to further his own career. Jane wants Gunn to dig up the truth about Fusco, though Daisy Jane turns out to be the one with the biggest secret of all. Gunn retains Henry Mancini's memorable theme music from the original show, and brought back Craig Stevens, who played Peter Gunn on the original TV series, though Herschel Bernardi and Lola Albright were replaced as (respectively) Jacoby and Edie. ~ Mark Deming, All Movie Guide

Sarah Werner (Osa Massen) begs Perry to locate her husband Hugo (Kurt Krueger), who ran off with all her money, leaving her alone and destitute. Perry's secretary Della suspects that Sarah isn't being entirely truthful, especially since the woman is wearing a very expensive perfume. As for Hugo--or as he is now calling himself, Hans Breel--he is currently involved in an elaborate scam involving a priceless gem called the Pundit Stone. When Hugo turns up murdered, Sarah is accused of the crime, whereupon Perry does some diligent digging into the facts (some of which are actually fallacies) to clear his client. ~ Hal Erickson, All Movie Guide

The third season of Perry Mason begins with a typically baffling set of circumstances. Just before he left for a business trip, henpecked Bruce Chapman (Karl Weber) stumbled upon the strangled body of his hateful wife Marie (Peggy Knudsen). Deciding not to press his luck, Bruce did not report the crime. Upon his return, Bruce is charged with murder--even though all evidence suggests that his wife is still very much alive! To be sure, there has been a murder, and there is a culprit; it's up to Perry Mason (Raymond Burr) to figure out who did what to whom. ~ Hal Erickson, All Movie Guide

Filmed right after 1951's At War with the Army, the Dean Martin-Jerry Lewis vehicle The Stooge was shelved until late 1952 to make way for another military farce, Jumping Jacks. When Stooge finally hit the screens Martin and Lewis fans were surprised by its dramatic content and the subdued performances of its stars. Martin plays an obnoxious vaudeville singer named Bill Martin, who gets nowhere professionally until he is accidentally teamed with goofy would-be comic Ted Rogers (Lewis). Bill and Ted climb to the top of the showbiz heap with a riotous act wherein Bill's onstage singing is interrupted by Ted's heckling from the audience (not unlike Martin and Lewis' genuine nightclub act). As his fame grows, so does Bill's ego, and eventually he ditches Ted to strike out on his own. Without his partner, however, Bill is a failure, so it's up to faithful Ted to save the day and patch up the friendship. The "femme angle" (to use Variety's phrase) is handled by Marion Marshall as Frecklehead Tait and Polly Bergen as Mary Turner. It's worth noting that The Stooge was Jerry Lewis' favorite Martin and Lewis comedy. ~ Hal Erickson, All Movie Guide

Money, romance, betrayal, double-dealing -- who knew making dresses could be so interesting? Harriet Boyd (Susan Hayward) is a fashion model who has landed plenty of work with a Seventh Avenue dress-making concern. However, Harriet knows that she can't be a model forever, so she is trying to turn her dreams of being a dress designer into reality. She knows that you have to be tough to succeed in the garment industry, but "tough" is practically Harriet's middle name; the ruthless would-be garment mogul lures salesman Teddy Sherman (Dan Dailey) and production whiz Mr. Cooper (Sam Jaffe) from the company and starts her own shop. Harriet has a genuine talent for designing dresses that look good on ordinary women, and the firm soon develops a solid customer base, but the more luxurious and lucrative department stores are looking for something more upscale. J.F. Noble (George Sanders), who runs one such chain, tells Harriet he'd be interested in carrying her merchandice if she was willing to create a line of designer-style gowns. Teddy is against the idea, feeling it doesn't play on their strengths and would be bad for the company in the long run. Harriet, however, is determined to make a name for herself, and when Teddy and Cooper won't allow her out of their deal, she begins making gowns for Noble on the sly. Once the deal with Noble is sealed, Harriet informs Teddy and Cooper that they have no choice but to go along with her; this does not sit well with either of them, especially Teddy, who has become romantically involved with Harriet, though she toys with Noble out of self-interest. I Can Get It for You Wholesale (also released as Only the Best) was based on a novel by Jerome Weidman; the book was later adapted into a Broadway musical, which is best remembered today for providing Barbra Streisand with her first big break in show biz. ~ Mark Deming, All Movie Guide

A Ticket to Tomahawk has sometimes been described as a musical western satire, but in fact is more "straight" western than anything else--not that there's anything wrong with that, of course. Dan Dailey plays a travelling medicine show entrepreneur who comes to the aid of fast-shootin' Anne Baxter, daughter of a railroad man. Stagecoach line representative Rory Calhoun is doing everything he can to prevent a new train service from winning a Colorado territory franchise. The whole affair boils down to a race between the train and Calhoun's coaches. The film's never-take-a-breath action scenes are played out against some of the most gorgeous Colorado scenery ever captured on Technicolor. A Ticket to Tomahawk has achieved latter-day fame due to the unbilled presence of Marilyn Monroe as one of Dan Dailey's chorus gals. ~ Hal Erickson, All Movie Guide

Stella is an out-of-left-field black comedy in which star Anne Sheridan is upstaged by an uproarious supporting cast. At a family picnic, a none too likeable uncle dies from accidentally eating poisoned mushrooms. The other family members don't want to be accused of murder, so they leave it to the stupidest branch of the clan, personified by David Wayne and Frank Fontaine, to dispose of the body. When it is learned that Uncle had a hefty insurance policy, the family tries to palm off various corpses as the genuine article. The final image is of Wayne and Fontaine digging hundreds of holes in the field where uncle is resting; it seems they can't remember where they buried him! Stella is based on a somewhat more serious novel by mystery specialist Doris Miles Disney. ~ Hal Erickson, All Movie Guide

Love That Brute is a remake of the 1942 comedy Tall, Dark and Handsome. In the original, Cesar Romero starred as a soft-hearted 1920s gangster who manages to maintain a reputation as a dangerous character, even though he's never killed anyone in his life. In the remake, Romero is cast as Pretty Willie, the principal villain, while the starring role is essayed by Paul Douglas. Falling in love with Ruth Manning (Jean Peters), the pretty recreation director of the city's park system, "Big Ed" Hanley (Douglas) hires Ruth as the governess for his children. Trouble is, he has no children, so he dispatches his faithful henchman Bugs (Keenan Wynn) to find him a kid. Meanwhile, "Big Ed" tilts with arch-enemy Pretty Willie, gaining the upper hand when it appears that "Big Ed" has bumped off several of Willie's lieutenants. Discovering that her boss is a gangster, Ruth is about to walk out on him--and then, the truth behind Ed's phony "killer instinct" is hilariously revealed. ~ Hal Erickson, All Movie Guide

This musical comedy stars William Powell as Emery Slade, who was once a major film star but lately isn't getting much work. Arrogantly determined to climb back to the top, Slade convinces studio chief Melville Crossman (Adolphe Menjou) to give him the male lead in the film version of a Broadway musical. However, Crossman's offer comes with a catch: Emery has to persuade the show's female lead to appear in the movie. Slade heads to New York to seal the deal, but instead he discovers a gifted young unknown named Julie Clark (Betsy Drake) and decides she's perfect for the role. Crossman is not too enthusiastic about this news, and neither is publicist Bill Davis (Mark Stevens), who is given his pink slip along with Slade. However, Slade is determined to make a career for Julie in Hollywood, though it's not until later that he realizes why he feels so strongly about her. Movie buffs will get a kick out of Menjou's performance, closely modeled on 20th Century Fox boss Darryl F. Zanuck. ~ Mark Deming, All Movie Guide

This musical romance is set during the Great Depression and centers upon the rocky marriage between a flapper script girl and her band-leader spouse. Prior to the big stock market crash, they spend much of their time touring. She tires of it and returns to her country home. Unable to find new bookings, he soon joins her and brings with him his acerbic, cynical manager. The bandleader finds the pastoral life a crashing bore and so heads for the big city to find fortune. Fortunately, by the story's end, he succeeds and happiness is the result. Songs include: "Crazy Rhythm," "You Were Meant for Me," "Goodnight Sweetheart" "Sweet Georgia Brown" and "What Can I Say After I Say I'm Sorry." ~ Sandra Brennan, All Movie Guide

Jason (William Holden) is a World War II veteran going to college on the GI Bill in the hope of bettering himself. He has recently married his sweetheart, Peggy (Jeanne Crain), who has learned that they're having a baby. However, money is tight for the young couple, and inexpensive housing is at a premium in the post-war boom times. Peggy meets Professor Henry Barnes (Edmund Gwenn), an instructor at the college who lives alone in a huge house. Barnes is convinced that the best years of his life are over, that he has no purpose in life, and that our culture has sacrificed its highest ideals. But Peggy convinces Prof. Barnes to let her and Jason stay in his attic. As the newlyweds try to turn the cobwebbed space into a home, the professor gets to know his tenants better, and their enthusiastic optimism rubs off on him, giving him a sense that there are things left to be accomplished and reasons to go on. Apartment for Peggy reunited director George Seaton with actor Edmund Gwenn, who had clicked the previous year in the classic Miracle on 34th Street. ~ Mark Deming, All Movie Guide

FBI operative Mark Stevens is dispatched by his boss Lloyd Nolan to infiltrate a criminal gang. Stevens ingratiates himself with Richard Widmark, the gang's leader, then helps concoct a robbery that will deliver the criminals into the hands of the authorities. But there's an informant in the police department, who gets word back to Widmark. Aware that there's a stoolie in his gang, Widmark automatically assumes that his wife Barbara Lawrence is the guilty party, and beats her senseless. Eventually determining that Stevens is the "mole," Widmark methodically plans to kill Stevens during a holdup; by this time, however, the FBI is a step or so ahead of him. Remade in 1955 by Samuel Fuller as House of Bamboo. ~ Hal Erickson, All Movie Guide

Preston Sturges' Unfaithfully Yours is a typically witty and wild screwball comedy starring Rex Harrison as a symphony conductor named Alfred de Carter who is convinced his wife (Linda Darnell) is having an affair. During one of his concerts, Alfred begins planning three different ways of solving the problem -- including murder -- setting each to a different classical piece. Sturges' script and direction are lively and the actors are perfectly cast, capable of wringing all the humor, both physical and verbal, out of the story. Despite the artistic success of the film, Unfaithfully Yours was unsuccessful at the time of its release, yet it was well-regarded by critics and film buffs. It was remade in 1984, featuring Dudley Moore in the lead role. ~ Stephen Thomas Erlewine, All Movie Guide